If you’re looking for an easy summer read, Cornelia Read’s debut novel, A Field of Darkness is NOT the book for you.
If, however, you’re interested in a thriller with substance, a dark yet compelling story that is intelligent and intense, then this may be the novel for you. It’s by no means an easy read, but it is smart and even its harshness enriches the themes found within its pages.
A Field of Darkness is a mystery thriller set in 1988 written in what the author calls WASP noir. The protagonist, Madeline Dare, is from money “so old that it’s gone.” Her family has deep roots and looks upon itself almost as aristocracy, replete with the privileges of having occupied the same space for a long time.
Madeline is someone who both wants to break from her family and its behaviors and who still has an intense loyalty and fierce protectiveness toward it. It is this conflict that opens the mystery of the novel. She is told about the grisly murder of two girls that took place in 1969. One of her in-laws tosses her dog tags that he found at the scene of the murder, but never turned in. She immediately recognizes the name on them—that of her favorite cousin, Lapthorne.
She sets out to prove that he is innocent, but her investigations lead invariably to more murders as she gets a little too close to the truth.
It’s a book that explores such themes as isolation, loyalty, and finding one’s individuality apart from one’s family and upbringing. Read also explores place and how it affects us as people. Madeline tells us in the opening lines of the book that she is not one of those people who can be happy anywhere. Place matters to her, much as it matters to her blue-blooded family.
Madeline is an interesting heroine—one who is deeply flawed yet very likable and very appealing. She has few illusions about herself and what ones she does have end up getting stripped away during the course of the novel. While she is trying to solve the murder, she isn’t exactly the most law-abiding person.
A fledgling journalist who has yet to get a big assignment, she blurs the lines between legality and illegality. She withholds information from the police—information that might have helped prevent at least one murder, possibly more. She has been a casual drug user in the past and is present during a fair amount of cocaine use—use that resonates with the 80s and the brat pack culture.
There are times when it felt like her withholding of information was less about protecting her cousin and family and more about protecting the progression of the plot. After all, if you hand too much information to the police, the story leaves the pages and falls into the hands of people whom we haven't met and ties the hands of the protagonist. However, it's not something that can be sustained for very long while maintaining credibility. Madeline's actions stretched the suspension of disbelief, but didn't break it.
Perhaps Read’s greatest strength is in her use of the language. She delights in making her words dance as they perform the ballet of storytelling. Her pages are rich with imagery and every sentence performs multiple roles in mood setting, plot pushing, and character revelation.
But while her greatest strength is in the way she makes her words sing, she also has a knack for creating interesting characters who each have their own voice and motivation. They’re characters who are deeply developed and have detailed pasts which influence their present-day behaviors. Read weaves complex relationships between all of her characters—not just between the protagonist and everyone else.
Many of the characters are distasteful. There were times when I found it difficult to sympathize with some of their characters because they behaved in ways I thought was foolish or despicable. However, this is something that contributed to the suspense of the novel as there were many potential suspects, all of whom presented a very real and immediate danger to Madeline and those around her.
A Field of Darkness is Read’s first novel. Published in hardcover by Mysterious Press, it has met with immediate critical acclaim. Kirkus Reviews and the New York Times both gave it favorable reviews. Kirkus said it was one of the top ten thrillers to be published in 2006. Author Lee Child called it “one of the best debuts I’ve ever seen” and invited her to tour with him after the book came out.
Such warm reception bodes well for the possibility of seeing more Madeline Dare books in the future.
Disclosure: Cornelia Read is a former member of Epinions and in the acknowledgements page, she gives credit to “Everyone at Epinions.com, who saw me through the darkest hours and gave me my writing chops back.” She lists 40 Epinions members who were on her trust list, including myself. I also interviewed her about this book for Book Help Web.