An intriguing introduction to break dancing.
In this fictionalized composite story, young boy named Manolo, raised in the Bronx, is inspired by the music around him to try break dancing. When he finally gets the courage to try it, he is less than successful. But with determination and persistence, he perfects many moves and becomes good enough to form a dance crew with his friends and perform in many places. Backmatter includes an afterword by the author about how she approached this topic and a bit more history about breaking. Also included are two pages about breaking terms/moves.
Acevedo's text has hits and misses. She does a great job of describing breaking - the moves and how it feels to dance. The refrain she uses "Rock, rock, y'all, and ya don't quit!" feels a bit clunky and dropped onto the page. Rather than telling this story as a composite, I really wish she had focused on a real person because this feels like a general "everyman" story rather than a laser-focused tale of success by one person.
It is Frank Morrison's acrylic artwork that steals the show here and becomes the focus of the reader's attention. They are gritty and dark, with plenty of movement and action, building up tension with the turn of the page (What will he show us next?). I particularly like the 2-page spread with Manolo's silhoutte between the reader and the graffiti-tagged subway train as it zips by. Morrison is the master of stylized portraits - their elongated bodies move gracefully across each and every page.
Pair this with Boogie Boogie, Y'all by C.J. Esperanza (HarperCollins, c2011) for a fun trip to the Bronx!
Recommended for PreSchool-grade 3.