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Die geheimnisvollen Frauen
Sybil Ellis is a seventeen-year-old orphan with very few options: If she doesn't want to be a governess or a companion--and she doesn't, she has to marry. So she marries Dr. Philip Maynard, who is old enough to be her grandfather and treats her like a daughter. In fact, he treats her like Judith, the daughter he had lost, even to calling her by that name and having all of his new servants do likewise. Then Sybil learns that there have been other "daughters" before her, and she realizes that this is not just a harmless eccentricity.
221 pages, Paperback
First published January 1, 1968
About the author
Marion Zimmer Bradley
824 books4,969 followersMarion Eleanor Zimmer Bradley was an American author of fantasy novels such as The Mists of Avalon and the Darkover series, often with a feminist outlook.
Bradley's first published novel-length work was Falcons of Narabedla, first published in the May 1957 issue of Other Worlds. When she was a child, Bradley stated that she enjoyed reading adventure fantasy authors such as Henry Kuttner, Edmond Hamilton, and Leigh Brackett, especially when they wrote about "the glint of strange suns on worlds that never were and never would be." Her first novel and much of her subsequent work show their influence strongly.
Early in her career, writing as Morgan Ives, Miriam Gardner, John Dexter, and Lee Chapman, Marion Zimmer Bradley produced several works outside the speculative fiction genre, including some gay and lesbian pulp fiction novels. For example, I Am a Lesbian was published in 1962. Though relatively tame by today's standards, they were considered pornographic when published, and for a long time she refused to disclose the titles she wrote under these pseudonyms.
Her 1958 story The Planet Savers introduced the planet of Darkover, which became the setting of a popular series by Bradley and other authors. The Darkover milieu may be considered as either fantasy with science fiction overtones or as science fiction with fantasy overtones, as Darkover is a lost earth colony where psi powers developed to an unusual degree. Bradley wrote many Darkover novels by herself, but in her later years collaborated with other authors for publication; her literary collaborators have continued the series since her death.
Bradley took an active role in science-fiction and fantasy fandom, promoting interaction with professional authors and publishers and making several important contributions to the subculture.
For many years, Bradley actively encouraged Darkover fan fiction and reprinted some of it in commercial Darkover anthologies, continuing to encourage submissions from unpublished authors, but this ended after a dispute with a fan over an unpublished Darkover novel of Bradley's that had similarities to some of the fan's stories. As a result, the novel remained unpublished, and Bradley demanded the cessation of all Darkover fan fiction.
Bradley was also the editor of the long-running Sword and Sorceress anthology series, which encouraged submissions of fantasy stories featuring original and non-traditional heroines from young and upcoming authors. Although she particularly encouraged young female authors, she was not averse to including male authors in her anthologies. Mercedes Lackey was just one of many authors who first appeared in the anthologies. She also maintained a large family of writers at her home in Berkeley. Ms Bradley was editing the final Sword and Sorceress manuscript up until the week of her death in September of 1999.
Probably her most famous single novel is The Mists of Avalon. A retelling of the Camelot legend from the point of view of Morgaine and Gwenhwyfar, it grew into a series of books; like the Darkover series, the later novels are written with or by other authors and have continued to appear after Bradley's death.
Her reputation has been posthumously marred by multiple accusations of child sexual abuse by her daughter Moira Greyland, and for allegedly assisting her second husband, convicted child abuser Walter Breen, in sexually abusing multiple unrelated children.
(from Wikipedia)
Bradley's first published novel-length work was Falcons of Narabedla, first published in the May 1957 issue of Other Worlds. When she was a child, Bradley stated that she enjoyed reading adventure fantasy authors such as Henry Kuttner, Edmond Hamilton, and Leigh Brackett, especially when they wrote about "the glint of strange suns on worlds that never were and never would be." Her first novel and much of her subsequent work show their influence strongly.
Early in her career, writing as Morgan Ives, Miriam Gardner, John Dexter, and Lee Chapman, Marion Zimmer Bradley produced several works outside the speculative fiction genre, including some gay and lesbian pulp fiction novels. For example, I Am a Lesbian was published in 1962. Though relatively tame by today's standards, they were considered pornographic when published, and for a long time she refused to disclose the titles she wrote under these pseudonyms.
Her 1958 story The Planet Savers introduced the planet of Darkover, which became the setting of a popular series by Bradley and other authors. The Darkover milieu may be considered as either fantasy with science fiction overtones or as science fiction with fantasy overtones, as Darkover is a lost earth colony where psi powers developed to an unusual degree. Bradley wrote many Darkover novels by herself, but in her later years collaborated with other authors for publication; her literary collaborators have continued the series since her death.
Bradley took an active role in science-fiction and fantasy fandom, promoting interaction with professional authors and publishers and making several important contributions to the subculture.
For many years, Bradley actively encouraged Darkover fan fiction and reprinted some of it in commercial Darkover anthologies, continuing to encourage submissions from unpublished authors, but this ended after a dispute with a fan over an unpublished Darkover novel of Bradley's that had similarities to some of the fan's stories. As a result, the novel remained unpublished, and Bradley demanded the cessation of all Darkover fan fiction.
Bradley was also the editor of the long-running Sword and Sorceress anthology series, which encouraged submissions of fantasy stories featuring original and non-traditional heroines from young and upcoming authors. Although she particularly encouraged young female authors, she was not averse to including male authors in her anthologies. Mercedes Lackey was just one of many authors who first appeared in the anthologies. She also maintained a large family of writers at her home in Berkeley. Ms Bradley was editing the final Sword and Sorceress manuscript up until the week of her death in September of 1999.
Probably her most famous single novel is The Mists of Avalon. A retelling of the Camelot legend from the point of view of Morgaine and Gwenhwyfar, it grew into a series of books; like the Darkover series, the later novels are written with or by other authors and have continued to appear after Bradley's death.
Her reputation has been posthumously marred by multiple accusations of child sexual abuse by her daughter Moira Greyland, and for allegedly assisting her second husband, convicted child abuser Walter Breen, in sexually abusing multiple unrelated children.
(from Wikipedia)
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Displaying 1 - 2 of 2 reviews
November 15, 2022
Okay, so I read this book for the Fairy Tale Reading Challenge over on Instagram. The fairy tale for the month of November was Bluebeard.
The original tale of Bluebeard, which gets several references throughout this novel, sees a young woman marry the titular character. He gives her a set of keys to his home and tells her to stay out of a single room. She breaks that promise and goes into the room - sees the bodies of his previous wives hanging on hooks along the wall, drops the key in the blood and cannot wash the blood off. The magic key is, according to some, the only thing that makes the story a fairy tale. Without that element, it would be a horror story.
It's important to keep that in mind with any story taking inspiration from that one. This story is CREEPY!
Sybil marries Maynard, who is old enough to be her grandfather, for one reason: he promises to treat her as his daughter. She'd recently lost her parents and wasn't ready to be a grown woman, so... she agreed to the ruse. It starts off all right, but it soon becomes clear that Maynard's quite insane.
Stephen Whitby shows up throughout the book and, finally, he and Sybil talk things through. He's trying to figure out what happened to his brother and the original Judith. In the very last chapter, we finally learn the whole truth (well most of it... we know of at least two girls who played the role of Judith and only learn the fate of one).
Going into this story knowing the original tale really helped me prepare myself for the gothic romance that I was getting myself into with reading this one.
The original tale of Bluebeard, which gets several references throughout this novel, sees a young woman marry the titular character. He gives her a set of keys to his home and tells her to stay out of a single room. She breaks that promise and goes into the room - sees the bodies of his previous wives hanging on hooks along the wall, drops the key in the blood and cannot wash the blood off. The magic key is, according to some, the only thing that makes the story a fairy tale. Without that element, it would be a horror story.
It's important to keep that in mind with any story taking inspiration from that one. This story is CREEPY!
Sybil marries Maynard, who is old enough to be her grandfather, for one reason: he promises to treat her as his daughter. She'd recently lost her parents and wasn't ready to be a grown woman, so... she agreed to the ruse. It starts off all right, but it soon becomes clear that Maynard's quite insane.
Stephen Whitby shows up throughout the book and, finally, he and Sybil talk things through. He's trying to figure out what happened to his brother and the original Judith. In the very last chapter, we finally learn the whole truth (well most of it... we know of at least two girls who played the role of Judith and only learn the fate of one).
Going into this story knowing the original tale really helped me prepare myself for the gothic romance that I was getting myself into with reading this one.
July 13, 2015
Was not a fan. This book unsettled me more then anything else. I felt like it was one step away from being warped.
Displaying 1 - 2 of 2 reviews