An interesting survey of American musical history informed by the socio-political culture. Much of the language is dated and the tone veers towards overly academic. That said, it presents an interesting framework for musical theatre history. The author presents many thought provoking interpretations of seminal musicals. (His thoughts on West Side Story and Urinetown stand out in particular.) At times, he presents his opinion as fact and several of the overviews of the selected musicals are dense and hard to follow with too many asides.
This is essential reading for not just lovers of musicals but history as well. The author traces the American musical from the beginning and it was fascinating learning the social and political histories of the various decades. Also shout out to the podcast My Little Tony’s that regularly uses this book as a source for their research.
Great addition to any theatre library. This book provides the social context of many of the titles and trends in American Musical Theatre history. Good stuff.