Pubblicati a Venezia nel 1570 ma attesi e lavorati per un ingente numero di anni, I quattro libri dell’architettura rappresentano la summa architettonica del tardo Rinascimento e il purissimo distillato della sapienza di Palladio: sapienza empirica, costruttiva, ma ciò nondimeno raffinata, lungamente ricercata e modellata sul fondamentale exemplum di due illustri predecessori: Marco Vitruvio Pollione e Leon Battista Alberti. In nessun modo tuttavia Palladio può essere considerato un semplice imitatore: la materia architettonica trattata – quadripartita in dottrina classica degli ordini, edifici dei privati cittadini, costruzioni di pubblica utilità, architettura religiosa antica – pur prendendo l'avvio dall’attenta lettura e dal rilievo del patrimonio monumentale dei Romani, si è trasformata in invenzione originale. Il “nuovo” classico di Palladio è lontano da ogni neoclassicismo di maniera: ciò che vive nella sua architettura – ed ne fa un organismo unico, “uno intiero e bene finito corpo” – è un sistema di relazioni necessarie, perfettamente calcolate benché non manifestate apertamente: proporzionalità di cui geometria e musica si armonizzano. Difficilmente sopravvalutabili nella vastità della portata, I quattro libri di Palladio – per quanto spesso semplificati o equivocati – hanno influenzato l’architettura occidentale per i successivi quattro secoli, modificandola in modo irreversibile.
Italian architect Andrea Palladio developed a style, based on the classicism of ancient Rome and breaking with the ornate conventions of the Renaissance; his works include the villa Rotonda and the palazzo Chiericati in Vicenza.
Four Books of Architecture, derived in great part from Marcus Vitruvius Pollio, elaborated the principles of Andrea Palldio; people widely adopted these principles and consequently often consider him the most influential individual in the history of west, "valued for centuries as the quintessence of high Renaissance calm and harmony," according to David Watkin in A History of Western Architecture.
أندريا بالاديو معماري رائع... وقد أسس مدرسة وفلسفة مما ورثه عن فيتروفيوس.. وسميت فلسفته البلادية التي اجتاحت العالم كله.. وقد كان لي الشرف أن أكون واحداً من الفريق الذي نقله إلى العربية.. وهو مشروع نقوم به.. لتعريب العديد من أمهات الكتب، لتعم الفائدة على عموم قراء العربية.
The book provides wonderful commentary on Roman architecture, and amazingly detailled drawings from the author. In fact, for the content, I would likely rate this book 4 stars.
However, the Dover edition... not great. First of all, not much is gained by leaving the old english typography. If you have an aversion to the printed letter S this is the book for you. Secondly, better judgement could've been made in matching the drawings with the text. There would be about 10 chapters, talking about 10 different buildings/topics, and then 20-30 pages of the drawings, which means a lot of unnecessary page turning. It would be a much more pleasant experience if the text was nearer to the drawings.
A classic from the Venetian architect of the 16th century. This is a great translation in modern English. Palladio said all architecture should have "Firmness, Commodity, and Delight." His style was copied by Jefferson and used for the U.S. Capitol, among others. Excellent reference.
Por el contenido, le daré al libro cinco estrellas, pero la edición es terrible y ameritaría una sola (o ninguna): los textos escaneados del ejemplar impreso no fueron revisados, y así, el programa confundió las letras u y v, asignándolas indistintamente y, por si fuera poco, en muchas ocasiones volteó la letra u, la cual quedó como n en bastantes palabras. Es probable que la edición impresa usase un tipo de fuente estilisado, ya que la mayoría de las letras s (no todas) aparecen escritas utilizando una consonante bastante parecida a la f, lo cual complica de por más la lectura. El programa también transformó la letra i en j para aquellas palabras que acaban con doble i. En resúmen: lectura complicada innecesaria y gratuitamente, pero, aun así, deleitosa.
Nicely illustrated guide to various classical structures and design laws which Palladio had inferred from studying them. The section on building materials was an interesting case of people stumbling on rules of thumbs (e.g. around sand types) which they didn't quite understand because of a lack of the science of chemistry. Worth it if only for its historical importance.
I visited his villas and churches in the Veneto. A great architect for the centuries and a profund thinker of space and form. He was also a theoretical mind.
skimmed this, rather than reading the whole text. very technical and dull, but definitely worth glancing at if you have any interest in domestic architecture. also, this was one of Thomas Jefferson's favorites, and you can really see its influence on the architecture of Monticello.
useful sort-of in the library / occasionally (interesting [conjectured drawing based on written description] of Caesars bridge over the river Rhine going into Germania - technically challenging ,