Любовница смерти

Приключения Эраста Фандорина #8

by Boris Akunin

There's been rising concern in Moscow over a wave of suicides among the city's young bohemians. An intrepid newspaper reporter, Zhemailo, begins to uncover the truth behind the phenomenon - that the victims are linked by a secret society, the Lovers of Death. But Zhemailo is not the only investigator hot on the heels of these disciples of the occult. Little do they realise that the latest 'convert' to their secret society, assuming the alias of a Japanese prince, is none other than Erast Fandorin. But when a young and naive provincial woman, Masha Mironova, becomes embroiled in the society, and Zhemalio dies a mysterious death, Fandorin must do more than merely infiltrate and observe. Especially when the spin of the Russian roulette wheel decrees that our dashing hero be the next to die by his own hand. Can Fandorin fake his own demise, all while outwitting the cult's dastardly leader?

Genres: Mystery, Fiction, Russia, Historical Fiction, Detective, Crime, Historical

310 pages, Kindle Edition

First published January 1, 2001

About the author

Real name - Grigory Shalvovich Chkhartishvili (Russian: Борис Акунин; Georgian: გრიგორი შალვას ძე ჩხარტიშვილი; Аlso see Grigory Chkhartishvili, Григорий Чхартишвили), born in Tbilisi, Georgia, in 1956. Since 1958 he lives in Moscow. Writer and translator from Japanese. Author of crime stories set in tsarist Russia. In 1998 he made his debut with novel Azazel (to English readers known as The Winter Queen), where he created Erast Pietrovich Fandorin.
B. Akunin refers to Mikhail Alexandrovich Bakunin and Akuna, home name of Anna Akhmatova, Russian poet.
In September of 2000, Akunin was named Russian Writer of the Year and won the "Antibooker" prize in 2000 for his Erast Fandorin novel Coronation, or the last of the Romanovs.
Akunin also created crime-solving Orthodox nun, sister Pelagia, and literary genres.
His pseudonyms are Анатолий Брусникин and Анна Борисова. In some Dutch editions he is also known as Boris Akoenin.

Reviews

[Meike · Rating 3 out of 5]

Russian poets found a suicide cult, mayhem ensues, various agents with different agendas try to end the ungodly epidemic - this is a rough summary of the plot of Akunin's mystery. This author is not only a very successful translator and writer of detective fiction, he is also an outspoken critic of Putin, and while "She Lover of Death" does not directly address the current political situation, the central theme is psychological manipulation, in this case the ability to convince people that death is an actual person who summons his disciples to a beautiful demise. Yes, the victims in this crime story do apparently kill themselves, they buy into a deception that is crafted in a way that appeals to their personal urges and longings - go figure. Btw: "Akunin" means "bad person" in Japanese, and B. Akunin refers to the Russian anarchist Michail Bakunin.

But back to the story: The plot largely revolves around a young woman from the Siberian province who comes to Moscow trying to re-invent herself as the mysterious "Columbine". Out of curiosity, she joins the suicide cult, the "Lovers of Death", and becomes the prime example showing the reader how a person comes to buy into such an outrageous scam. The story is partly written from her perspective, and in other parts composed of newspaper articles about the suicides and the club, of reports by an anonymous informant to the police and of a third-person narrative.

The changing form gives the novel a nice dynamic, altough the story does have some lenghts. Bit by bit, the author reveals the intentions of the club's doge and several members, questioning who the club members really are and what drives their behavior. In the end (and in classic style), we get a big reveal.

I really liked that this murder mystery contemplates psychological violence, and not by scaring or pressuring the victims, but by giving them something that is framed to appear like love, beauty and adventure, but in truth only follows a manipulative agenda that is all about power. In the middle section, the text offers some unnecessary detours that result in lenghts, the poems written by the cult members read like parodies of Andreas Gryphius' texts, and the female figures are not exactly painted in a progressive light, but this is a smart mystery that is fun to read.

[Andy · Rating 4 out of 5]

Back to the ever evolving Erast Fandorin series where the style changes from book-2-book with this one written through the eyes of a young girl (18 that is) who has jus left Irkutsk for the bright lights of Moscow society, inter-spliced with news clippings from a Moscow news reporter & reports from a “spy”! Our young lady is for reasons that soon become apparent the centre of attention & it’s her story that is front & centre in the early exchanges. Erast is no-where to be seen..... or is he??

It becomes apparent early on what the story is about so it’s no give away to say that death cults or suicide clubs, if you will, feature in this one & if you like poetry you’ll have an added bonus as works from Gandlevsky & Rubinstein feature throughout Akunin’s novel. The story is about the club, its members, events around said members, death.....yes the man with the scythe along with a few verses of poetry all through the diary of Columbine, she being the young lass. Its very different to any of his prior books in terms of style, others so far being pure mysteries or grand adventures but I admit I did find it surprisingly engaging throughout considering some of the subject matter. Erast is certainly on form!

I find that the writing gets smoother with each novel in this series & its great that there are many more to be read.

A grand series that I really enjoy, a clear 4 stars & onto the next which is book 9, He Lover of Death

[Leo · Rating 4 out of 5]

Found the audiobook to be engaging and entertaining enough to listen to from time to time. Had an very different kind of plot from my usual mysteries and I'm intrigued to see if I can find more books by Boris Akunin

[Assaph Mehr · Rating 4 out of 5]

This and 'He Lover of Death' are two intertwined novels, as can be guessed from the names. While the two mysteries are separate, they happen at roughly the same time. When Fandorin disappears from one book for a few days, he's busy on the other case - while the other cast continue of their separate paths.

'She' is a bohemian, slightly absurd mystery of a death cult. 'He' is a tale of low-life criminals and gangs, an almost rags-to-riches treasure hunt. Both have their femme fatales, as well as plot twists.

What to Expect

Each novel is written as a different type of mystery. Akunin set out to rectify the low-brow reputation of the mystery genre in post-USSR Russia by writing worthy literature and exploring the wide gamut of sub-genres. Each novel is therefore excellently written as a different type of detective case. While there is continuity in the protagonist's life between the novels, each is very different in themes and tones.

I've written a condensed review of the whole series on my website.

What I liked

I like the writing style. The prose is intelligent and flowing, the mysteries are complex, and the cast is varied (though those that make repeat appearances tend to die). Fandorin himself is a great character, even though as a main character he still remains an enigma - a tantalising mystery in itself that keeps readers engaged and clamouring to know more.

I love the historical background. Akunin has done his research into Russian culture, mannerisms, environment, personalities, etc. of the late 19th century / early 20th century. Most of the stories take place around Moscow, and Fandorin gets to meet and associate with the people of the times (from the low-life criminals of Khitrovka, to the grand-dukes of the imperial family). In a few cases, Akunin also has Fandorin active around notable events of the era, at times filling in details where history has left us stumped.

Akunin is also a Japanophile, and has Fandorin spend a few years in Japan. While details are sketchy (and we want more! More!), it is clear that he has a great love and deep knowledge of that culture and times.

What to be aware of

Be aware that each of the novel is told in a different style. Besides the obvious (something new and different in each volume), one keyword  is 'told'. They are almost all in 3rd person perspective, and quite often not from the point of view of Erast Fandorin (which is both tantalising and frustrating at times). It's this distance that keeps Fandorin an enigma, and keeps us coming back to learn more.

Fandorin has a Sherlockian intellect and impressive physical prowess. He is not without his faults (most notably hubris), but as a hero he is certainly a cut above the rest. He also tends to get involved with a different femme fatale in each book. This suits the detective genre perfectly, regardless of modern sensibilities.

While the books are not really related and have few continuing characters, I'd still strongly recommend to read them in order.

Lastly, and this has nothing to do with Fandorin, since these are professional translations (amazingly done by Andrew Bromfield) via a traditional publisher, the price of ebooks and hardcovers is almost the same. The ebooks are also missing some of the illustrations and other typographical effects that are present in the print. I'd definitely recommend reading the print edition, where possible.

Summary

Should you read these novels? Yes! By all means, if you love historical mysteries these novels are a must read. It is an intelligent, engaging, and just different enough series to be in a class of its own. It's not surprising that in his home country of Russia, Akunin out-sells JK Rowling. In fact, since it's been a few years since I've read them, I think I'll go back and re-read my favourites (Winter Queen, State Counsellor, and The Coronation).

--
Assaph Mehr, author of Murder In Absentia: A story of Togas, Daggers, and Magic - for lovers of Ancient Rome, Murder Mysteries, and Urban Fantasy.

[Kateryna Krotova · Rating 5 out of 5]

First I was a bit bored.. and was surprised that this book is different from the previous series. But I wasn’t disappointed at the end!! I couldn’t stop reading it! My eyes are paining now. But what a book!
All Erast Fandorin series, Akunin writes in a different style. This one surprised me with lots of poetry! Akunin is a great poet as well! Beautiful verses!
Book starts with provincial young lady (21 years old), that comes to Moscow. She had a lover, that she wants to meet and lose her virginity… But he is not the same as her imagination draw him… He introduces her to the the secret society of “lovers of the Death”. There are suspicious suicides happening in Moscow. And every person, who committed suicide comes from this secret society.
Before dying each person writes a verse to Death.
Masha Mironova was lucky, that Erast Fandorin came to discover who is responsible in all this suicides.. And finally he finds who. And luckily she survives! Although it was complete luck!
Looking forward to read next book “He lover of Death”..

[Zek · Rating 2 out of 5]

⭐️⭐️1/2
זהו החלק האחרון שנמצא ברשותי לעת עתה מהסדרה הנפלאה ״תיבת פנדורין״ והחלק הפותח את המאה ועשרים בסדרה.
לצערי זהו גם החלק הכי חלש מכל החלקים שקראתי עד כה. שני שליש מהספר עברו בפיהוק מה והשליש האחרון לפתע החל לעניין, שופע דמיון אבל בסך הכך הרבה מתחת לרמה שאקונין הרגיל אותי.

[Nancy Oakes · Rating 3 out of 5]

In this the eighth installment of the Erast Fandorin series, the author changes his usual narrative style to tell this story via several different points of view. A young girl's journal, newspapers, the reports of an undercover agent, and even poetry all come together to weave a somewhat bizarre tale of a suicide club in Moscow. While suicide clubs are definitely not a new phenomenon in the rest of Europe, in Moscow they have been previously unheard of until now, at the dawn of the new century. She Lover of Death tells the story of a young woman from the provinces and how she came to be mixed up in such a group. It explores the burgeoning society of "decadents" arising around this time period, often delving into the influences of Russian poets such as Lermontov or Pushkin on sensitive psyches, especially those wondering about Russia's fate in this new century. Of course, there's a mystery element to it as well, one involving our illustrious hero and his ever-faithful servant Masa.

A young girl arrives in Moscow from Irkutsk, drawn there by a young man named Petya she had met previously while he had visited relatives in the provinces. Marya Marinova (nicknamed Masha) had been truly captivated by this young man she called Harlequin, who "cast a spell on her with the halo of fiery-red curls scattering across his shoulder, his loose-fitting blouse and intoxicating poems." Masha, who saw life as "an empty, stupid joke," was also captivated by Harlequin's comment about the only true beauty being in dying. Upon her arrival in Moscow, she changes everything about herself, including her name, rechristening herself simply as Columbine. When she catches up with Petya, he introduces her to a secret society of poets, brought together not only by their art, but with their fascination with death. The group is called The Lovers of Death; it is within the confines of this group that Death speaks through previous members (now dead by their own hands) via a medium to pick its next victim. The chosen ones must wait for three signs of confirmation before making their way to their rendezvous with Death. The head of this group is an strange character named Prospero, aka The Doge, and the club attracts the attention of a reporter who manages to infiltrate the group, unbeknownst to the others. It also attracts the attention of a strange man with dark hair which is graying at the temples, a person the group knows only as Prince Genji. But you guessed it -- Prince Genji is none other than Erast Fandorin, who believes that there is something more sinister lurking under the surface.

The various points of view work well in this novel, making the reader work a little bit harder to suss out what's really going on here. Since Akunin's regular readers are already quite familiar with Erast Petrovich by this time, the author mixes things up so that the reins of the story are given over to others actually involved in this odd tale, choosing to focus instead on accounts written by those smack in the middle of all of the action. What you end up with instead of more of a textured account of events that flesh out the rest of the story, rather than simply a linear mystery going from point a to point z. While Columbine's character is representative of one of these new "decadents" appearing in Moscow society around this time, sometimes it's a bit over the top, while at other times you can't help but feel sorry for this poor naive and very impressionable girl fresh from the provinces.

There is a bit of a supernatural feel to this book at times, making for a bit of fun and chills to the spine here and there, but luckily this is limited and doesn't consume the entire plotline. She Lover of Death is another trademark installment in the series -- it's a great deal of fun to read and it offers a realistic sense of place and time owing to the author's research and knowledge of the period. And as usual, it exceeds the boundaries of the regular conventional mystery novel with its characters' actions, especially those of the erstwhile Fandorin. As I've noted before, I don't really read these novels for their mystery component -- they're much more adventurous than a standard mystery story. And I can't help it -- I've been a huge Fandorin fan since the publication in English of Akunin's first novel.

I can definitely recommend She Lover of Death, both to followers of Akunin's Fandorin series, and to readers of historical crime fiction. I'm a stickler for following a series in publication order, and you could probably read this one without having read any of the earlier books. On the other hand, you wouldn't have all of the necessary nuances of Fandorin's character that make this series so much fun under your belt.

Overall, a fun read, one I had a great time with.

[Stephen · Rating 3 out of 5]

took a little while to get used to his style of writing but gradually enjoyed the russian sherlock holmes in the case of a suicide club

[Nirit · Rating 3 out of 5]

ספר נוסף בסדרת הבלש פנדורין. כבר בספר הקודם של הסדרה הרגשתי שהיא מיצתה את עצמה מבחינתי. העלילה הייתה איטית, כבדה, יותר פוליטית ופחות מתח.
בספר הזה פנדורין חודר לחבורת אינטלקטואלים שמקדשת את המוות ומעודדת התאבדות. לאורך כל הספר, וגם בסופו לא ברור מה המניעים שלו לזה. הספר מהווה מחווה ספרותית מתמשכת לשלל יצירות ספרות קלאסיות ולשלל סופרים אייקונים. כל אלה התבזבזו על בורה ספרותית כמוני.
עד שאראסט פטרוביץ פנדורין נכנס לעלילה, היא התקדמה מאוד לאט והייתה מוזרה. אני אוהבת את הדמות של פנדורין, ולמרבה הצער היא קיבלה מעט מאוד מקום בספר הזה. כשכן נתנו לה במה, פנדורין נתן את המיטב שלו והצליח להניע את העלילה ולהזריק לה עניין.
בסך הכול ספר איטי, שחציו השני מוצלח בהרבה מחציו הראשון.
שלושת הכוכבים שנתתי הם רק מתוך כבוד לדמות הראשית ובגלל 2 הפרקים האחרונים שהיו נהדרים.
נראה לי שלא אמשיך לספר הבא בסידרה, שלפי התקציר נראה כתמונת ראי של הספר הזה.

[Anastasia · Rating 4 out of 5]

4.25/5

Оо,вот эта часть мне очень понравилась! Много мистики, которая объясняется логикой - я такое люблю. Да и вообще, персонажи и сам сюжет были интересными.

[Marijn Schafer · Rating 5 out of 5]

Een paar dagen later dit boek opgewaardeerd van 4 naar 5 sterren omdat ik steeds weer aan de mooie mysterieuze sfeer van dit boek moet denken!

[Branko Jovanovski · Rating 5 out of 5]

Best in the series so far

[Yelena Furman · Rating 3 out of 5]

I read this novel in Russian. She Lover of Death is the eighth installment of Boris Akunin's most famous historical detective series (each novel is set in late 19th-early 20th century) featuring the intrepid super-sleuth Erast Fandorin. As the 20th century unfolds, Moscow in 1900 is gripped by an epidemic of suicides by young people who belong to a secret club of Death's worshippers led by an all-powerful Doge whose members receive signs telling them it is their turn to die. Racing to stop the rash of suicides, Fandorin befriends one of the club members - the "She" in the title - as he becomes embroiled in a case of manipulation and deceit. Akunin's reputation in Russian literature is as a detective fiction writer for intellectuals and this novel, like the others in the series, features intertextual references, most notably to Dostoevsky, and characters discussing weighty ideas such as the nature of power. Also impressive is Akunin's depth of research, including into early 20th century forensic science and some highly inventive criminal methods. True fans of detective fiction will want to start with the first novel in the series - The Winter Queen - as there are some plot elements that will be missed if reading out of order, but these novels can also be read as stand-alone works. She Lover of Death may not be Akunin at his best, but all of his novels are both intelligent and entertaining. For anyone who loves Russian literature and/or detective fiction, he is highly, highly recommended.

[Ann Marie · Rating 3 out of 5]

Special thanks to NetGalley and Grove Atlantic for the ARC of this book in exchange for my own opinion.

This book wasn't had bad. I think I mostly read it because I'm excited by cultish themes and suicide, though I don't recommend that in real life of course. I think this is the 13th install!ent of Russian author (pseudonym Boris Akunin) book about protagonist Erast Fandorin, a gentleman who becomes quite flustered around famous people and especially naked women. By hobby, he likes to solve crimes that are puzzling I believe, though I haven't read any of his other books about Mr. Can do run.

Anyway, in this book, a naive Moscow woman, who wears a snake around her neck and wants to be known as "Columbine", joins a suicide club called Lovers of Death. These mostly suicidal to begin with members, gather around, listen to poetry, and a select a person to be the next suicide, but the person has to receive 3 signs of death before killing themself. I had a hard time keeping characters straight.

But instead of suicide, the brilliant Mr. Fandorin, needs to figure out who is facilitating these " murders" although they are suicides, someone is behind it, conjuring up the 3 signs for them before doing themself in.
I found the writing very heavy. Altogether, not a terrible idea. 3 stars.

[Sam Velasquez · Rating 1 out of 5]

DNF — I really wanted to give this book a chance but it was incredibly slow and frustrating for the first 100 pages. The dialogue feels unnatural and there are parts I found problematic. Especially this: “Bringing up the rear was a squat, solidly built Oriental in a three-piece suit and a bowler hat pulled so far that it almost covered his eyes. But they weren’t really eyes — he stared out at Columbine from the black felt through two narrow slits.” I get that this is supposed to be set in the 1900s but this descriptor felt unnecessary. Overall, disappointing and I could not see myself finishing it.

[Raigo Loide · Rating 3 out of 5]

Youth, suicides and the criminal mastermind. I didn`t like the main narrator, a young woman who wanted to be more than average, and Fandorin was too much in the shadow. The novel also has no big crime, since most of the characters are more or less suicidal anyway. The topic could be the basis of a great psychological novel but Akunin does not write such thing.
But it`s not bad either. I finished the book within a day.

[Inese Okonova · Rating 3 out of 5]

Vispār jau bija ļoti labi - aizraujošs stāsts, ko, kā jau ierasts, no dažādiem skatu punktiem mums izklāsta vairāki romāna varoņi. Bet, tā kā Akuņins pats uzstādījis latiņu gana augsti, tad šoreiz likās, ka stāsts mazliet tāds kā pastiepts, kā brīžiem zaudē fokusu. Atļāvos būt kritiska, lai gan lasīšanas vērts šis detektīvs ir noteikti.

[Schuyler Wallace · Rating 3 out of 5]

Borus Akunin is the pseudonym for Russian writer, Grigory Chkhartishvili, perhaps a decision wisely made because his real name is one to stumble over. But his novels, with a protagonist named Erast Fandorin, have sold thirteen million copies in Russia, have been adapted for television and film, and have made him a wealthy man. Did I like his book? Well, to a certain, degree, I did.

Fandorin is pictured as a charming man with a slight stammer, a gentleman with a protective demeanor who becomes quite flustered around people that are famous or females that are nude. He is a hobbyist at solving crime puzzles, and has a slight mysterious air about him. But he is brilliant, along with being charming, and I considered him intriguing. His aura kept me churning through a confusing story about people with difficult names and motives. Keeping characters straight was a major hassle.

In 1900 Moscow a young woman joins a suicide club known as the Lovers of Death. The members read poetry at meetings and games are then played to decide which member will next commit suicide. It all seems preposterous at first but as the story goes along and the members are studied, their troubled minds are exposed, their predilection with death is revealed, and the reader comes to expect the deaths, if not understand them. Although the deaths come at each person’s own hand, someone else is doing the manipulating and facilitating. Figuring out the perpetrator becomes Fandoran’s (and the reader’s) challenge, as well as deciding how to end the club. The ending will remain a secret.

Akunin’s writing is somewhat ponderous and formal. The heaviness could get annoying, but it does add to the 19th century Russian setting. So my advice would be to read what interests you, glide across the tough parts, and then decide where you fall in the legion of admirers. There’s a lot to respect here.

[Niki · Rating 4 out of 5]

Are you into seances, death cults, poetry, mysteries, and early 1900s? Basically, were you a fan of the TV series "Penny Dreadful", whose third season we shall not speak of? If yes, this may be the book for you!

Somehow I'm the only person reading or having read this book, and I honestly think y'all are sleeping on it.

First, the negatives, to get them out of the way: close to the end, I was mostly ready for the book to be over. The finale dragged at first, then became ridiculous, and then abruptly ended. Are we seriously supposed to believe that Erast was able to climb that well all by himself in a matter of seconds, start shooting, fall, but climb back up again, no problem? I'd also have liked to see Columbine for one last time after her final botched suicide attempt. Also, while I really enjoyed the multiple media (newspaper articles, letters, diary entries, etc.) in the beginning, the gimmick felt kinda forced by the end.

Ignoring the above, it was a very enjoyable story. I enjoyed the mystery, the mixed media storytelling, Erast Fandorin's presence (he's nothing original, an "uber smart and suave detective" is nothing new, but I still liked him), Columbine's POV (immature as hell but slowly getting better), and, of course, the creepy elements of the death cult.

(Note: I'm going to sound like such a millenial now, but I just couldn't get over the fact that the villain was called Doge, like the famous meme. I'm not kidding when I tell you I couldn't stop picturing the meme.)

All in all, I was very satisfied with the book, and I'm disappointed that I'm literally the only person on Goodreads speaking about it. Give it a chance!

**I was given a free copy of this book from NetGalley. All opinions are my own.**

[Natasha Belle]

С этой книги я, наверное, поняла, что мне уже сложно поставить Акунину меньше 5 звёзд и пора уже его записывать в ряды моих любимых авторов, наряду с Роулинг, Толкиным, Достоевским, Гоголем, Шекспиром, Мелиссой Майер и Ли Бардуго.

Действие этой книги разворачивается в Москве начала 20 века. Молоденькая провинциалка Маша Миронова приезжает покорять большой город с надеждами на грандиозное (и немного скандальное) будущее. А оказывается вплетена в сообщество «Любовники Смерти», где Смерть - это и супруга и супруг, и прекрасный принц и только выбирает «избранных», самых достойных. В этом «кружке» чужых не берут, нужно доказать свою избранность посредством стихосложения, что Маша ( для всех таинственная «Коломбина) и делает.

Фандорин пытается распутать клубок, который представляет собой эта группировка: кто стоит у истоков этой чудовищной организации, которая подталкивает людей к совершению таких отчаенных поступков, ведь лишить себя жизни в полном расцвете сил и при полном здравии - поступок нелогичный, трагичный и абсолютно безрассудный. Фандорин вступает в члены этой организации, распутывает дело. НО, он не идеальный человек, ему тоже свойственно совершать ошибки, которые могут стоит жизни людей.

[Bill · Rating 4 out of 5]

Each of Akunin's Fandorin books tackles a different genre. She Lover of Death is both a coming of age story and a nineteenth century adventure detective novel (inspired by Stevenson's "The Suicide Club" stories). It's an engaging story, told from three different viewpoints, each by a character with a secret. Because of the different narrators, we get to see Fandorin from several points of views although he is not always the focus of the narrative. The character the book focuses on mainly is Masha Mironova, who goes by the name of Columbine, arriving in Moscow for a live of adventure. She quickly ends up in the "Lovers of Death", a secret club whose members all wish for suicide. The charm of the book is it's characters, a wide-ranging group of eccentrics from a revered female poet, excitable German twins, and a young female medium who seems to have genuine powers. There is of course skulduggery going on and Fandorin also must infiltrate the club to solve the mystery.

[Anna Bergmark · Rating 2 out of 5]

The hero of this series is Erast Petrovich Fandorin of course, but the main character is often someone else, like in this installment where we follow a young woman involved with a "suicide club". The result is far from good. Call the lass silly or stupid or immature or all of the above - interesting or charming she is NOT. And the story itself...

The fact that all the murder victims are perfectly willing, no eager, to do away with them selfs for willy-nilly reasons, finding death romantic and desirable... Well, killing them is still wrong of course, but the evilness of the crimes seems lacking somehow and in the end you couldn't care less about it. Add a strained and muddled way of narrating the whole thing, through letters, newspaper articles and diary entries, and what you've got is a painful letdown.

2 yawning stars. As dull a dishwater.

[Katerina · Rating 5 out of 5]

I really like Erast Fandorin books and it has been a while I read any of this series, but this one left me a bit of a strange feeling. Erast is appearing under the surname Nameless and he is investigating privately and not from the side of the law. I have missed some books from before so that's probably the reason I am a bit lost, but it is still the same calm but secretive Erast. This time he is following the Lovers of Death, a secret community in Moscow who seem to worship Death and be involved with poetry. The capital of Russia is experiencing some strange suicides and the story is followed through the narrations of a young girl called Columbine in the secret community. A bit of obscure story that was still nice but somehow less than the previous ones.

[Giulia · Rating 5 out of 5]

This book is closer to a 4.5 than a 5 star rating but overall it was really good! I enjoyed the format which was unique and had its narrative unreliabilities which made for a more interesting story. I think this one repeats some of the patterns seen in The Turkish Gambit because we have it mainly told through a young woman’s eyes. I really like watching Erast through another’s experience because it makes him really mysterious.
The mystery I think was also good - though I find it sort of hard to believe that Prospero convinced Erast that he was a lover of life because it read fake even to me .
Anyway I accidentally read this one (book 9) instead of book 8 so I’ll be going back to 8 and then onto this book’s partner - He Lover of Death.

[Melissa Helton · Rating 2 out of 5]

Not my favorite genre, but as far as fulfilling the mystery expectations, it's alright. I did not like Columbine's character and don't know if it's the handling from a male author (since we don't get insight into any other female character to compare it to) or if she's just vapid, but she was terrible to spend time with. Likewise, the way the Japanese character (I believe his name was Masa) was handled was pretty racist. It's one thing if the characters are racist (within the context of being 1900) but a lot of the racist things weren't in a character's mind or words, but rather in author exposition. The way the author handled the dialect, referred to him as "the Oriental," and other things was pretty crappy considering the book was written in 2001.

[Майя Ставитская · Rating 4 out of 5]

Masha Mironova (remember where the name came from?) He's going to Moscow, from Irkutsk. Having barely reached the age of majority, she received the right to dispose of her own personality and a small aunt's inheritance, and therefore intends to spend six months (according to her calculations, there is enough money for that much) "on style", and then, maybe, you won't need to take care of money.

The baby's head is full of decadent nonsense about genuine beauty, which is possible only in fading, fading, dying mixed with esotericism and romanticization of death. For some reason, the end of the century always activates interest in any such thing. In a hundred years, DJ Maloy will sing from all the irons "I will die young, I will-I will die young" - one of the features of fin de sickle.

Masha is pretty, not untalented, and in Moscow she has a boyfriend, Petya Lileyko, contrary to the usual metropolitan suitors, who did not try to pretend that he was unfamiliar with the girl, but was even happy with the appearance of his Columbine (in a new life with a new name) As an offering to this amazing girl, who - no more, no less - wears an Egyptian Lucifer cobra around her neck (a snake bought from boys with painted yellow spots on her head), her Harlequin Petya introduces Masha to the club of Lovers of Death.

The Society of Suicide Poets, has twelve members, upon the retirement of the next one? his place is taken by a novice on the recommendation of one of the members or at the choice of the head. Everyone here knows each other only by pseudonyms, led by Prospero, who has his own Caliban for dirty work, and his own Ariel serves as an assistant in magical matters, although her name is Ophelia (another Shakespearean name). The "Tempest" as a source is not accidental, and not only because the sage-exile Prospero in the finale intends to "devote every third thought to death", but mainly as a tribute to his ability to subdue.
Декаdanse macabre
Кукла Петя, кукла Маша,
Просто дети стали старше.
Маша Миронова (помните, откуда имя?) едет в Москву, из Иркутска. Едва достигшая совершеннолетия, она получила право распоряжаться собственной личностью и небольшим тетиным наследством, а потому намерена провести полгода (на столько по ее расчетам хватит денег) "на стиле", а дальше, может быть и заботиться о деньгах не понадобится.

Голова малышки забита декадентской чушью о подлинной красоте, которая возможна лишь в увядании, угасании, умирании в смеси с эзотерикой и романтизацией смерти. Конец века отчего-то всегда активизирует интерес ко всякому такому. Через сто лет диджей Малой пропоет из всех утюгов "Буду умирать молодым, Буду-буду умирать молодым" - одна из особенностей фин-де-сикль.

Маша хороша собой, не бесталанна и в Москве у нее ухажер Петя Лилейко против обыкновения столичных ухажеров, не попытавшийся сделать вид, что незнаком с девушкой, а вовсе даже счастлив явлением своей Коломбины (в новую жизнь с новым именем) В качестве приношения этой удивительной девушке, которая - ни много, ни мало - носит на шее египетскую кобру Люцифера (купленный у мальчишек ужик с закрашенными желтые пятнами на голове), ее Арлекин Петя вводит Машу в клуб Любовников смерти.

Общество поэтов-самоубийц, насчитывает двенадцать членов, по выбытии очередного? его место занимает новичок по рекомендации кого-то из членов либо по выбору главы. Все здесь знают друг друга только по псевдонимам, во главе Просперо, у которого для грязной работы свой Калибан, а помощницей в делах волшебных служит своя Ариэль, хотя зовут ее Офелией (еще одно шекспировское имя). "Буря" как источник не случайна, и не потому только, что мудрец-изгнанник Просперо в финале намерен "посвятить кончине всяко третье размышленье", но главным образом как дань его способности подчинять.

Всякий член общества видит в смерти возможность прекратить бессмысленное существование и воссоединиться с вечной невестой (для мальчиков, девочки представляют женихом). По получение знаков, неопровержимо свидетельствующих, что час настал, избранник пишет прощальное стихотворение и кончает с жизнью. Глупышка Коломбина в первый же вечер отдается Просперо, и нет, это не любовь, пробуждающая интерес к жизни, ждать своих знаков девушка принимается с еще большей готовностью.

Пока среди соискателей не появляется интересный господин, красавчик �� седыми висками и легким заиканием, которого называют Гэндзи, как японского принца из какой-то средневековой книги (ах, жапонизм - это так изысканно!) "Любовница смерти" часть фандоринской серии, напомню, каждый из ее романов задумывался как стилизация под какой-то из детективных поджанров: герметичный, политический, мистический, авантюрный, шпионский, про маньяка, про мошенников. Этот заявлен декаданским, но вернее было бы назвать его детективом про секту .

Сейчас я прочла эту книгу в третий раз. Первый был примерно в 2002, когда с некоторым опозданием открыла для себя Акунина и Фандориану, второй примерно через год, когда решила, что уже можно перечитать все книги по второму разу и прочла с тем же удовольствием. Двадцать лет спустя все не то, обаяние Эраста Петровича померкло, любимый акунинский стиль кажется простоватым, невольно вспоминается, что клуб самоубийц, и у Стивенсона не особо увлекал. Наверно мне просто трудно считать психически полноценным человека, которого может привлечь подобная идея, просто на волне тогдашней увлеченности это нивелировалось.

Но как бы там ни было, Фандорин - это эпоха. Просто дети стали старше.

#культовая проза, ретродетектив, Фандориана, декаданский детектив, постмодернизм, Григорий Чхартишвили aka Борис Акунин, клуб самоубийц, секта

[Elina · Rating 5 out of 5]

This one has a slow start, but goodness how good it was in the end! The plot revolving around a suicide club is intriguing and works beautifully. Columbine has similarities to Varja in The Turkish Gambit, and I found them both annoying time to time. Otherwise the characters were excellent and well portrayed, and Erast Fandorin continues to be simply superb. I also liked Erast's passionate speech regarding the new century and technology - the hot subject for people during fin de siécle.

[Helen Cranberry · Rating 4 out of 5]

Читала книгу, когда еще училась в институте, захотелось перечитать и это того стоило. Люблю Акунина. Интересно, легко, отвлекает от реальности и дает пищу для размышлений.

[Jess · Rating 3 out of 5]

​Mosca, 1900. Masha Mironova lascia la nativa e provinciale Irkutsk per l'antica capitale russa, complice l'incontro con Petja, un giovane studente moscovita che ha risvegliato in lei il desiderio di una vita più libera e decadente. Col nome di Colombina e arie da bohémienne da due soldi, Masha ritrova un Petja diverso, ma che la introduce in un circolo esclusivo che porta il nome di "Amanti della morte". Gli amanti, capeggiati dal Doge Prospero, corteggiano la Morte scrivendo poesie in attesa del momento designato per togliersi la vita, almeno fino a quando quella che per il lettore si rivela una vecchia conoscenza non decide di mettere fine all'attività del circolo, rivelando ai suoi membri le pericolose macchinazioni di Prospero.

Proprio come il romanzo parallelo (He Lover of Death, per chi se lo fosse perso), She Lover of Death non è uno dei romanzi migliori della serie dedicata a Fandorin, anche se è nettamente superiore agli ultimi due tradotti fino ad ora. Se da una parte è interessante e ben riuscito l'alternarsi di diversi stili e voci narranti, dall'altra il libro viene pesantemente penalizzato da una protagonista insopportabile e mal riuscita e da una trama che, nonostante le premesse, stenta a decollare.

Nei miei precedenti commenti ai romanzi di Akunin ho sottolineato più volte quanto la narrazione risenta dell'assenza di un Fandorin più protagonista, ma soprattutto di quanto i personaggi femminili siano il suo tallone d'Achille. Colombina non rientra, ahimè, tra i pochi che salverei. Come la maggior parte delle donne di Akunin, anche lei è eccessivamente e insopportabilmente drammatica, convinta di essere speciale e all'avanguardia e proiettata verso il sensazionale, quando, di fatto, è semplicemente una provincialotta che si dà delle arie per nascondere (male) la sua inettitudine. Non che ci sia qualcosa di male nel ritrarre un personaggio femminile con queste caratteristiche, ma è evidente che qualcosa non va se quasi tutte le donne che fanno capolino in questi romanzi (ne salvo tre, quattro al massimo) risultano irritanti e hanno più o meno tutti i difetti sopra elencati senza voglia, da parte dell'autore, di dare loro maggior spessore. In Akunin non ho visto e continuo a non vedere nessun tipo di interesse nel regalare ai suoi lettori personaggi femminili a tutto tondo, perfetti nelle loro imperfezioni, e i cui difetti vengono apprezzati invece di causare noia e fastidio al lettore. A Colombina, per lo meno, fa ammettere di essere lenta di comprendonio e non diventa l'ennesima fiamma di Fandorin, ma questo perché, come si scoprirà leggendo He Lover of Death lui è già preso da Morte e si affeziona a Colombina perché... boh, non lo so, sarà la sua cavalleria che si attiva davanti a qualsiasi damsel in distress? ma non basta per salvare il personaggio ai miei occhi e va da sé che un romanzo raccontato dal suo POV e che riporta stralci del suo diario romanzato mi risulti pesante, per non parlare dei motivi non del tutto chiari che la fanno cadere nelle trappole di Prospero ogni volta che Fandorin non è presente a salvarla o a farle il discorsetto su quanto la vita, con i suoi pro e i suoi contro, sia bella e vada vissuta fino in fondo

La trama, come accennavo prima, è un altro punto a sfavore del romanzo. L'idea di far ruotare l'azione attorno a questo circolo di gente facilmente impressionabile e manipolata da un personaggio singolare come Prospero non è affatto male, anzi, ma abbiamo dei problemi Houston e questi problemi si chiamano brevità, ingenuità e banalità. Brevità perché 263 pagine sono troppo poche per poter sviluppare una storia accattivante; per quanto Colombina sia insopportabile e l'idea di dovermela sorbire più a lungo mi terrorizzi, al romanzo avrebbe giovato un intreccio più sviluppato. Ingenuità perché Fandorin, a 44 anni e mille peripezie in giro per il mondo, crede subito al discorso di Prospero sull'aver fondato il circolo per far passare alla gente la voglia di suicidarsi e abbracciare la vita. Akunin caro, parliamoci chiaro: va bene volerci ricordare che Fandorin è umano e può commettere errori come tutti noi, ma quando il lettore si ritrova davanti un discorso come quello di Prospero e ne percepisce subito tutta la falsità di cui è impregnato (e non ci vuole tanto eh), non ti sembra di prenderci e di prenderti un po' in giro? Mi spiace, ma da uno scrittore che sa fare il suo lavoro e che so che avrebbe potuto fare di meglio non riesco proprio ad accettarlo, è più forte di me.

Insomma, She Lover of Death, come il suo successore, è un libro mediocre: nulla da ridire sulle scelte stilistiche, ma penalizzate da tante buone premesse prontamente deluse. Consiglio di far seguire a questa lettura quella di He Lover of Death per potervi almeno divertire a capire in che modo i due romanzi si incastrino.

[Green Hedgehog · Rating 3 out of 5]

Ещё один двойной цикл в цикле романов о Фандорине, уже второй. Для справки – под первым циклом я подразумеваю «Особые поручения». Их объединял герой – Анисий Тюльпанов. Здесь же объединяющим фактором становятся время и место. Обе повести (вторая – «Любовник смерти») происходят в Москве и практически одновременно. Вплоть до того, что действия в одной повести влияют на происходящее во второй. То есть Акунин дал герою испытание - одновременно решить два дела. Итак, первое - про секту самоубийц.

И сразу скажу, как и предыдущий роман («Коронация»), это произведение кажется мне не особо выразительным. Да, опять же, у нас тут свой герой, точнее героиня - провинциальная девушка Маша, которая прибывает в Москву для того, чтобы её… да нет, не покорить. Скорее показать себя. Превратиться во что-то чем она никогда не станет в её родном Иркутске. Такой декадентской девушкой, по имени Коломбина. А заодно встретиться со своей первой любовью – гимназистом, который однажды приезжал в Иркутск. Ну и попадает прямо в это самое странное общество.

Большинство романов о Фандорине в которых присутствует подобный медиум проигрывают тем, где мы наблюдаем за героем напрямую. В этом «подцикле» оба романа именно такие, и вот Любовница смерти из них, пожалуй, что похуже. Тут есть свой шарм, такой декаданс, какая-то мистика. Но ведь понятно, что раз у нас тут детектив, никакой мистики быть не должно. Все это дело рук кого-то из героев. Так что подобное утверждение сразу убивает половину атмосферы. Да и параллели с «Клубом самоубийц» - слишком уж очевидны.

Ещё часть атмосферы убивает то, что здесь не так чтобы и много событий. Герои этого кружка умирают один за другим, но мы с ними совершенно не знакомы. Поэтому переживать от этих смертей – не получается. Нет никаких – «нет, только не он» или «кто же будет следующим»? Это скорее: «хм, а вот ещё одна пачка улик». Тут у автора не получается даже самому создать какой-то ажиотаж. Вот одного из героев устами остальных членов кружка пророчат в новые Пушкины, Лермонтовы. И делают это несколько раз в разное время. Даже после его смерти, намекая на то, что его смерть – большая потеря, чуть ли не общероссийская. Вот только в это не веришь. Просто потому что ты то о нем ничего не знаешь. Как не знаешь ничего о тех, кто о нем все это говорит. Мы тут знаем много о главной героине, практически все о Фандорине. А вот про остальных мы не знаем ничего.

Тут автор сам себя перехитрил. Напихал в этот клуб разных героев и сделал одного из них агентом полиции. Поэтому раскрыть героев, не раскрыв этого агента - довольно проблематично. Вот и пришлось ему всех этих героев делать довольно шаблонными. Мы узнаем о их особенностях и живописных деталях личности только после смерти этих самых героев. Что на мой взгляд довольно поздновато.

Да и если честно, детективная интрига здесь прописана довольно скудно. Я помню, что в первом прочтении сразу догадался, кто за всем этим стоит. Да и вообще действия Фандорина просчитываются довольно легко. А вот его первичный импульс взяться за дело - он наоборот выглядит очень надуманным. Типа услышал и решил заняться. С намеком на все тот же «Клуб Самоубийц». Но все это без каких-либо более логичных доводов. На секундочку, за год до этого он сотрудничал с Шерлоком Холмсом. А в предыдущем романе - так вообще решал проблемы дома Романовых. И его не очень любят в России. Да еще… в общем – не очень логичный поступок со стороны Эраста Фандорина.

Одним словом - слабая книга. Читал только по привычке и на набранной скорости. Тем более, что, когда читал первый раз, не знал про вторую книгу цикла. Я там говорил, что эти две книги связаны? Только эта связь влияет больше на вторую книгу (объясняет, почему на важную встречу герой приходит не подготовленный). А в первой – ну, да, парочка героев упоминается и все. Так что и этот оригинальный ход, проходит мимо этой книги. Хоть и легко читается.