In this second part of Harris' travelogue series, she is starting to find her footing as a writer. The book's more tightly structured and the characterization cleaner and more consistent than the previous.
I love the setting of the world of Zindar. It's beautiful and really unapologetic about the emotional metaphor. There's so many things in it that are puzzling! There's a whole forest you can't go into, and does Kerish tell you why? NO! HE DOES NOT! He just knows that it's not okay to go in there, no matter how much the spellbinding music and glimpses of strange flowers makes you want to, and that's the end of that. DO NOT GO IN THE EVIL FOREST. What about the weird completely empty city with eyeless statues? NO. THERE AREN'T EVEN BIRDS THERE. GTFO.
In this baffling, vivid world, Harris draws characters that have really well-drawn emotions, and her narration keeps us aware of just how vulnerable and unstable each of them is. It's like catnip for me.