On paper, this book sounds amazing. Headstrong thief character who is really good at her job and is as useful as all the men on the team! Lots of world-building, especially in terms of magic and politics! Two systems of magic at war with one another with modern magic unable to defend against ancient, forgotten magic! A positive homosexual character who is treated like a normal character! A fallen empire shrouded in mystery! An old man that can turn into a waterfall!
In execution, however, this book was a really poorly-paced mess. Small snippets of cool things happen between large stretches of our heroes just sort of wandering from plot event to plot event while I fight the urge to fall asleep.
Which is a shame; the good parts in this story are really good. Livak's thievery is exceptionally engaging with all the needed steps to execute a difficult heist, complete with created personas to throw the guards off her tail, being by far the most exciting parts of the book. And the other characters, from Shiv the warlock to Geris the scholar with big ideals, do develop relationships with each other that have heart to them.
But at the same time, the boring parts are really boring.
Since the title, the cover, and the summary blurb all do nothing in explaining this book, I will do a quick plot summary. Livak, a headstrong young thief straight from a DnD session you had in college, steals an ancient mug from a noble's home in an act of vengeance and then tries to sell it. The buyers are none other than agents of the Arch-Mage, and they essentially bribe her into helping them recover more artifacts such as the one she stole, since clearly she has some skill if she stole that mug without getting her hands chopped off. And so, our noble heroes travel the countryside, first in search of more artifacts, and then in search for answers as to why a bunch of people with blond hair are attacking and killing people.
Also some stuff with a guy named the Ice Man who wants to take over the world I think? He tortures (in very graphic detail) and uses mind control on people so he must be bad.
I think my main problem is, for all the little chapter starters that include text from pieces of literature in this world - from plays to textbooks written by characters in this story - I still had no real picture of what this world's belief system was about. Or what the magic system really was about. Or what things like Forest Folk were. All the extra lip service towards fleshing out this world...really didn't. This book really doesn't even bother to explain really rudimentary things like how many gods the characters believe in, nor does it explain why an entire race of people is basically evil and disgusting, eww look they breed like rabbits gross, with their leader being a grand douche who likes performing mindrape and torture for the evils.
This book is nearly 500 pages. Perhaps instead of giving me an excerpt of a play someone mentioned in passing during a conversation that has no bearing to the plot, could we get a pantheon of gods in there? Or a basic understanding of what each element of magic can do instead of just introducing spells at random when convenient?
Also, the finale to this book is one of the most poorly written things I have ever read. I can't even remember what happened beyond "I think someone summoned a dragon to attack some ships?" because sometime after someone gets possessed, the writing gets really muddy and what should be an exciting conclusion to the book just confused and irritated me. This book doesn't so much end as it just stops.
This book also makes the weird choice in that the characters like to say 'shit' a lot, which ends up making some of the more tense moments unintentionally hilarious. At one point in the book, a wizard is accused of brutally murdered and raping a friend of an important noble (and you see the corpse of this noble earlier in very graphic detail, adding to the horror), and he's being beaten within an inch of his life. In any other book, this would be a very harrowing scene, and you'd feel for both parties. In this book, the noble keeps calling the wizard 'shit-head' while the wizard is getting his ribs kicked in, turning this scene into something comical.
That's not even touching the fact that it's common slang to call sex "playing stuff the chicken" in this world.
In short, not something I would recommend. What's good is good, and I actually really enjoyed these characters. They're just woefully trapped in something that needed a few more passes with the editors and maybe 100 less pages.
Additional Thoughts
*The book goes from first person with Livak to third person with another character between chapters (a snooty wizard named Casuel who isn't very good at his job) and it's extremely jarring. It's also rather pointless, because Casuel, a character the book devotes entire chapters to, just exists to get beat up multiple times and then whine about how much his life sucks. He has no bearing on the plot and why he gets over 100 pages of his wacky adventures is beyond me.
*While it is cool that Shiv is gay, it's only really brought up in a major fashion two times; once to dispel any potential for a relationship between him and Livak (which is fine), and the other time to jokingly explain why Casuel doesn't like him (which is really not fine). At the beginning of the book, you learn Casuel got into a really big fight with Shiv and it has driven him into a giant grudge with this guy; turns out the fight started when Shiv wrongly guessed his orientation and Casuel took it as a personal attack on his manhood. Ho ho, how droll!
So I feel conflicted about awarding the book any points for this.
*There is a scene where everyone gets diarrhea from moldy bread while they're traveling through an enchanted forest to meet a wizard. Okay, writer, I laughed at this. Fair enough.
*Minor literary pet peeve: While traveling and having to slog through rainy conditions, Livak is like "bards never write about how the heroes have to deal with rust and rotten food and depression during their travels, it's all sparkly and nice in fairy tales!" in her narration. Yes, Livak. They leave that stuff out because bards know something about how to keep a story interesting. Perhaps you can learn something from them.