Charles Monroe Schulz was an American cartoonist, whose comic strip Peanuts proved one of the most popular and influential in the history of the medium, and is still widely reprinted on a daily basis. Schulz's first regular cartoons, Li'l Folks, were published from 1947 to 1950 by the St. Paul Pioneer Press; he first used the name Charlie Brown for a character there, although he applied the name in four gags to three different boys and one buried in sand. The series also had a dog that looked much like Snoopy. In 1948, Schulz sold a cartoon to The Saturday Evening Post; the first of 17 single-panel cartoons by Schulz that would be published there. In 1948, Schulz tried to have Li'l Folks syndicated through the Newspaper Enterprise Association. Schulz would have been an independent contractor for the syndicate, unheard of in the 1940s, but the deal fell through. Li'l Folks was dropped from the Pioneer Press in January, 1950. Later that year, Schulz approached the United Feature Syndicate with his best strips from Li'l Folks, and Peanuts made its first appearance on October 2, 1950. The strip became one of the most popular comic strips of all time. He also had a short-lived sports-oriented comic strip called It's Only a Game (1957–1959), but he abandoned it due to the demands of the successful Peanuts. From 1956 to 1965 he contributed a single-panel strip ("Young Pillars") featuring teenagers to Youth, a publication associated with the Church of God. Peanuts ran for nearly 50 years, almost without interruption; during the life of the strip, Schulz took only one vacation, a five-week break in late 1997. At its peak, Peanuts appeared in more than 2,600 newspapers in 75 countries. Schulz stated that his routine every morning consisted of eating a jelly donut and sitting down to write the day's strip. After coming up with an idea (which he said could take anywhere from a few minutes to a few hours), he began drawing it, which took about an hour for dailies and three hours for Sunday strips. He stubbornly refused to hire an inker or letterer, saying that "it would be equivalent to a golfer hiring a man to make his putts for him." In November 1999 Schulz suffered a stroke, and later it was discovered that he had colon cancer that had metastasized. Because of the chemotherapy and the fact he could not read or see clearly, he announced his retirement on December 14, 1999. Schulz often touched on religious themes in his work, including the classic television cartoon, A Charlie Brown Christmas (1965), which features the character Linus van Pelt quoting the King James Version of the Bible Luke 2:8-14 to explain "what Christmas is all about." In personal interviews Schulz mentioned that Linus represented his spiritual side. Schulz, reared in the Lutheran faith, had been active in the Church of God as a young adult and then later taught Sunday school at a United Methodist Church. In the 1960s, Robert L. Short interpreted certain themes and conversations in Peanuts as being consistent with parts of Christian theology, and used them as illustrations during his lectures about the gospel, as he explained in his bestselling paperback book, The Gospel According to Peanuts, the first of several books he wrote on religion and Peanuts, and other popular culture items. From the late 1980s, however, Schulz described himself in interviews as a "secular humanist": “I do not go to church anymore... I guess you might say I've come around to secular humanism, an obligation I believe all humans have to others and the world we live in.”
The first section relates the comics to Mr. Schulz's life. It was interesting to see where some of the ideas come from and learn about how bits of reality slip into the strips. The second section was comics. They were light-hearted and fun, a good taste of the past. It was an enjoyable, interesting read.
Picked this up at random at my library and this book reminded me of just how funny and insightful Peanuts could be. If anyone needs me I'm going to be binge reading any Peanuts material I can get my hands on.
Enjoyed reading this so soon after the bio "Schulz and Peanuts" as the beginning featured many anecdotes from Charles Schulz that had also been written about in his biography. It was interesting to hear some of the same stories from his perspective instead of the biographer's. The selection of strips that fill most of the book is very good and it was also nice to see them on a larger scale. The ones I loved and related to the most were Charlie Brown's laments over "why can't I have a normal dog?" and his lying awake at night pondering the meaning of life.
45 years of Peanuts. I love love love every bit of it. I shall always love these Peanuts characters who have become a big part of my childhood, and really — my whole life. This contains an introduction written by Charles Schulz which was so heartfelt and touching whereby at one point I’d simply gotten teary eyed overwhelmed by nostalgia, especially when he talked about his dog, Andy. Peanuts is such a treasure and I am super grateful to Schulz for having created this literary gem. We love you, Sparky!
This book is an excellent collection of Peanuts comics, and the comics themselves are added to by the beginning Foreward and Introduction that relate a number of anecdotes about Charles Schulz' life and writing/drawing techniques. Where he got his inspiration, what he wondered about his own characters - it's fascinating, and I'd love to read a biography of the fellow I admire so much.
This is a great presentation of a year of Peanuts cartoons, but my favorite part of the book may be the introduction by Schulz. Some great ruminations about his strip, his life, and other things.