When I first attempted to read this nearly 30 years ago, I couldn't make any sense of it. Now, after three decades of playing guitar, I'm thrilled to report that I still don't understand most of it, though I find the author's concepts fascinating and am determined to make use of them somehow.
The book is peppered with random bits of philosophy that are every bit as intriguing and sometimes downright bizarre as the musical ideas. The writing is idiosyncratic and often oblique, two traits I generally find infuriating but enjoy in this particular case for reasons I struggle to comprehend.
This is not an easy read, nor can I say it is a particularly satisfying one. But it has challenged me in surprising ways, and I expect to revisit it periodically in the hope of gleaning something useful that I can apply to my guitar playing, life, or both.