The Creative Writing Coursebook: Forty Authors Share Advice and Exercises for Fiction and Poetry

by Andrew Motion (Editor), Julia Bell (Editor), Paul Magrs (Editor)

This coursebook takes aspiring authors through every stage of the writing process. Exercises and activities encourage writers to develop their skills, and contributions from forty authors provide a generous pool of information, experience, and advice. This book should be of interest to those who are just starting to write, as well as those who want some help honing work already completed. It should suit people writing for publication or just for their own pleasure, those writing on their own or in writing groups.

Genres: Writing, Nonfiction, Reference, Essays, Poetry, Academic, Unfinished

391 pages, Paperback

First published August 1, 2001

About the author

Sir Andrew Motion, FRSL is an English poet, novelist and biographer, who presided as Poet Laureate of the United Kingdom from 1999 to 2009.

Motion was appointed Poet Laureate on 1 May 1999, following the death of Ted Hughes, the previous incumbent. The Nobel Prize-winning Northern Irish poet and translator Seamus Heaney had ruled himself out for the post. Breaking with the tradition of the laureate retaining the post for life, Motion stipulated that he would stay for only ten years. The yearly stipend of £200 was increased to £5,000 and he received the customary butt of sack.

He wanted to write "poems about things in the news, and commissions from people or organisations involved with ordinary life," rather than be seen a 'courtier'. So, he wrote "for the TUC about liberty, about homelessness for the Salvation Army, about bullying for ChildLine, about the foot and mouth outbreak for the Today programme, about the Paddington rail disaster, the 11 September attacks and Harry Patch for the BBC, and more recently about shell shock for the charity Combat Stress, and climate change for the song cycle I've finished for Cambridge University with Peter Maxwell Davies." In 2003, Motion wrote Regime change, a poem in protest at Invasion of Iraq from the point of view of Death walking the streets during the conflict, and in 2005, Spring Wedding in honour of the wedding of the Prince of Wales to Camilla Parker Bowles. Commissioned to write in the honour of 109 year old Harry Patch, the last surviving 'Tommy' to have fought in World War I, Motion composed a five part poem, read and received by Patch at the Bishop's Palace in Wells in 2008. As laureate, he also founded the Poetry Archive an on-line library of historic and contemporary recordings of poets reciting their own work.

Motion remarked that he found some of the duties attendant to the post of poet laureate difficult and onerous and that the appointment had been "very, very damaging to [his] work". The appointment of Motion met with criticism from some quarters. As he prepared to stand down from the job, Motion published an article in The Guardian which concluded, "To have had 10 years working as laureate has been remarkable. Sometimes it's been remarkably difficult, the laureate has to take a lot of flak, one way or another. More often it has been remarkably fulfilling. I'm glad I did it, and I'm glad I'm giving it up – especially since I mean to continue working for poetry." Motion spent his last day as Poet Laureate holding a creative writing class at his alma mater, Radley College, before giving a poetry reading and thanking Peter Way, the man who taught him English at Radley, for making him who he was. Carol Ann Duffy succeeded him as Poet Laureate on 1 May 2009.

Andrew Motion nació en 1952. Estudió en el University College de Oxford y empezó su carrera enseñando inglés en la Universidad de Hull. También ha sido director de Poetry Review, director editorial de Chatto & Windus, y Poeta Laureado; asimismo, fue cofundador del Poetry Archive, y en 2009 se le concedió el título de Sir por su obra literaria. En la actualidad es profesor de escritura creativa en el Royal Holloway, de la Universidad de Londres. Es miembro de la Royal Society of Literature y vive en Londres. Con un elenco de nobles marineros y crueles piratas, y llena de historias de amor y de valentía, Regreso a la isla del tesoro es una trepidante continuación de La isla del tesoro, escrita con extraordinaria autenticidad y fuerza imaginativa por uno de los grandes escritores ingleses actuales.

Reviews

[Nicky · Rating 3 out of 5]

This book was set for a class, but was never really used. I've dipped into it now and again, but I haven't found it particularly useful, which is perhaps why we didn't use it. There are some exercises, but I didn't feel a burning urge to do them, they didn't inspire any immediate thoughts. There are some anecdotes, but I didn't relate to them all that well -- Julia Bell describing how a literature degree took away her hunger for books, for example, but while my degree has got in the way of my reading, to some extent, it hasn't taken away the love of it. (On the contrary, I love and adore digging into a book or books to construct an essay, and my degree opened up the world of reading and writing poetry in a way I'd thought I'd never really get.)

The strength and weakness of it is that it deals with a wide range of topics. It's very general. So if you're an absolute beginner, perhaps it's worth reading, but for deeper insights, not so much.

Actually, I can't think of many books on writing I've found genuinely useful in that way. Stephen Fry's The Ode Less Travelled made me write poetry enthusiastically, eagerly, yes, and Ursula Le Guin's Steering the Craft taught me about things I'd never thought about before, like thinking about the rhythm of my writing. I travel everywhere with those two books, just in case I feel the urge to turn to them again. And there are books which are fascinating because they're all about a personal view of writing, which works too. This one just ended up being none of those, really.

[Sean Gainford · Rating 5 out of 5]

Does not have everything, but has a lot.

40 writers share advice, and they share very good advice at that.

The book offers some of the following:

How to start writing and keep writing
Reading and Research
Training the eye
Showing and Telling
Developing Character
Point of View
Setting
Plot
Rereading and Revising
Advice on Publishing


I believe this book could have offered more technical detail, i.e. like on different types of character dialogue; more on different methods of character development, direct and indirect; creating fictional time...

However there are many strong points to this book and you receive an eclectic range of advice from experienced writers and teachers. I think the power of this book lies in showing you how stories work and inspiring you to write your own, and that it is possible for you to write your own. As the book says:

'The biggest misapprehension about writing is that it is as instant and effortless as its master practitioners would have us believe. It is not for them, and it is not for anyone. It is hard. It is a process. A novel never slithers out whole like some clever-eyed prodigy. It is made, not born.'

So this book teaches you that writing is a craft and has to be learned and after reading this book you will be well on your way to creating this craft. And as the inspiring Paul Magrs cleverly adds 'Remind yourself that anyone learning a craft has to practice and waste materials as they learn. But our materials are relatively cheap – paper, pens. At least we're not cutting diamonds or stained glass. One slip of the pen and you haven't blown a fortune.'

This book was very helpful and inspirational. I definitely recommend it to beginning writers. And remember my fellow writers 'that no one can write exactly as you do. You are the unique product of a unique life history. So if you don't write this text and in your own particular way, then no one else ever will.'

[Flaneurette · Rating 3 out of 5]

I read this book about four-five years ago. I didn't find it very memorable, and now, flicking through it again, I struggle to see the focus of the book. It is too broad and too general to give anything else than a general insight into creative writing. Yet, at times it gets very detailed, but doesn't succeed in showing the link between a micro and a macro level. Although there are exercises that go with each chapter, the examples aren't too compelling. All in all, this is book tells you how creative writing works and gives you ideas to bear in mind, but to me, it isn't much help in getting through the hard bits. For "playing authors" workshops it is quite resourceful though.

[Ruric Amhari · Rating 3 out of 5]

Aother writing handbook - split into three main sections: gathering, shaping and finishing. Takes you through the process from keeping notebooks, diaries and clearing space, to training the eye, to plot, characterisation, point of view and setting and finishes with readig, revising, criticism and how to get published.

[John Hanson · Rating 4 out of 5]

This is a collaborative effort from the early 90s by a group of writers associated with the University of East Anglia and possibly the Tindal Street Fiction Group. These names mean practically nothing to me here on the left side of the pond, but I can relate to my own local organizations. It's not any old local writing community that can step forward and produce such a work.

This book is aimed at quite amateur writers, yet the tops do drift into advanced concepts. A catch-all, if you will. I dabbled through this text over ten months, section a week. The writing styles are easy and palatable, and while I could have read it very quickly, I tend to read such texts very slowly and try to absorb the knowledge as I do. I did not lag because I was bored.

I did skim over the last bits on what to do next, not from boredom but from relevancy. Things have progressed quite a bit since 2001. Today if you want to submit to an agent or publisher, you go to their websites and find out exactly what they want. You want to find a writing group, join Facebook and search.

Memorable sections for me were the concrete-abstraction discussions, a.k.a showing versus telling, and the point of view lectures. This stuff never gets old. I also enjoyed the POV discussions; which I give serious attention in my own writing ;)

The only downside was wordiness. Some of the essays rambled on for pages and said nothing really valuable. I got the feeling some of these writers like to hear their own words more than making them effective for the audience. Does a learning writer really need to know the history of the Tinsdale Fiction Group? Really, this 379 pages should have been 250.

On the upside, I found zero grammar mistakes, zero spelling errors, zero formatting snafus, and even the drivel was well written.

This is not a book you'd seek out -- today there are many more modern, more refined writing reference books -- but if you ran across it for $1 in a bargain bin as I did, you wouldn't go wrong reading it.

Thank you guys for putting this book out there for me to find.

[Rocks · Rating 5 out of 5]

Personally my favourite book. I received it from the open college of arts in 2013. Since then I've been reading bits of it whenever in the mood of writing and only finished it yesterday. I feel like I've reached a milestone! It influenced me so much in terms of the writers eyes. Its cardboard smell and baige papers will probably last for decades in my memory.
So far I haven't read a book as flowing and easy to read as this.
I'm sure I'll be using it as a reference, and the book to pick up whenever my motivation to write is dieing

[John Campbell · Rating 5 out of 5]

A really great book to dip in and out of. I've been editing a lengthy piece of writing recently and the section in here on editing really helped. Not suited to cover-to-cover reading - choose the sections that are best suited to whatever you happen to be working on - but really useful as both a teacher and writer.

[Emily Mitchell · Rating 3 out of 5]

I really enjoy reading advice on writing from writers who have actually written best selling novels, compared to "writers" who only write books on writing. This book has advice from 40 different writers, and has a lot of great references I can use in the future.

[Philip · Rating 4 out of 5]

Very helpful advice and guidance which I shall return to on a regular basis. There are lots of exercises to complete if you follow it as a true course book, but even without completing these exercises there is more than enough to inspire and tempt.

[A.J. · Rating 4 out of 5]

This is one of the better textbooks I have read on Creative Writing. It is clearly laid out and I enjoyed reading it. The different perspectives of the various experienced teachers was useful and I liked the handy little exercises all the way through the sections.

[Adelaide · Rating 5 out of 5]

I applaud myself for having the idea to read this book again. It's reminded me of everything I've forgotten since I left uni. I can't recommend it enough to any writer. 👏

[Stephen · Rating 2 out of 5]

There are plenty of useful exercises in this book, designed as a coursebook. You could do well by starting with this and working your way through it, but it didn't really speak to me, and some of the discussion and anecdotes in the book did not seem as apposite as many of the other books I have worked through recently. Its strength is that it has so many exercises in one place. It is not alone in that.

I think, perhaps, a weakness for me was the multiplicity of voices. The books I have very much enjoyed on creative writing have tended to be from a single author. But, of course, there is strength in multiple perspectives. I feel I gained that from reading more than one book. So this book would probably speak to someone who wants lots of exercise and only wants to read one book. Probably very useful then. If you are happy to read more widely, there may be better options.

[Blogger6Fowl · Rating 4 out of 5]

It was great but sometimes it got too boring. The punctuation section was insightful and I liked the point of view of the few poets that were sharing their experiences there. Those contributions were worth my time and a great deal more. But the rest weren’t. Maybe I’m just not the public for this book. Even then, it’s out of date by twenty years.
I would recommend it for aspiring writers who are just beginning to explore their ideas, if they’re willing to listen to a bunch of opinions and read a 300+ book originally designed for university students and by scholars, in the very beginning of this century.

[Shahira8826 · Rating 4 out of 5]

"The Creative Writing Coursebook" by Julia Bell was a very interesting read, full of fun, practical exercises and extremely useful insights into everything that happens "behind the scenes" to make the publication of a book possible.
I particularly appreciated the last few chapters, the one about workshops and the one about the publishing process.
I think it would have been an even better book if it had focused only on the writing of prose, leaving the writing of poetry out. Writing poetry is so different from writing prose that, in my opinion, the two can hardly fit into the same coursebook.

[Olga Tsygankova · Rating 3 out of 5]

Це начебто підручник, але написаний у вигляді есе з порадами від різних авторів і викладачів творчого письма. Ідея, може, й гарна, а виконання, як на мене, не дуже. Поради повторюються різними словами, більша частина книги - просто набір кліше (з якими автори пропонують боротися) про написання художніх текстів. Show, don't tell. Як це ново й оригінально. Revise thoroughly. Справді? І так далі.

Можна було б сказати, що книга для тих, хто ще жодної не читав по написанню художки, але тоді вона занадто "на умнякє". Короче кажучи, ні туди, ні сюди.

[Wendy Williams · Rating 5 out of 5]

This is a great reference for any aspiring writer. Perfect when you want to dip into a subject and learn the basics about specific topics with plenty of references and different points of view. And a wide variety of exercises in case you get stuck.

[Anjula Evans · Rating 5 out of 5]

Excellent reference book

An excellent reference for anyone planning to teach Creative Writing, or to improve their writing skills. The book is filled with essays from various teachers, with many practical exercises to improve creativity and technique.

[Lizzy Perkins · Rating 5 out of 5]

A helpful book for creative writers with interesting and creative expanding exercises.

[Paddy Reddy · Rating 5 out of 5]

A Fantastic source of inspiration and clever writing techniques!

[Iain Every · Rating 4 out of 5]

Excellent resource. Plenty to read and a variety exercises to try.

[Robert Day · Rating 4 out of 5]

I attend a Creative Writing group called Pen to Paper in York (UK) and the host is Lizzi Linklater and she recommended that I read this book; so I borrowed it from the library.
The book is a collection of essays, by various creative writing related bods, organised into sections: Gathering, Shaping and Finishing. The sections are helpfully sub-sectioned, and the editors provide linking essays, which summarise and ease transitions between the various parts. Most of the contributors seem to have a link, tenuous or otherwise, with the Creative Writing MA at UEA.
That this material was drawn together prior to 2001 gives me the frustrating feeling that I'm reading a Historic Document composed of snapshots of 'how it was in my day' and this is heighted by the absence of dates for the various pieces. I get the feeling that some of them were written long before this book was edited.
Having said that – the vast majority of the essays are:
- Useful
- Easy to read
- An exercise in Creative Writing in their own right
- Illuminating, thought provoking and (in some cases) genuinely inspiring / bordering on genius.
The exercises are, for me, the best part of the book. I only found one that I couldn’t get on with, but the rest enabled me to write some fifteen thousand words consisting of short stories, self-reflection, poetry, micro-fiction, experimental pieces, autobiography and descriptions of various kinds.
I lost interest towards the end, simply because the last part covers drafting and editing (I haven’t written anything substantial enough to be able to take it through this process) and publishing (ditto). When the time comes, I may have to revisit these sections.
Overall, I loved the vast majority of this book, and the fact that I’ve been inspired to write so much within a couple of week is testament enough to the efficacy of what is expressed, so: one to be recommended.

[Calypso · Rating 3 out of 5]

I bought this book many years ago but never really read past the first few pages until now.
Having read a dozen similar books and attended seminars in the meantime, I have to say that I didn't find it as useful as perhaps I would have all those years ago.
Most of the essays were great to read, some were inspiring, and many of the exercises sounded pretty great. There are definitely some good stuff in here; it's just that I didn't find it as practical as other creative writing guides.

[Ellie Porter · Rating 3 out of 5]

Think this book is designed for people who want to teach creative writing as alot of the exercises are aimed at groups of people, which made a few of them tricky. Still some sound advice though. Worth a read for the budding writer.

[Lauma Lapa · Rating 4 out of 5]

a decent collection of essays, tips and tricks of the trade.
the scope is broad, the exercises logical and encouraging.
not sure how it works for a workshop, but it might just be a book to have in a creative writing teacher's arsenal in an educational establishment.

[Karen Madej · Rating 3 out of 5]

I'm dipping in and out of this book, think I probably should have almost finished it, as I'm on the last assignment. I just seem to find a whole lot of other things to do, rather than read it, like writing.

[Creig Sigurdson]

Very Helpful, gave me great exercises to breakthru the block that sits on my brain and halts the flow of pages I like to turn out every day. Big book to charge through so I will have to revisit it often, great resource.

[Becky · Rating 4 out of 5]

I was in the very fortunate position to be one of the students that experienced these exercises first first hand. This is a very useful book for writing educators and a blast from the past for me personally.

[William · Rating 3 out of 5]

good, useful info and helpful

[Tony · Rating 4 out of 5]

Excellent book for those interested in (creative) writing. Lots of advice and useful strategies.

[[ J o ] · Rating 3 out of 5]

[to review at a later date - maybe even re-read at a later date as well, though not urgent]