I really liked this collection of stories and perspectives that helped to form the big Def Jam picture. I'd heard about how Rick Rubin started the company in his dorm room, but this book helps you feel like his roommate.
The last few years of the book seemed to just rush by in comparison to the extensive details shared about the company's creation. I learned a lot about Rick Rubin and Russell Simmons -- including details about Russell's not-always-hidden-drug use. Rick Rubin falls out of the story, but, that falls in harmony with how he "fell" out of the company. I feel this book was very thorough and I'm glad I got an opportunity to enjoy it.
Specific to the audiobook: I'll add that the reader/performer, Kevin R. Free, was animated and entertaining. However, there were times when it became very obvious that he was not a fan. The way he mentioned artist names, or song titles, I could immediately tell that he wasn't a fan of that music/artist. It was never enough to turn you off. But, you can tell when someone extends a joy, personally, and when a person extends a perceived joy professionally. I always heard that shift in his voice. But overall, I enjoyed his reading.
Very entertaining and insightful book about something that used to mean so much to me--I mean, just remember how you'd snatch up anything that had that famous Def Jam label? And finally, someone gives Rick Rubin his due!
i loved this book as I worked with Russell and Lyor in the late 80's early 90's...and exciting time in the development of hip hop and the business its become
The first third of this story is compelling, and incredibly interesting to fans of hip-hop, rap or music culture in general. Rick Rubin and Russell Simmons are visionaries. They were able to cultivate hip-hop into the worldwide presence it is today - no easy feat considering that much of radio refused to play the music through the start of the 1990's.
The problem with Gueraseva's book is the middle third, and more importantly, the final third. Rubin and Simmons, being the artists and trendsetters that they are, eventually lose interest in Def Jam and its music. They move on to become some of the most influential music producers (Rubin)and entertainment moguls (Simmons) of their time.
And Def Jam, and we, the readers, are left with gifted businessman Lyor Cohen. While I respect Cohen's accomplishments and contributions to artist management and cultivation, I did not read this book to learn about him. I was drawn by the mystique of a record label that began in an NYU dorm room. A label that brought hip-hop to the masses, with a (mostly) uncompromising attitude and vision. I understand that Rubin and Simmons would not have kept Def Jam afloat without a savvy, aggressive fighter like Cohen. But when the focus of the book narrows to him, and it becomes apparent that by the mid 1990's hip-hop has ALREADY dropped onto the whole of planet earth, the story loses its fervent excitement and sense of "newness."
When reading about Rubin and Simmons, it almost didn't matter to me if they would have failed in the end. They are just so damn cool. You know - one of those "journey but not the destination" kind of tales.
I loved learning all about Def Jams start and the artists who came up with them. If you even like Hip Hop a tad you should check this out. I do wish they would have spoken about the Biggie/Tupac war though. Simmons and Rubin completely earned their millions and my love for LL continues. I laughed so loudly when I heard Beastie Boys first tour was opening up for Madonna's Virgin Tour.
A well-researched history of Def Jam and its founders. The audio recording was ok, I was hoping for some audio tracks or, at the very least, a performer who didn't sound like he was talking about hip-hop for the first time in his life. It may not sound like much, but it's distracting to hear someone continuously pronouncing Rza "Are-Zee-Aye". And then take that same guy and have hime read quotes from hip-hop artists. It just doesn't fit.
This is a chronology of DefJam since it's inception up until the 90's.As a fan of both the label and it's 4 initial groups:RUNDMC,LLKoolJ, The Beastie Boys and Public Enemy in the 80's this was very entertaining and informative. For a time both Rick Rubin and Russel Simmons married rock and hip hop. Later this dynamic duo split up and the label was transferred to Jay Z. I hadnt realized the role of Lyor Cohen as a kind of enforcer of discipline after Rubin left. They managed to poach Warren G from the east coast and such 90's acts like Redman and Boss are said to have revived the label,but this wasnt as original as the raw 80's vibe. DMX for sure was hype,but sadly like Biggie and Tupac, he died far too young. While this was interesting, I felt this book wasnt as good as a title with nearly the same name and both Rick and Russell's photos on the cover. These guys built Hip Hop and Diddy simply made it more pop by plagierizing other pop hits. Even Biggie's best came from a song called Juicy Fruit by Mtume.
This was a fun, warts and all, gossipy look at the history of the Def Jam label, and it's especially fun to read when the subject is the early days and the Rick Rubin/Russell Simmons days. There are so many great behind the scenes stories about RUN-DMC, The Beastie Boys, LL Cool J, Slick Rick, Redman, and Method Man to name but a few, and those golden days of rap shine through these pages. This one is strictly for the heads, and probably the old heads at that, but anyone who wants to know what building a stable of artists was like in an era before our current shitty algorithm ruined everything will learn a great deal reading this book.
This one was great, once I got going I could not put it down. I consider myself a hip-hop head but I learned a lot of facts and anecdotes about the early Def Jam years that I never knew.
The story of Def Jam is a fascinating one, but I'm not sure that this is a great telling of it. The book focuses mostly on the business side of things, and maybe that's how the story of a record label needs to unfold, but I would have liked to read more about the culture and, above all, the music. There is a lot of good stuff here, to be sure-- especially about the early, Rick Rubin days-- and I do recommend it to hip-hop enthusiasts, but, for the straight dope, you might just get the terrific Def Jam 10th Anniversary Box set and hear the story unfold for yourself.