V. Castro has enjoyed a surge in popularity and recognition of late, thanks both to her Bram Stoker Award nominations and high-profile releases in media tie-in franchise work like Aliens: Vasquez and indomitable small-press works like Goddess of Filth and The Queen of the Cicadas. Her first Big 5 Publisher title, The Haunting of Alejandra, is due out in Spring 2023 through Penguin’s Del Rey imprint. There’s a reason for all this of course – she’s just a damn good author. Her works provide a fresh perspective for jaded horror readers, as she enriches her scares with Latinx mythology, folklore, and mysticism, as well strongly-voiced feminism, that isn’t often seen or done particularly well in the mostly male, white bread horror community.
Castro returns with her third short story collection behind Sed de Sangre and Mestiza Blood, with Out of Aztlan. Collected here are eight stories spanning the mythic to the personal. You can’t but help imagine the lived experiences Castro writes from and that give rise to pieces like “Templo Mayor,” where our narrator tells us of her desires to immerse herself in a Mestiza culture she hardly knew as she visits an archeological dig site that has revealed an unknown area of an ancient temple, or the dangers of raising children in this modern world populated by people like Jeffrey Epstein and Donald Trump, and what she might do to protect them, as “Palm Beach Poison” demonstrates a certainly understandable bit of wish fulfillment as it exorcises personal demons.
Out of Aztlan covers a wide-range of topics and tropes over the course of its stories – we’ve got ancient goddesses, cultish killers, mermaids, pirates, killer jellyfish, and dystopian post-apocalyptic futures. These last two subjects, in particular, provided a pair of personal favorites for me.
In “Asylum,” a global pandemic has brought mankind to its knees and all but destroyed America. On the other side of the wall separating the US from Mexico, a Cartel leader has helped make Mexico all but resurgent, finishing the wall to keep American’s out. The US has been reduced to “a wasteland of disease, hunger, feral animals, and things that were once human,” i.e. a Republican’s wet dream! I really dug Castro’s perspective on border relations and the way a pandemic has put the shoe on the other foot in terms of immigration policies. Of course, we saw this playout in real-time during COVID-19 when American travelers found themselves persona non grata from entering foreign nations, but I really appreciated the way Castro captured the heroic aspects of Mexico and the way national pride united the country, turning a Cartel leader into a folk hero.
“Dawn of the Box Jelly” revolves around a scientist, Guadalupe, traveling from Texas to Portugal to investigate the rising number of dead sealife washing ashore and bearing unusual signs of attack. Things get complicated further when tourists start disappearing… Castro delivers a terrific bit of natural horror here, drawing on Jaws and cheesy ‘80s When Animals Attack titles like Gregory A. Douglas’s The Nest or Mark Kendall’s Killer Flies. As with The Nest, ecological concerns give rise to mutated horrors challenging the food chain, a result of mankind’s less than sterling influence upon the natural world. Marine pollution and climate change prompt Portugal’s jellyfish to begin behaving in unheard of ways, which is certainly bad for the tourists, but great news for readers, like me, who love this kind of stuff!
Out of Aztlan is a great showcase for Castro’s work, and provides a varied assortment of stories for fans of her novels and a great starting place for new readers looking to sample her wares and sensibilities.