Having read'Red Death', 'Devil In A Blue Dress' and 'White Butterfly' over fifteen years ago (!), I have always found Mosly's character portrayals of Mouse and Easy interesting, warmly familiar and nuanced. I've also always wanted to know how Mouse became so 'trigger-happy', quixotic and playful, while Easy somewhat a smooth operator, but with a lot on his mind. Mouse always seemed like a time-bomb, ticking and waiting for the right 'trigger' to set him off. What was the 'loyalty' angle that Mouse and Easy had in previous novels--where did it come from? I'd read on Amazon that this was the novel that starts it all---or rather, starts Easy's 'journey' into the 'noir 'world of culpability, secrets, forbidden lusts, comeuppance----the world he finds himself most comfortable in. The novel is short, compact and concentrated, focusing on only the essences of situations, and not spelling out too much unnecessary detail. Helping characters and flat characters do just that--help us get a better picture of the situation, no more, no less. Sparse descriptions help the reader 'fill out' and 'round out' what could be perceived as loopholes in the plot, as well as they help the reader to use her own imagination to feel the 'hot, sticky, oppression' and the forbidden mystic voodoo of the bayou environment. My only pet peeve of this compact little novella was the leitmotif of Easy's illness. It annoyed me that it played such an integral roll in seaming together time sequences and certain occurances in the novel. I felt Mosly 'took the easy (Pardon the pun, here:-)) way out' here, instead of trying to find other motivations for what his character does and how things are resolved. There had to have been other ways to do this...however, I am not a writer, so I can't really go too deeply in that criticism. To sum up, I thought 'Gone Fishin''s length and its literary style suited what needed to be revealed about Easy and Mouse, it recounted essences of their characters and how they came to be the men who they are in the rest of the series. A sweaty, hot and funky 'kick-off' to reading yet another Rawlins mystery. 'A Little Yellow Dog' awaits.