Tulip mania. Anyone who has ever heard of it would also have probably heard of what it was supposedly about, and how it all went wrong and with serious consequences! Isn't that the archetypal symbol of a madness of crowds? Isn't that (or so we have been told) when a whole country (the Netherlands) supposedly got so gripped by a frenzy about tulips that mere flowers (no matter how rare and exotic back then, since tulips are not native to Europe...) not only changed hands so multiple times while not even in bloom yet (!) but, also, for such exorbitant prices that the market could only go bust, countless reputations ruined, many well-off merchants and collectors ended up bankrupt, and an economy itself suffered a serious blow -and all for mere profit making akin to irresponsible gambling? Wasn't tulip mania, in other words, a warning to future generations; one illustrating what could happen when the greed underpinning the unbridled capitalism of a society then deeply reliant on global trade went hand-in-hand with the foolishness of snobs, willing to pay fortunes for bulbs? Wasn't it?
Anne Goldgar's book is not easy to navigate. It's thorough, and so gives a great deal of attention to details that, if you're only after a rough understanding of what went on (as I was) you probably could do without. Nevertheless, it remains a captivating one, not least, for debunking all of the silly preconceptions listed above.
It's true that Europe back then (16th-17th century) was being exposed to curiosities from the world at large, including when it comes to plants. Tulips, in fact, were not the only flowers to be introduced on the continent then. So was, also, the tomatoes, the runner beans and French beans, the artichokes, the bell peppers, or, to remains on flowers only, the hyacinths, the anemones, the crocus, the iris, the narcissus and others. It's true, too, that in the Netherlands especially, a society in flux due to its heavy reliance on international trade and the burgeoning cosmopolitanism which ensued, such overtures to the world would impact social order at home (as the author arrestingly show with what the fascination for tulips also entailed for the so-called bloemisten). What is everything but true, though, is that tulip mania had bewitched the whole country and ultimately led to the foreseeable bankruptcy of far too many. On the contrary, the tulip market embraced such a tiny community of well-off collectors and traders that, not only its bust barely registered on the Dutch economy as a whole, but, most importantly, it ruined next to no one! Tulip mania as we know it, then, is nothing but that: a myth, where misunderstanding and historical falsehood have taken hold of the narrative. But then what?
As a debunking work, Tulipmania is obviously highly interesting as it is. However, what makes it really enjoyable and enlightening is the endeavour of the author once she debunked our misguided understanding of such event: trying to understand what motivated tulip lovers in their quest for the rarest bulbs; why the tulips (of all flowers) would be at the core of passions among an elite; and why, as this was indeed the case, prices could fly up the roof even for bulbs with no guarantee whatsoever that they would germinate as buyers (or sellers) expected them to? The answers offered are here are no less enlightening and striking, as Anne Goldgar put forth the argument that tulip mania was as much about collecting and money as it was about... aesthetics! She, in fact, draws parallels, not only between the art world pertaining to the Dutch Golden Age and that of the community of tulip lovers and tulip collectors, but, also, between some painting themselves and tulips as an object; showing thus how this can help our understanding of the elite's psyche at the time.
History is full of weird stories. Some have been so weird, in fact, that they came to become multiple stories of their own, regardless of their original veracity or not. Getting to the bottom of it all to try and dispel the myths and stick instead to what truly happened is a feat in itself. When this is done in a way that helps shed a new light upon a whole society and some of its most passionate obsessions (no matter how widespread or not) is even a greater feat. This book, fascinatingly enough, manages to fulfil both expectations. It certainly might be so thorough that it can get lost in its own minutiae. Nevertheless, it's damned enthralling... and make for as much a good story as a good History!