Context:
I had always been a fan of Amish’s work. Since I read the first of his Shiva Trilogy, I always had pre-ordered new releases. Not necessary to mention, I was looking forward to the War of Lanka since long. I waited eagerly for whooping 3 years! For the revisit, I had to go through YouTube videos to remember the previous books’ storylines. After having revised the previous mighty stories, I was excited to read this book.
Diving deep:
The first 5 chapters, precisely, were excellent. Had me remember all the old-time stories, and the way I loved Amish’s work. They were very intriguing and engaging. The real problem, in my opinion, started from Chapter 6 onwards. It was when Ravan ‘Ji’ and Kumbhkaran ‘Ji’ had so-called deep conversations with Sita in her quarters, where they kept her after kidnapping. I started loosing interest, to know that Ravan ‘Ji’ is willing to fight a war only for the sake of making a hero. I was confused and baffled to know where the storyline was going. There were multiple face-palm moments henceforth. I wish it were written differently. I wished Amish didn’t ruin the beloved series for me! I personally liked the philosophical conversations in Amish's books. But here, I was taken aback by the conversations between Sita and Ravan ‘Ji’, where Ravan ‘Ji’ made no sense at all. All his empire, all his wealth, all his life, all his family (at least the ones he loved - Indrajeet & Kumbhakaran), all his pride, all his achievements, all his creativity, precisely his everything - gone. For what? To make Ram the next Vishnu. It looked more like a forced Vishnu to me.
Everything from then on looked like a bias towards our hero, Ram. Another example, when king Bali demanded combat. Towards the end of battle, it was obvious, the hero would win, but this too was dragged and was on purpose. Bali died intentionally! Such a waste of talent! Reason: He wanted to have a dignified death after knowing the truth about his son. It was pure suicide. Double face-palm. Why would you make a storyline such that you’d build the character strong only to make them appear weak... and ready to die for some funny reasons?
Sita, in her quarters, looked like a side character, which was one of my favorites in the past books of the series. She would just give in to the arguments. She didn’t look like wanting to win any debate. She would just sit there, admire her husband, Ram, for his battle tactics. She refuses to go with either Hanuman ‘Ji’ or Arishthnemi ‘Ji’ and was convinced for a war. The war that could have been avoided. The war that could have saved a lot of innocent lives. But how could she then make her husband a (forced) Vishnu?
The conversation between Ravan/Kumbhkaran and Sita (where they try to convince Sita for a baseless war), the conversation between Hanuman/Arishtnemi and Sita (where they try to convince her to go back with them to avoid a baseless war) - were not convincing. The whole story of war could have been avoided. The plot in itself needed to be stronger. 'Amish's writing style' stronger. It looked more like a typical Desi daily soap drama.
Over-emphasize many aspects, which happened as many times, as to give cringe. Sita admiring Ram a bit too much; mention of how Ram’s army was ethical a bit too much; Ravan adamant to fight and loose it on purpose a bit too much; Kumbhkaran admiring his brother a bit too much.
According to Ram, the definition of Dharma and Adharma changes according to convenience. Killing the civilians - Adharma, but burning the crops so that they couldn’t survive - Dharma! Providing the flu medicines to Lankans - Dharma, but using their own against them (Vibhishan) - Dharma!
I literally had to skim over the last few chapters, because the battle looked useless to me. It eventually made me fade my interest in the story and I became numb to the story!
Writing style:
I always admired Amish’s writing. I liked the way he would give conversation sentences at the start of chapters, and give the background to the point of this conversation hence. But at places, he tried to make it more modern, with the latest terminologies used at many places. This doesn't look like the medieval era! ‘Good policeman, bad policeman’. 'Surgical strike’. I was a bit paranoid about nonusage of Oxford comma, which hasn’t been used throughout the book. At many places in-chapter separations were missing. This was the worst one, and I quote - “checking done in less than you took to read the two paragraph above”. When I read a book, I usually see myself getting fully indulged in it. Something like these break the momentum, forces me to take a break, take a deep breadth, and remind myself not to feel cringe, and continue further.
Good part:
I liked fruitful conversations with intelligent and mature debate amongst the characters. Vashishth and Vishwamitra’s past conversations were good. It constantly kept the interest going, to know as to what happened to these both, they were so close! I liked Ayodhyan’s brothers love and respect towards each other. The fighting scenes were good. Love and respect amongst Kumbhkaran and Ravan was admirable. The fighting scene was nicely written and narrated - Kumbhakaran vs Elephants; the torture of Ayodhyan soldier gave me chills; Lakshman vs Indrajeet was superb;
TL/DR:
On one hand, I respected the series way too much to be able to leave the book in between. On the other hand, I wish I could unread this. The review is with a very heavy heart, as it comes from an aficionado.