4.5 stars.
I've seen a few people who have assumed that this is a fantasy romance based on the cover, and it does have some romance elements, but from reading it, I wouldn't call it a fantasy romance as one of its main selling points. A new cover is intended to distance the book from that presumption, so it will be interesting to see if more readers (or just a different type of reader) pick it up once that launches.
This one surprised me a little because I went into it mostly blind, but my friend Esmay read it shortly before I did and said that she didn't think it was going to be a book for me. We have very different tastes but we do align quite well with our fantasy and over the last year or so I think we've got quite good at judging each other's fantasy tastes, which is really good when it comes to recommending books. I'm pleased to say though, that Esmay was wrong with this one as I did have a really good time with it.
The main element for me is the worldbuilding. You have sprygans in this world—essentially treemen—and then you've got hybrids as well who are human–sprygan half-breeds, and these hybrids have the gifts of the Auldtree that allow them to be much more than human in many respects. They might have quickstep or keenears, and one of the rarer, and I think more interesting abilities is effacing, which is the gift of memories. This allows a hybrid to remove the memories of a human. Hybrids themselves are immune to effacing, they can't have their memories taken, but humans can and this plays a really important part of the story.
For the story itself, we have a main character who is one of these hybrids and she's got the whole gamut of the gifts of the Auldtree, except for effacing, and she's trying to keep her brother safe, keeping him not just out of sight but out of knowledge of pretty much the entire world. She doesn't want anyone to know what he is and I like how we don't know what he is either until we get deeper into the book.
It's unveiled to us gradually in terms of who he is, what he is, what he can do, and what the impact of that power getting into the wrong hands could be. I like how we see individual aspects of it opening up as we learn more about the character and we learn more about the world. Our main character is part of the Starlight Company, who are essentially the lords of the underground. She is a seductress, a thief, and an assassin. She will get herself close to a human through means of seduction, steal from him, and then her team will efface him, taking away his memories of her so he won't know what's happened, who has robbed him, etc.
I think that's a really quite interesting element. The effacing is described almost as the taking away of faces, and one of the key aspects of the story does revolve around this memory stealing. You can't have your memories given back, they are destroyed, so you have the exploration of two people who know each other, but one of those has ‘forgotten’ (or had their memories removed) that second person. Only the physical aspect of the memory has gone though, you can't remove the feelings, so someone might have a connection to somebody but they don't know why because the memories themselves have gone. They’ll just be a bit fuzzy about what happened over the past few days.
I thought it was really interesting because there are other stories that deal with memory loss and even forced memory loss in different ways, and I’ve seen examples where a character has a journal, for instance, written in his own hand which tells him who he is and who he can trust. In here we don't have any of that but we do have little bits here and there that explain why that isn't possible and I like the way it was explored and the way it asks the question of how to prove to somebody that they know you if they've got no recollection of you whatsoever.
There are a few threads that go from the start to the finish of the book but it is otherwise a book of little subplots rather than one key thing that takes you from A to B. It all flowed very nicely and you will have little time jumps every now and then between these key parts. Despite being well-written, I think that’s maybe the one thing that acted as a slight drawback for me. You do have threads that go all the way from the start, the key one being the protection of the brother, but I do feel like there could have been something that just held it all together a little bit better. It wasn't disjointed at all but it did sometimes feel like I was reading a few key events from the overall story rather than reading the overall story in itself.
Part of that, I would say, is by design because you have to learn various aspects of the history and the world before you can learn all of these things about the brother, for instance, and why he is so important and potentially dangerous, so I definitely appreciated that. Overall, this was a very enjoyable book, with some exquisite worldbuilding elements, some really interesting characters and story ideas, and it’s one that I highly recommend.