"A Jack Bergin Mystery". The only mystery is how they managed to botch both its premise and cast by making what is essentially the main plotpoint - a "bad movie". I was hoping for a noir experience with some sort of investigative case to solve, or something remotely similar, instead we have a poor man's spy thriller and a drama that tries to wear a set of overused drama pants that are too big for it.
The positives - the central storyline, with the "communist" movie and the sly ways governmental forces are trying to fight it, is very entertaining. It was obvious from the start where it was going to go, but I was actively interested in how it was going to get there. It isn't terribly original and is far from special or imaginative, but it is distinct enough and carries its own charisma. The cast is also delightful (as you'd expect), their voiceacting carrying any scene. The directing is absolutely isn't.
This is not a movie, it's an audiodrama, treat it like one. There were a lot of situations where you obviously were supposed to view the room like the director imagined it, but sound work alone definitely failed to do so. It *did* manage to hit the right spot in time, by minor ways characters were describing their surroundings in passing, so I have definitely heard worse from some originals, but every episode found something new to make me roll my eyes.
Additionally, what the hell is up with the episodic release in vague attempt for podcast-like popularity? What sort of overexaggerated ego had someone believe this is some sort of mindbreakingly special new drama that would have listeners on the edge of their seats, refreshing pages every week? If more than a dozen people did that, I'm willing to eat Jack's hat. Bro thinks he has an HBO drama in his hands, smh. It made it a lot more annoying to hear a year later when I had some interest in it, not to mention that it's harder to locate, because for a lot of us this is not a podcast platform, I only found it because someone had a sip of the reality juice and published the second story as a book, which grabbed my attention.
Anyway, the lusting after existing dramas seems to be the core of this particular story's issues. They cast Jon Hamm, and of course list Mad Men as his primary credential, as they want him to play the exact same character. I exaggerate, but not by a lot - he is still the "most talented expert" employee of an influential organization, still a man's man, and a ladies' dream, with ruggish good looks and some domestic drama and infidelity to spicy his character up. He is, in reality, an extremely dry character that just serves to move the plot forward, but due to Jon having a voice that can ASMR you to a coma just by reading a shopping list, it is not something a personal would terribly mind. We are supposed to feel empathetic towards him because of his domestic situation, but I'd really love to see some hands raised in the air by anyone remotely interested in what was going on with his wife- guys, stop trying to find piles of sand to dig your hands in, so that they can be further away from the air, I get the point. There is so much unnecessary Emmy baiting you'd think they were actually handing those around for audiodramas.
All and all, this is an extreme waste of potential, with lofty ambitions that someone should have checked (run it by someone when you throw a pile of money at people, Amazon), but there are glitters of gold in this particular pigsty and the second release being more regular makes me hopeful it will deliver something better from its spectacular cast.