il libro dei miracoli

by Till-Holger Borchert, Joshua P. Waterman

La fine era vicina
Straordinarie visioni apocalittiche del XVI secolo

Il Book of Miracles è stato ritrovato alcuni anni fa ed è una delle scoperte più spettacolari nel campo dell’arte rinascimentale avvenute negli ultimi tempi. Il manoscritto esistente è quasi completo: creato intorno al 1550 ad Augusta, libera città imperiale di Svevia, si compone di 169 pagine con illustrazioni di grande formato a guazzo e acquerello che rappresentano fenomeni meravigliosi e a tratti inquietanti.
Le suggestive illustrazioni spaziano dalla creazione del mondo e altri accadimenti tratti dal Vecchio Testamento, da antiche tradizioni e dalle cronache medievali fino ad eventi contemporanei all’autore del testo e arrivano, con le illustrazioni della visionaria Apocalisse di Giovanni, a rappresentare anche la futura fine del mondo. Tra stelle cadenti e sciami di cavallette, mostri terrificanti e inondazioni devastanti, pagina dopo pagina si rimane ipnotizzati da visioni di volta in volta spaventose, spettacolari e persino apocalittiche.
Questo volume riproduce il Book of Miracles in un nuovo formato compatto, rendendo accessibile a tutti una delle opere più importanti del Rinascimento tedesco. La trascrizione completa del testo del manoscritto e un commento approfondito che colloca il codice nel suo contesto storico e culturale costituiscono un’utile appendice.

Gli autori:
Till-Holger Borchert ha studiato storia dell’arte, musicologia e letteratura tedesca alle università di Bonn e Bloomington (Indiana, USA). Noto esperto della pittura fiamminga delle origini, è curatore capo del Groeningemuseum di Bruges dal 2002. Ha curato inoltre numerose esposizioni in ambito artistico e di storia della cultura in diverse città tra cui Bruxelles, Maastricht, Rotterdam, Madrid e New York. Borchert insegna storia dell’arte presso le università di Aquisgrana e Memphis (Tennessee, USA) e dirige il Flemish Research Centre for the Arts in the Burgundian Netherlands.

Joshua P. Waterman ha studiato storia dell’arte alla Oregon State University e ha conseguito un Ph.D. alla Princeton University per la sua dissertazione sulle interrelazioni tra letteratura e arti visive in epoca barocca in Slesia. Grande esperto di arte tedesca del tardo medioevo e degli inizi dell’epoca moderna, ha lavorato al Metropolitan Museum of Art di New York ed è stato Andrew W. Mellon Postdoctoral Curatorial Fellow presso il Philadelphia Museum of Art. Attualmente è ricercatore associato presso il Germanisches Nationalmuseum di Norimberga. Ha collaborato a varie esposizioni a New York, Philadelphia, Colonia e Bruges.

Genres: Art, History, Medieval, Nonfiction, Reference

292 pages, Hardcover

First published December 1, 2013

Reviews

[Robert Geraci · Rating 5 out of 5]

this is a spectacular collection, and shockingly well-priced ($100-150 on amazon). the collection comes boxed, with two books, a hard-bound facsimile of the 16th century Augsburg Book of Miracles and a softcover analysis that has four major divisions, listed below). the facsimiles themselves are excellent. in response to one prior review: it demonstrates scholarly competence that the facsimiles include the blank pages and the mold stains, etc. i was impressed by the attention to detail, as is a friend of mine who is actually an expert in medieval texts (and bought a copy himself). to get this level of attention, one can pay far, far more for a facsimile of a medieval text (quite literally ten times as much).

the pictures are both lovely and fascinating, with their topics ranging from hebrew bible events to alleged miracles of celestial events to monstrous births from the ancient through early modern period to images taken from the biblical Book of Revelation (Apocalypse in catholic bibles). the book is absolutely compelling to flip through.

the analytical softcover book is also fantastic. it includes an essay on the genre of books of miracles, an essay on the style and meaning of the Augsburg Book of Miracles, a list of transcriptions from the ABM's pages, and a table of sources for the ABM images (many of which borrowed from contemporary work). it is a terrific companion to the hardcover, written in erudite but lucid fashion (in english, german, and french!).

this is an amazing book. it's not cheap, but it is well worth adding to any home library.

[Irene Lázaro · Rating 4 out of 5]

En cuanto a imágenes, este libro es espectacular, las fotos muestran cada detalle del libro de los milagros. La única pega es que me hubiera gustado que en el texto se hubiera hablado un poco más de los milagros en sí y no tanto de la evolución de estos libros, que interesa solo a los especialistas del tema y además al final era una retahíla de nombres y fechas que te dejan un poco frío.

[Willi Mend · Rating 5 out of 5]

just …stunning to perceive

[Jolanta (knygupė) · Rating 5 out of 5]

Mums siunčamų Dievo ženklų ar šaip baisių nutikimų knyga, su Renesanso dailininkų iliustracijmis.

Šitaip krauju lijo tris dienas šiaures Italijoje 864- iais musu eros metais...

[Marin Hanna]

best boyfriend ever bc who would literally think to gift this book. amazing collection would definitely recommend

[Fabio · Rating 5 out of 5]

Who knew the apocalypse could be so pretty? Comets, multiple suns, rain of blood, the visions of Ezekiel and Jeremiah, the seven seals of revelation and even a pope that is part donkey part chicken part woman. They're all together here to instill fear and awe and propel your sinful life to repentance. This 1560 gorgeous illustrated collection of signs of the end of days both biblical and folkloric-medieval is pure joy.

[Juliano · Rating 5 out of 5]

“Most of all, the manuscript stands out for the extraordinary lavishness of its illustrations. These stunningly vivid pictures must have imparted to those readers first seeing them a sense of awe at the progression of disasters and wonders from the beginning of history to the end of time, as then understood. And they have lost none of their ability to astonish and engage us today.” Many years ago I saw the Taschen facsimile edition of The Book of Miracles, edited with introductory essays by Till-Holger Borchert and Joshua P. Waterman, in a bookshop and knew I had to have it. I finally got it for Christmas in 2023 and have been saving it for a rainy reading day ever since. As Waterman writes in his essay ‘Miraculous Signs from Antiquity to the Renaissance: Context and source materials of the Augsburg manuscript’, “The lavishly illustrated Augsburg Book of Miraculous Signs […], completed about 1552, recently discovered, and presented here in full, gives spectacular expression to sixteenth-century Europe’s ever-increasing concern for extraordinary signs sent from God.” Borchert’s essay, ‘The Book of Miracles: Genesis, style and meaning’, points out “it covers miraculous signs not just from the time of the creation of humankind up to its own day but also those expected at the end of the world.” This trilingual edition offers up the two essays and facsimiles of all the surviving plates from the book and typed translations of the script in the pages, and offers a thorough look at this vivid and astonishing book. It starts with Genesis and the Deluge, Sodom and Gomorrah, Moses parting the Red Sea, Isaiah’s & Daniel’s & Ezekiel’s visions, and ends with Revelation and the Fall of Babylon, with various medieval happenings in between, from strange creatures to celestial battles, apocalyptic weather, rainbows, sea creatures, burning torches, shafts of light, rain of blood, fiery arrows, frozen birds, parhelia, haloes, plagues, eclipses, mythical creatures, and a whole lot of comets.

[Zbigniew · Rating 5 out of 5]

XVI-wieczna kolekcja fantastycznych obrazów przedstawiających biblijne cuda i sceny z Księgi Apokalipsy - trzęsienia ziemi, komety, plagi szarańczy, potworne narodziny, dziwne ciała na niebie. Kto by pomyślał, że apokalipsa może być tak piękna? Komety, wiele słońc, deszcz krwi, wizje Ezechiela i Jeremiasza, siedem pieczęci objawienia, a nawet papież, który jest po części osłem, po części kurczakiem, po części kobietą. Wydarzenia historyczne opatrzone są biblijnymi odniesieniami. Ponieważ wszystko jest chronologiczne, na początku znajdują się cuda biblijne, takie jak potop i zniszczenie Sodomy. Na końcu znajduje się Objawienie. Wszystkie one są tutaj, aby wzbudzać strach i podziw.

[Chris · Rating 5 out of 5]

A beautiful reproduction of the Augsburg Book of Miracles, along with an accompanying volume with two essays that discuss the sources of the work and analyze the contents, as well as a transcription/translation of the book's text (German, English, and French). The only negative I found was the reprinted original volume is missing Fol. 191 & 192 despite the fact that these two are shown with translations in the accompanying volume.

[Mark · Rating 5 out of 5]

Astonishing compilation. Superb large rare illustration reproductions. Compelling theories and 'explanations'. Truly a research resource in its own right.

[Courtland Bethune · Rating 5 out of 5]

Beautiful illustrations and a cool history lesson as well!!

Loved this!!

[Lulu]

c. 1552

[Thais]

Absolutely beautiful compilation

[Tom Schulte · Rating 4 out of 5]

aside from some art books I've picked up, this is my first serious Taschen purchase. its a beautiful work, but I am somewhat disappointed. A slavish purism in the facsimile reproduction has hurt the cohesion. even blank pages are reproduced along with the dingy and stained back sides. translation, introduction, index, etc. are compiled into a separate paperback volume with both enclosed in a box. This makes a close reading a back and forth procedure requiring much table space. I wish commentary and research and interpretation was present. but this prompted me to do my own research and learn such things as the biological basis of blood snow and that centuries ago seldom seen northern lights were mislabeled as comets.

The amazing work recreated here recounts eclipses, parhelions, novas, plagues of locusts, sea monsters, and more. All are artfully depicted in painting. The art is most of each page with a short caption in German. The historical events are bookended with biblical references. As all is chronological, the beginning is biblical miracles, such as The Flood and destruction of Sodom. at the end is Revelation completing a theological narrative to this incredible compendium of the 1550s.

[Bill Wallace · Rating 5 out of 5]

This is on my coffee table right beside the current issue of The Fortean Times and the juxtaposition is apt. A 16th Century collection of fantastic paintings depicting Biblical wonders and scenes from the Book of Revelations. These two comparatively mundane sections bookend the heart of the matter -- earthquakes, comets, locust plagues, monstrous births, strange bodies in the sky, all painted in a colorful style that prefigures Blake and later astronomical art, with commentary that reads like, yes, the works of Charles Fort. Typical gorgeous Taschen presentation here, with the actual facsimile and a matching volume of essays and translated text contained in a brilliant box. Hours of fun and a guide to the inquiring minds of 16th Century Augsburg, to whom the world itself was an expression of capricious divinity.

[Michael · Rating 5 out of 5]

Legitimately one of the coolest things I've ever seen in my life. It has hundreds of Northern Renaissance depictions of catastrophe and apocalypse, mythical and historical.