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32 pages, Hardcover
First published July 6, 2021
Author: Maria Isabel Sánchez Vegara
Illustrator: Roza Nozari
Age Recommendation: Early Primary
Topic/ Theme: Comedy, Representation, Biographic
Setting: America
Series: Little People, Big Dreams
For the sake of disclosure I've never had anything to do with Mindy Kaling or her work, this is another entry I'm reading for the sake of completionism. That is not to say I didn't find this interesting because I did. Mindy is one of those women who broke down some barriers, helping adapt The Office UK for an American audience and creating representation for people like her. I appreciate Sánchez Vegara adding information about the Kaling family, who have something of an unusual background. This is a pretty good introduction to her life, covering the basics and for an adult maybe prompting them to look at more information. Kaling has written multiple books some of which I believe are autobiographical.
While I'm not a massive fan of Nozari's illustrations, I can see why they match well to Mindy Kaling. They feel like they suit her form of comedy. That's not to say they are comedic but they aren't serious either not like some in the series. The inclusion of some ethnic bends for popular films was a good choice. The ones I saw were A League of Their Own, Legally Blonde (I think?) and A Princess Bride (Nozari's a lady after my own heart). There are some really cute patterns on her outfits they definitely suit her. I do like the cover, that cardboard TV feels like something that kids would have. The end pages are a perfect choice suiting the comedian herself the just laughs everywhere.
This whole paragraph goes off the rails a little. But I feel it needs to be said. If I'm honest Roza Nozari aka YallaRoza is an odd choice given what her illustrations are usually. I want to add her art introduction from her website here as it helps understand why I think it is odd. "Much of my art is rooted in my own identities and the communities I belong to --as a queer, muslim cis-woman of colour. I use art to tell stories of trauma and healing, of oppression and injustice, and of resistance and collective care. My art centres the stories of those often erased from our archives of mental health and wellness —in particular, the often erased stories of queer, trans and two-spirit people; of BIPOC (Black, Indigenous, Person(s) of Colour); of Muslims; of femmes and non-binary folks; and of many more. I hope that, through art, I can illuminate the tremendous, intergenerational wisdom that lives in 2SLGBTQ+ communities of colour about trauma, healing and community." This just doesn't feel like it suits storytelling. I know this has Sánchez Vegara's text but the illustrations tell their own story.