My verdict: A debut writer makes a direct impact. (5 stars)
John Grisham has long been the king of legal thriller mountain. With his first book, “Directed Verdict”, Randy Singer has climbed the heights with a quality suspense thriller not far behind some of Grisham’s best. Like Grisham, Singer is a Christian, but the Christian content is far more explicit than one typically finds in a Grisham novel. Two American missionaries, Charles and Sarah Reed, suffer horrendous persecution at the hands of the religious police (the Muttawa) in Saudi Arabia. When Sarah returns to the US after the torture and death of her husband, she comes into contact with Brad Carson, a young lawyer who helps her file a civil rights suit against the Muttawa head (Ahmed Aberijan) and against the nation of Saudi Arabia. Helping Brad to fight for Sarah’s cause are his long-term legal secretary Bella, his newly acquired helper Nikki, and a recently widowed law student, Leslie. But do they realize that they are seeking justice against powers that will stop at absolutely nothing to win this case?
The novel is divided into four sections. Part I, “Persecution”, very cleverly juxtaposes the persecution of the Reeds in Saudi Arabia with the persecution of Christians in America who speak out against abortion. Part II “The Law” and Part III “Discovery” set the stage for Part IV, “The Trial”, which makes up half the novel, and recounts the court case itself. There are lots of surprising twists and turns, leading up to a fast moving and satisfying conclusion (though arguably optimistic). Will the head of the opposing legal team, Mack Strobel, be successful in seeking a directed verdict in favour of the defendants (an extraordinary verdict in which the judge makes a ruling on the grounds that no reasonable jury could decide otherwise)? Which of Carson’s own legal team is giving inside information to the other side? And will justice prevail?
Although the novel concerns the treatment of Christians, the Christian content itself is not overdone and does not dominate the novel or detract from the storyline as the case with some writers who become artificially “preachy”. There is much reminiscent of the style of Grisham’s most overtly “Christian” work, “The Testament”, which also features a Christian protagonist. Singer’s Arminian theology is evident in one place (p290-291) as part of a conversion story that seems somewhat artificial and forced, although it features some excellent application of courtroom imagery to salvation: “Sarah believed that her real accuser was Satan, that God was her Judge, and that Jesus Christ Himself was her Advocate. In the only courtroom that mattered, her Advocate had taken her place as the defendant and endured her punishment. As a result, the Judge of the universe had declared her not guilty.” (p290). But on the whole the Christian content is in the background, and the focus is on the story itself. The suspenseful plot is combined with realistic characterization, because even the “good guys” have weaknesses, and the lawyers defending the cause of evil do have some moral standards. My final verdict: “Directed Verdict” is a good courtroom drama that’s hard to put down, so I’ll definitely be wanting to read more from this author!