It's been a long time since US superhero comics had the knack of anthology formats, but usually if you throw enough interesting creators at one, something good will come of it. So this one goes above and beyond, in the bad sense, in terms of quite how unmemorable it manages to be. Even the multiple issues written by Conner & Palmiotti, among the few writers who've generally managed to do good stuff at post-Flashpoint DC, only really come alive when they bring their best gal Harley Quinn along for a guest spot. OK, one of their other issues has a heartbreaking opening, Diana visiting an old comrade who's now wasting away while she herself remains untouched by time – but then the needle screeches off the record as that jars into a rushed apocalyptic scenario which, the reader knows full well from the prologue, is nothing more than Gotham's Scarecrow having a go at Wonder Woman instead of Batman in a story which has inexplicably decided that little-loved Marvel crossover Acts Of Vengeance is worth ripping off.
As for the title: yes, it has long been one of the paradoxes of the character that she supposedly came to man's world for peace, but being a superhero, will generally end up decking someone. But at least in a longer story, you can have a more convincing prelude of her trying to find alternative resolutions, whereas in done-in-one stories, it becomes more a faintly comical exercise in box-ticking. 'Is there any possibility of concluding this peacefully? No? Then STITCH THIS.' It's particularly glaring compared to the last WW anthology I saw, Sensation Comics, where at least the shorter stories meant a greater variety of tone, lots of little vignettes in which Diana inspires a kid with a chance meeting or what-have-you. Here, though, nearly everything is laced into the format of resolving with a fight, a fundamental lack of ambition which serves only to rob the character of her distinctiveness. See also the Louise Simonson/Paul Pelletier story – again, a creative team from which one might expect more, or at least something – in which Diana assumes a pre-Columbian tale she's heard is "surely a myth". Which would make sense if it were Blue Beetle or Batman thinking that, but Wonder Woman? I forget whether she's still meant to be Zeus' daughter at the moment, but either way, she mingles with gods on the regular, so why the blazes would she assume that? The only logical conclusion is that it's because it's not a European legend, which just makes her look colonialist – surely not the intention, but another indication of quite how little sense one can expect out of modern DC.