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274 pages, Kindle Edition
First published October 14, 2021
“He was breaking into his lover’s family home to learn the details of a false murder charge against him—it’s the stuff of romantic fiction, Dria. It’s as good as Alkaios and Eudoxia.” “Well, I guess I shouldn’t be surprised, after what happened last summer,” said the cook.
“Divine Terza. Yes, of course. And I’m supposed to be the tactician.”
“Yes, dear,” said Varazda, patting his shoulder, “but I’m the spy.” — Varazda
Strong Wine is such a perfect ending to the Sword Dance trilogy. Works on the idea of connection. Though there is a persistent storyline between Sword Dance, Saffaron Alley and Strong Wine, I think they could theoretically be read independently. There is so much more to be enjoyed from reading all of them in sequence. It is worth that knowing, epilogue excluded the Sword Dance series takes place over about six months. It's quite a short time frame. I do really recommend it for a series that plays with gender, sexuality and presentation.
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Varazda and Damiskos have this wonderful and endearing relationship with boundaries and limits that are respected and diverse family dynamics. I do think it is the only series I have ever read that treats eunuchs with such respect. Respecting humanity, identity and potential for sexual nature.
Onto Strong Wine itself. It could be argued that Sword Dance is Damiskos's story, Saffaron Alley Varazda's, following this line of thought Strong Wine is their story. Unlike the previous two which are single perspectives, this is alternating. As you would expect is a book that starts with a happy and fairly stable couple shenanigans ensue to disrupt them. Some of this is partly their fault. But there is a sweetness to the lack of communication while we are in both Varazda and Damiskos's heads we know they want the same things a life. They both want to live together with Yazata, Ariston, Remi (and maybe Kallisto) in Boukos and both mention a child. But these two are not good with the words. What they are clear on is that family is important. We do get to see growth in the relationship some reflection on where they started. I kinda want to go back and reread Sword Dance just so I can relive their relationship.
On the story. It does well to tie up the plot lines from the previous books and leave readers happy. There is racism in play as the story moves from the more progressive Boukos to the less tolerant Pheme. This racism is of course directed at Varazda and it is handled well, both by him and the author. The racism fits contextually and isn't extreme. It also lets us see a reminder of exactly how ballsy Varazda can be, like confronting Dami's family in full Zash attire. The plot is paced just right and uses the characters to their best advantage. There is very black and white though some people are definitely leaning more one way than the other. Ino is a gem. I liked her instantly as is intended. The lovely lady is a pawn in a game she has no control over, as I'm guessing most women would be in this fictional world. She is written in such a way that it is clear to the reader that there is no threat there and you want her happiness. You want her to have what is hers and to chase her dreams. Better Varazda likes her too. The other great character is Timiskos, Dami's younger half-brother. I just adore him. He's trying and he's sweet and he's been through a bit for his family. I kinda hope that A.J. writes a spin-off with Timiskos as a protagonist.
Have a comment dump.
• “You see how happy he is now? You see how the strain is gone from his eyes, how much more easily and genuinely he smiles? I did that.” — (Varazda) There is so much love and pride at this moment and it's beautiful.
• Kallisto and her cameo made me smile. She is strong but there are some times when she is shy. And I'm happy about that.
• There is something that both Varazda and Dami consider a hamfisted declaration of love or a statement of intention but I really think it's romantic especially for them. Where cohabitation is not done easily.
• “I’m not engaged,” he said, because he wasn’t about to begin spinning a web of lies. “But I am not free to marry.” — (Damiskos) This is a polite way to hide the relationship while saying no. But it's still effective.
• He snickered at the idea of a dream messenger from Dami. It would have been kitted out in a crisp uniform, and would probably have marched. — (Varazda) And at this moment I was laughing because I could see it.
• “No! Five days. And yes.”
“What?” Kallisto pushed him toward a seat at the table. “No, he hasn’t had a letter from Damiskos. It’s been five days since Damiskos left. And yes, Varazda has written him. You and Yazata really need to stop pestering him. Damiskos is his lover.” — (Varazda and Kallisto) I appreciate the love that Asterion and Yatza have for Dami. The ability to acknowledge how happy he makes Varazda.
• Varazda’s second letter was short and written in Zashian. It was a passage from the Tales of Suna, carefully copied out: the song of the moon fairy pining for her absent lover. — (Damiskos) This is so romantic. Varazda is a romantic.
• Varazda didn’t even glare, in any way worthy of the name—not like Damiskos knew he was capable of glaring—but his look was enough to make Korinna shrink back in her chair. It was deeply satisfying. — (Damiskos) This is such a gift to give a character.
• “You’ve taught me so much about love. I don’t think I would have understood, before you, that saying ‘yes’ to my parents over this—sacrificing my happiness for something that wouldn’t really be good for any of us—might be dutiful, but it wouldn’t be loving. You taught me about happiness, too. You make me actually believe in it.” — (Damiskos) Okay so Dami is also a romantic. Just in a different way to his lover.
• And Zashians never really understood about suicide, that for Pseuchaians it wasn’t always a choice of sordid desperation, but could be a dignified exit, the last way to do the honourable thing. — (Damiskos) Oh I love this cultural difference. This is quite a common thing, suicide as an honourable act but it can be hard to understand if you aren't raised in that kind of culture.
• The only thing I'm kinda sad about in Strong Wine is we don't see anything of Varazda and Damiskos performing, especially Varazda. The series is named for his skill with a blade and ability to dance. But it really is a bit nitpicky.
“They want me to marry Ino because she’s inherited some shit business in Kargania.”
Timiskos blinked at him. “What is it? The business.”
“Shit. It’s shit. It’s literally shit, selling shit. In Kargania.” — Damiskos
A representative gif:
… But Dami didn’t belong to him, wasn’t his responsibility. Yet Varazda found himself sometimes wanting to nudge their friends and acquaintances, point, and say, “You see how happy he is now? You see how the strain is gone from his eyes, how much more easily and genuinely he smiles? I did that.”
"If it would help," said Varazda, deadpan, "I'd be happy to pose as a bizarre girlfriend. I didn't bring any of my gowns with me, but I can always get something ready-made in the market." [loc. 1453]