I was blown away by this book’s predecessor, so my expectations were sky high for Dawnbreaker – and what a relief that Meadows managed to meet those expectations!
The Salvation duology is just YA high fantasy at its finest – a well-built world, compelling characters, and riveting conflict. Isn’t it nice to see a sterling example of a book, in a genre where so much can (and does) go wrong?
The strongest aspect of Dawnbreaker is, in my opinion, the romance. The connection between Rune and the Dawnbreaker is so deeply felt, with so many obstacles… it seems so thoroughly doomed, and their desperate claiming of even the tiniest moments of connection is beautiful to behold. And to their credit, neither of them dismisses Hanne and Rune’s marriage to her; both recognize that Rune’s marriage vows are something he should honor. As I said before, Rune’s goodness makes for great reading in Meadows’s capable hands.
Hanne, meanwhile, goes from compelling antihero to a tragic figure. Even though the big twist is something that was telegraphed so clearly in Book 1, so we all saw it coming, reading Hanne’s reaction to the news makes it hit as a devastating blow despite the predictability.
Also, Meadows just has a gift with language – there are so many great lines and quotes in the book! Hanne and the Nightrender have a détente early on, and I think I actually said “Oh SNAP!” out loud at one point. Basically, Dawnbreaker is just firing on all cylinders as a book.
If I have one critique, it’s that Dawnbreaker loses some of the potent metaphors of its predecessor. I love how Nightrender was an analogy for climate change and/or nuclear weapons, and the really tough choices the characters had to face about what to prioritize and how to navigate it. Dawnbreaker is much more straightforward: good guys, bad guys, magical macguffin, big climactic battle. This did not detract from how enjoyable the book was to read, but it’s less of a thinker than Nightrender, and much more about feeling the feelings (as I said before, romance!).
I so enthusiastically recommend this duology, it might be my favorite of Jodi Meadows’s bibliography!