It is looking as if it's the end of Christopher Fowler's Peculiar Crimes Unit (PCU) with the Home Office having given notice of its closure. Only the elderly Arthur Bryant, the oldest London detective, has no intention of letting it happen, so hits on finding a case that they are investigating, granting them a short term temporary reprieve to make their last stand. The team is back, although there is a question mark over whether they will be returning in the future, John May's cool temperament in direct contrast with the badly dressed, shambolic unpredicability, genius, and enthusiasm of Arthur, rude, mayhem following in his wake, with his treasure trove of arcane knowledge of London. The rest of the team includes DI Janice Longbright, Dan Banbury, crime scene forensics, DS Meera Mangeskar, DS Colin Bimsley, and the newest recruit, the young DC Sidney Hargreaves, Longbright's daughter. As always, at the heart of this offbeat and fun series, stands the city of London, a central character with its history and politics.
The investigation they take on is the apparent neglected death of the elderly Amelia Hoffman, dying in her home of starvation, slipping through the cracks of the run down care and social services system. What had been assumed to be a straight forward case turns out to be a well planned and organised murder. What's more, it turns out Amelia had worked with the intelligence agencies, and for the PCU in its earliest incarnation, and shockingly, was still being paid by the PCU through the years. Bryant struggles to remember her, but a photograph at her home leads them to two of her colleagues, Annie and Angela, all 3 women patriotic, determined to hold on to their secrets come what may. A young Latvian woman is killed by a drunk driver, Larry Cranston, a low level American Embassy worker, which has him turning to the CIA to escape the charges in return for a deal.
In a investigation that involves MI5 and the CIA, where all leads point to 'London Bridge', there are a rising number of deaths of the elderly, all connected, and which begin to include Bryant's legendary informants, the 'crackpot' genius academics, and it looks as if Bryant himself might be a target. It's a joy to see the return of familiar characters, such as the witch Maggie Armitage, and welcome new characters, like Bryant and May's encyclopaedia reading taxi driver, Ronda, driving them around in London. This is such an enjoyably entertaining read, although sometimes the information is delivered in a little too dry a manner, although that does not affect my affection and love for this incredible series and for Arthur Bryant in particular. Terrific addition to the series.