In a collection of nonfiction writings, the British novelist addresses his childhood, his experiences in Malaysia and Monaco, his own work and its critics, and the work of his contemporaries
Librarian Note: There is more than one author in the Goodreads database with this name.
Seriocomic novels of noted British writer and critic Anthony Burgess, pen name of John Burgess Wilson, include the futuristic classic A Clockwork Orange (1962).
Burgess' killer British acid wit is unique and provocative because he observed British culture as an émigré . . . his cosmopolitan, analytical, and simultaneously intuitive and edgy takes on then-current positions concerning classic and avant-garde literature, culture, and politics should reinforce his stature as an important 20th century mind, as his essays are, I think, as relevant if not moreso than they were decades ago because his observations have proven to be spot-on; those very mindsets he has problems with are ones that continue to remain unchecked today. (See: his essays on Joyce, Thatcherism, Belli)
These brief essays on literature, music, and 20th century social history are delightful, like listening to an old man's monologues over a glass of whiskey. As that picture conjures up, they are opinionated, funny, wise, articulate, sometimes repetitive, and occasionally cringeworthy. Unlike such conversations, they never overstay their welcome and never cajole: perfect company for an evening or two.
These essay are occasionally good (esp. about music), often stupid (whenever discussing politics), but interesting in so far as they offered an answer to why so many of the great writers are (were) fascists: high art is not a democratic institution. Perhaps its as simple as that.