I was a huge fan of Adele Griffin’s Tighter and so when I saw a title of hers on NetGalley I knew I had to snatch it up. Adele’s writing is very dark, tackling heavy issues always, but without exploiting them, or turning them into some freak show. This can be said about Amandine but I did feel like it was lacking in a few areas.
On the surface, Amandine is one hell of a story. Delia, a loner who has moved quite a few times in her childhood, further and further from New York City each time, is just starting high school when the book begins. She makes a friend in her first week, eccentric and strange Amandine, who wears a new costume every day – a lab coat, a flamenco dancer, an Old Hollywood starlet, you name it, she’s worn it. At first, Amandine is wonderful, a totally new and shiny experience for Delia. Amandine is charming, a ballet dancer, a lover of opera. She woos Delia’s parents easily. But under the surface, Delia can sense an darkness in Amandine that is only intensified the longer she is exposed to her. Soon after the two meet, Amandine builds a web of lies surrounding herself and finally the whole thing crescendos and explodes – and nearly everyone around the girls is hurt in the aftermath.
Delia was a very interesting character, even though I’m not her biggest fan. She stands out amongst today’s YA protagonists: she’s overweight, a real loner, with some dark secrets of her own. She is quite the unreliable narrator, and the entire time I wasn’t really sure if I could believe her or not. I’ll let you read the book yourselves and decide on your own.
Now, the real reason I rated this two stars is because I felt that it was underdeveloped. Amandine was really short – according to my Nook, it was only 95 pages, which means it’s probably somewhere around 200 pages in print. Because of how short it was I thought there was a lot lacking. I know I said Amandine was intense, but I never really felt it escalate and take over the entire book. The mood of the story was very bland and the narrative almost clinical.
I also felt that it was written a little young. There was so much potential in the story of a girl who was obviously troubled and surrounded herself in a cocoon of lies. There were small hints that the grotesque mind of Amandine, but not enough to really impact the reader. I felt that Griffin had a lot of room to really push the limits with this one, and let all the goriness and grit show.
So, in all, I was pretty disappointed with this one. The story itself is very Griffin – dark and gritty with an unreliable narrator and a very thin line between perception and reality. But the writing was lacking, and I felt that the story and the characters were tragically underdeveloped. If you’re looking for something along these lines, though, I would definitely recommend her newer works, Tighter and All You Never Wanted.