Go read Leighton's 3 star review, which explains the problems of representation in this book much better than I can.
I'm not sure how I feel about this one. On the one hand, I was entertained and I could never quite figure out what was going on. On the other hand, I am not a fan of unreliable narrator stories, and it was obvious from the first that this narrator was thoroughly unreliable. Also, it was maybe a little... culturally insensitive? I'm not sure how to put it. The use of one of the weirder old Chinese cultural practices as a major plot point was interesting, but the way it was written didn't feel quite right, like, "ooh, look at these crazy foreigners, aren't they backwards?" I don't know. Maybe I'm being oversensitive.
I had to binge it because I couldn't wait to find out what was actually happening. Everyone was a suspect. I lazily thought it must be the main character. There was a throwaway line about how she was estranged from her family after some unspecified incident or incidents. Between that, her unnerving, violent thoughts at the daycare and her intense, almost symbiotic relationship with her husband, I thought maybe she broke from reality and adopted the identity of her husband's twin.
But the husband with hysterical paralysis was a close second. I mean, that's the perfect alibi, right? It obvious wasn't the twin. The rotting food on his kitchen table nixed that possibility pretty much as soon as it was introduced.
So yeah. It was the husband. And it was creepy. When his daughter was stillborn, it brought back his traumatic childhood. Inspired by his ghost marriage to his dead little sister, he became fixated on the blurred lines between life and death. He disinterested his father, his stillborn child, kidnapping his mother and killing and taxidermying his twin and then staging them in a tableau in the basement. He abducted a little girl so he could restage the ghost wedding and then basically commit murder suicide by fire.
The protagonist shoots him and she, her mother-in-law and the little girl escape. So yeah, she survives, but she's hugely messed up.
It ends with the reader discovering that she's pregnant again, presumably with her dead, psychotic husband's child.
Yeah. I'm not sure about it. 4 stars because the premise was interesting and the story kept me engaged, but there were definitely parts I thought could have been better. Like the fact that there was no positive Chinese representation, and the playing fast and loose with Chinese culture. Or Japanese, by mistake. Kimonos are referenced a few times, and I thought, was it the author who screwed up, or the translator? Or one of the editors? It bugged me.