Wonder Woman: Earth One Vol. 3

Wonder Woman: Earth One #3

by Grant Morrison, Yanick Paquette (Illustrator), Nathan Fairbairn (Illustrator)

The epic conclusion to the New York Times bestselling original graphic novel series from superstar and critically acclaimed duo Grant Morrison and Yanick Paquette is here!

Diana, now queen of the Amazons, must assemble the disparate Amazonian tribes for the first time in a millennium. Max Lord's assault on Paradise Island with his destructive A.R.E.S. armors is on the horizon, and in order to weather the war that is coming, Wonder Woman will need the full might of her sisters by her side! Can Diana finally bring her message of peace to Man's World, or will Max Lord's war burn the world and the Amazons to ashes?

Continuing the tradition of the critically acclaimed Earth One tales that challenge the status quo of the comics industry, Wonder Woman- Earth One Vol. 3 is Grant Morrison and Yanick Paquette's final installment of this visionary and enterprising graphic novel series.

Genres: Comics, Graphic Novels, Dc Comics, Wonder Woman, Superheroes, Fiction, Graphic Novels Comics

136 pages, Hardcover

Published March 9, 2021

About the author

Grant Morrison has been working with DC Comics for twenty five years, after beginning their American comics career with acclaimed runs on ANIMAL MAN and DOOM PATROL. Since then they have written such best-selling series as JLA, BATMAN and New X-Men, as well as such creator-owned works as THE INVISIBLES, SEAGUY, THE FILTH, WE3 and JOE THE BARBARIAN. In addition to expanding the DC Universe through titles ranging from the Eisner Award-winning SEVEN SOLDIERS and ALL-STAR SUPERMAN to the reality-shattering epic of FINAL CRISIS, they have also reinvented the worlds of the Dark Knight Detective in BATMAN AND ROBIN and BATMAN, INCORPORATED and the Man of Steel in The New 52 ACTION COMICS.

In their secret identity, Morrison is a "counterculture" spokesperson, a musician, an award-winning playwright and a chaos magician. They are also the author of the New York Times bestseller Supergods, a groundbreaking psycho-historic mapping of the superhero as a cultural organism. They divide their time between their homes in Los Angeles and Scotland.

Reviews

[Sam Quixote · Rating 2 out of 5]

Wonder Woman is now Queen of the Amazons - but mean old Ares wants to make war, not love! Diana must show, for the third blimmin time now, that love triumphs over hate. Woo… hoo…

This was awful. I rate Grant Morrison highly but he’s fully capable of writing garbage books and Wonder Woman: Earth One, Volume 3, like Volume 2, is definitely a pile of crap.

The story is completely uninteresting. Everyone Diana goes up against is easily defeated, whether it’s nobodies who want her to show that she’s a worthy Queen or something dumb (a fist fight will definitely prove that) or an army of Iron Man-esque bots. It’s not interesting to watch Wonder Woman effortlessly defeat any obstacle in her way. The message of love not hate is so tedious too given that it’s been the theme of the previous two books and is inanely repeated again here to severely watered-down effect.

Ares and the “bad” male characters couldn’t be more laughably written. They’re the most absurd caricatures of misogynists/alt right figures/incels spouting nonsense like “Destroy!” over and over while Wonder Woman and her side are dignified, wise and always right. Guess which side Morrison wants the reader to side with? It’s amateur-level writing.

To fill up space in this woefully thin story, Diana goes to Hades for no reason. That said, the sequence does look amazing and features the best of Yanick Paquette’s artwork - and his art throughout the book is nothing short of breathtaking. Nathan Fairbairn’s colours are sumptuous too so the book is visually impressive.

Morrison’s story and writing though is amongst his worst and least inspired - it reads like he’s fulfilling a contract obligation. Like Volume 2, Wonder Woman: Earth One, Volume 3 is a worthless addition to this miniseries and an instantly forgettable finale. The first volume is really good but I recommend abandoning the subsequent two books.

[Chad · Rating 3 out of 5]

It's the war of the sexes with misogynist Maxwell Lord declaring war on Queen Diana and the Amazons. The ending is pretty much a foregone conclusion from the onset that Diana's philosophy of loving submission will win out. In typical Morrison fashion, he brings Wonder Woman's William Moulton Marston's proclivities to the forefront of the story. This book is more straight forward, lacking the cheesecake factor of the previous volumes. Paquette's art is glorious.

[Artemy · Rating 4 out of 5]

After two notoriously dismal volumes, the conclusion to Grant Morrison and Yanick Paquette's alternate-earth Wonder Woman story is somehow... really good? In fact, this may be the most thoughtful take on Diana in any medium in many years, and all it took Morrison and Paquette to achieve this is a few tonal tweaks, reining in on the horniness of the previous two books and having an actually good story to tell. In a way, Morrison is doing here what they did in All-Star Superman by taking all the cool, weird and interesting stuff from Diana's mythos and combining it all to tell her ultimate final story. The result is genuinely moving and uplifting, making me wish this particular version of Diana and her philosophy of loving submission was actually real. The book isn't perfect though — for one, it took me a good 40 pages spread across three weeks to actually get into it (which may or may not be due to debilitating depression I've been going through lately), and just in general some of the writing here felt clunky. However, once it got going it really felt like Morrison giving it their all, and I managed to finish the rest of the book in just a couple of sittings. In the end, I'm glad I decided to give this final volume a chance even despite hating the first two books. If this really is one of Morrison's last books at DC, it's nice to know they're ending their time at the publisher on a good note.

[Khurram · Rating 3 out of 5]

This is better that the last volume. A decent conclusion to the Earth One Wonder Woman series. It was really the only way it could end.

This is not my favourite incarnation of Wonder Woman. I do like the Greek mythology element of this book, the artwork works well with this, over done men are the enemy I do not.

A war of the sexes has been declared. On the Amazons and all their allies. The world and it's leaders are determined to "put them in their place". Wonder Woman must unite her people to stand against the world.

Good artwork, the story is overly sexist but with good elements in it. Though it is a bit rushed in places, and too slow in others.

[Robert · Rating 3 out of 5]

I generally enjoy these "Earth One" graphic novels due to their being "updated" or generally speaking more "grounded" versions of the DC canon. This one, while gloriously illustrated and coloured, just felt so over-the-top it didn't really fit within my expectations. I'm glad I read it, though.

[Lashaan Balasingam · Rating 3 out of 5]

You can find my review on my blog by clicking here.

It is not unlike writer Grant Morrison to shake up the status quo in the comic book industry, especially with the superheroes he gets to play around with. In the Earth One comic book line-up, various writers have had the chance to reimagine the origin stories of countless classic DC heroes, and Wonder Woman became his choice of predilection, and boy, did he have fun with this one so far. Choosing to approach this Amazonian princess in a provocative fashion while embracing extreme positions drawn upon feminism and matriarchy, he at least offers an ending that doesn’t leave a too unpalatable taste for his readers. Teamed up once again with artist Yanick Paquette, legendary writer Grant Morrison delivers the finale to his Earth-One trilogy in an explosive fashion while drawing upon some of Wonder Woman’s best features, from her Greek mythology background to her sense of unrivaled leadership.

What is Wonder Woman: Earth One (Vol. 3) about? As Diana Prince becomes the Queen of the Amazons, she now takes it upon herself to do the unimaginable: rally the disparate Amazonian tribes. With Max Lord looking to wage war on Paradise Island with his A.R.E.S. armoured army and looking to establish no matter the means the dominance of patriarchy over matriarchy, Wonder Woman will have to channel every bit of wisdom she has left to show Man’s World a new way of life founded on peace and love. With the answers she seeks not readily at her disposal, she will first have to look back on her own mythological history and culture to find direction to survive the impending war. If things are to change, she will have to show the world that they will need someone much more enlightened to pave the way towards utopia.

Considering what writer Grant Morrison was trying to achieve with his Wonder Woman: Earth One trilogy, there weren’t many great exits possible for him to contemplate and luckily for readers, this one was the most adequate one, at risk from falling back onto the deluded, provocative, and controversial vision he began this trilogy with. This time around he utilizes Max Lord as the ultimate icon of evil patriarchy and infuses his character with a terrifying dichotomic vision that would constrain women to be perceived as submissive and inferior beings while men would always have the reins over any power structure within society. Fortunately, Wonder Woman is there to fight back in a revolution and impose a new philosophy to the world, a new vision that essentially turns the table around for a new age. However, the ultimate message behind this narrative isn’t one rooted in equality, as one would presume from movements of feminism, but one that simply gives power to matriarchy, going off on the assumption that women would now have all the right answers if we are to live in peace and love.

Continuing the artistic vision that began in the first volume, artist Yanick Paquette maintains the vibrant and bombastic style expected to accompany this provocative series. Making an additional effort to show some character development through Wonder Woman’s garments, he also depicts the various characters in the best light. The panel structure continues to follow an unconventional layering during action-packed sequences and gives this series a unique signature. While the character designs are fantastic and striking, there is a relative staleness that captures an absence of dynamism and movement in these characters, especially during dialogue-heavy sequences. At least the excellent colouring by Nathan Fairbairn distracts you from overthinking most of these artistic details that restrain the artwork from being beyond exceptional.

Wonder Woman: Earth One (Vol. 3) is a bombastic finale delivering a sensational war while advocating diversity and matriarchy in its core message.

Yours truly,

Lashaan | Blogger and Book Reviewer
Official blog: https://bookidote.com/

[Tony Laplume · Rating 4 out of 5]

Endings are so hard to nail. I’m not sure I know how to view this one.

Grant Morrison is full of big ideas, grand ways to tell them, and the ambition to pursue them, which is something few writers can do, all three of those. And, well, endings can be tough.

The ending to the Wonder Woman Earth One trilogy is a fairly logical extrapolation of preceding volumes, but I’m not sure it reaches as far as it needed to, coming up with a fairly simplistic conclusion in opposition to a nuanced interpretation of the familiar origins.

I don’t know what else to say about it.

[Kyle Dinges · Rating 5 out of 5]

Hmmmm...

Is it perfect? No. Is it heavy handed? Maybe at times. Is it effective? Yes. Is it a good Wonder Woman comic? Yes. Is it beautiful? Again, yes.

Wonder Woman: Earth One has been one of the best series in the Earth One label (alongside Green Lantern, the only other one worth reading). It is an attempt by Morrison to bring Wonder Woman back to her William Moulton Marston imagined roots. The primary focus of all three books has been gender, feminism, the patriarchy, war, and violence. I promise if you don't like progressive discussions about those things you're going to absolutely hate this and probably get real mad-online about what you read. If you approach with an open mind, maybe you'll see things from a new point of view.

I'm honestly surprised DC is publishing this book, given people throw a fit when a comic book cover even mentions feminism. But here we are. I do not think this would have seen the light of day if being told as part of the Wonder Woman title that's part of the monthly DC line.

While the first two volumes felt a bit uneven, I think Morrison found their way to an effective treatise on gender and love. I'm not sure if it was coincidence Morrison came out as non-binary around the time this was released but I'll admit it helped re-shape my feelings on the series while reading this conclusion. Previously, I'd felt a bit leery that this story was coming from an all-male creative team. Some of the superhero aspects feel a bit derivative (looking at you Amazon-hunting sentinels), but honestly the superhero stuff seems ancillary here.

The art is absolutely wonderful. Yanick Paquette has been tucked away working on these books for a few years and when you dive in it's a reminder why he's one of the best in the business. The panel structure is unique and there are splash pages abound. There are pages that are full of dense philosophies but then Morrison will give Paquette 6 straight pages of action and the balance just feels right. Nathan Fairbairn brings wonderful colors to the table. Paradise Island is so bright and warm.

If you liked the first two volumes, definitely stay for the finale. It's the best of the bunch. If you're looking for a good Wonder Woman comic, I think the 3 volumes of Earth One are about as on-par with anything that's come out in the previous decade or two. I'm not sure if my opinions about the book are too woke or not woke enough. *shrugs* I guess the point is that it got me thinking about them and super hero comics usually shy away from engaging in those discussions on more than a surface level.

[Iain · Rating 2 out of 5]

The artwork is stunning. The story isn't. There's definitely room for this sort of revisioning in comics, but this is too simplistic (all woman = amazing, all men = pure evil or stupid), and feels rushed with many characters given short shrift, and then other elements that are just plain bonkers.

[Robert · Rating 1 out of 5]

As expected, an even bigger pile of misandrist garbage then the first two volumes.

[Alan · Rating 3 out of 5]

This is one of those instances where I read something, and wondered if I just didn't get it. There have been other very popular novels and writers which have left me going , not my cuppa, etc. Generally I like Grant Morrison's work, but here I was left wondering...

Did I just not get the joke? Was this intended as satire with a large dose of social commentary on the side? Because if it was, great then I did get it, and Morrison's take on some of society's ills and possible solutions are worth giving some attention to (whether you agree or disagree, you know sometimes you should listen to the other side's comments before deciding that they are right, wrong etc.).

Yes, I think this is an improvement on volume two no matter what, and a good way to end the series.

[Alex Sarll]

Grant Morrison's long-awaited and sometimes unsteady Wonder Woman rework concludes, and of course the whole project can't help but read differently when somewhere around that conclusion (but not before the creator bios here were finalised), Morrison announced they weren't identifying as male. Not that their coming out as non-binary was exactly a surprise to anyone who'd paid attention to The Invisibles, even if the exact terminology wasn't really in place then – but even more than this series' earlier books, this volume really is fascinated by the question of what to do with masculinity. A framing story is set in a matriarchal utopia centuries hence, but one still beset by masculine discontent; meanwhile, back in the present, various Amazon factions across overlapping worlds offer their own solutions to the problem of men, mostly at the more extreme end. You know – castration, extermination, reducing them to a sort of amiable pet. Exactly the sort of things most Republican voters think the Democrats have planned by this time next year. Because the current/recent political climate is high in the mix here, Maxwell Lord the agent of an offscreen, unnamed but very obvious Trump even as he himself is also an avatar of Ares. The former sort of works with the character as originally created; the latter really doesn't, but then Lord has been broken for 16 years, so it's a bit late to worry about it now. And regardless of whether he was the best vessel for them, there's a horrible plausibility to lines like, upon sending America to war against the Amazons, "The fake news media can spin it their way. The fact that they're all women doesn't make this a war against all women. Only the uncooperative ones." In places, as there or in the scenes with the strongest sword lesbian energy, the story can feel a little too much like it's trying to hit current buzzwords, while elsewhere Paquette's art, the sinuous lines often borrowing from Art Nouveau, can lend a feeling of dream or fairytale. Some of the most powerful sections are those where the story strives at once to borrow the register of Shakespeare or classical drama, yet also turn its energy around, see how it might have felt were it less male: "Frustrated as the princess, unsettled as the queen. I was never made to fit the role. I do not come to take your place. That story's theirs, of kings and sons, of legacies and crowns." It's hard to deny that these various modes never feel like they come together quite as satisfactorily as the strands would in the great works of Morrison's imperial phase – but then I suppose they'd reply that thinking in terms of an imperial phase and towering achievements is precisely the problem. Certainly, compared to some of the entirely inessential stuff Morrison has been putting out lately, this feels like it has the old boldness and determination to do the wonderful new thing – and if it doesn't quite land, the attempt is nonetheless fascinating to behold. And just in terms of capturing Wonder Woman as a character, balancing the fire and the mercy, the softness and the steel, it's the best attempt I've seen in years. Because of course she's the one looking for a better solution to men in the new world, and of course, more so than the other classic superheroes, solutions were what she was always meant to be about, all the way back to her inception, those peculiar early issues which – as the backmatter notes, because I certainly wouldn't have picked up on it – provide more of the matter for this strange modern take than you might credit.

[Jeremy Bautista · Rating 2 out of 5]

There are a lot of smarter people who I think could break down this book with sincerity, wit, and insight. However, for my part, this book did not make much sense to be--not necessarily because it was overly complex. It was almost because it was possibly overly simplistic. Re-reading the first two volumes made me truly wonder if there are inherent problems with this series in particular with having a male creative team. I do want to stress that generally, I believe creative people can tell stories about anything they want. Plenty of women who write male characters (i.e. Mariko Tamaki writing Batman) and men writing female characters (i.e. Michael Green writing Supergirl) where I don't sense a big problem. But here, Grant Morrison writes a bold, if not outlandish, Diana whose mission is less the saving of Man's World (which I always thought included men and women and encompassed everything OUTSIDE of Themyscira), but saving the WOMEN oppressed in Man's world.

I mean, that's okay and not a bad goal, but it sets up a "battle of the sexes" that leans heavily on the concept that men are bad and women are good. I'm not anti-feminist by any means, but this is almost too simplistic. For example, there's an opposition political party called the "Manly Party" and their logo basically an orthographic projection of a penis and scrotum. I mean, really? Is that over the top or too simple? On the flip side, the only sane-speaking characters are all women. Even Nubia states the obvious about Artemis's declaration "An End To Men!"... Nubia rebuts, "This rhetoric of genercide is bracing, I'll admit, my dears... but all these men are not one man. And some would gladly fight beside us 'gainst their overlords. Sex divides them, wealth divides them, skin divides them too. With inequality comes discontent. To judge them all the same o'erlooks this fact." And to that salient glimpse of real-world sensibilities, Dione says "*chha*". Wow...

In the end, I'm all in favor of creatives telling the story they want to tell. And this one, sure. What if we made the concept of Love be the default and ruling characteristic of a nation, let alone the world? Who wouldn't be up for "submission to loving authority" (as Diana says it)? But to me, Wonder Woman, despite her god-level abilities, had one of the most down-to-earth personalities. Even when she's in her fish-out-of-water phase learning about "Man's World", my Diana's compassion for the world as a whole is only matched by her strength to thwart those who seek to steal peace from others. So this Diana... is not really "my" Diana. But if you want to take a wild ride on the Grant Morrison crazy train, by all means, enjoy the ride!

[Guilherme Smee · Rating 4 out of 5]

Desta iniciativa Terra Um da DC Comics, a trilogia da Mulher-Maravilha é a mais consistente de todas. E dos volumes da Mulher-Maravilha, este terceiro encerra com chave de ouro a proposta de Grant Morrison e Yannick Paquette para a princesa amazona, se tornando, em minha opinião o melhor da trilogia. Isso porque os autores levam a cabo imaginar, a partir da proposta do criador de Diana Prince, William Moulton-Marston, como seria um mundo em que os homens tivessem uma "submissão a uma autoridade amorosa", vinda, é claro, das mulheres. Nesse volume, Diana e as amazonas enfrentam a ameaça de Maxwell Lord que, na verdade, é um disfarce de Ares. Enquanto que no futuro uma aliança machista sequestra a presidente da Terra e reivindica uma mudança nos costumes conquistada através da "submissão a uma autoridade amorosa". Indo e vindo no tempo, temos uma trama embasada nos propósitos do criados da Mulher-Maravilha, como percebemos desde o volume um. A arte de Yannick Paquetre está melhor do que nunca, sendo que sempre foi muito esplendorosa. Um fechamento digno de uma autoridade amorosa para a série.

[Pat · Rating 1 out of 5]

Up until now I did not read such a piece of PURE hate, if hate has a comic book form it is WW Earth One vol. 3. This is just misandrism at it finest. Volumes 1 and 2 were really good reading, with nuance and more facets to each character, now all we see are caricatures, stereotypes, a poorly developed villain and a dissapointment in the script by Morrison and a corruption of the well adapted thinking of William Moulton Marston back in volume 1.

The art and visual storytelling is fantastic as usual, though.

[Steven "Steve" · Rating 5 out of 5]

A fitting end to the series. Being a huge fan of Golden Age Wonder Woman, this modern retelling was chock full of references to Marston’s writing and H. G. Peter’s art. I am not sure how someone not familiar with that material would react, but for someone like me this was a perfect re-telling and expansion of those original stories.

[Davide Saladino · Rating 4 out of 5]

Un finale interessante e molto politico della trilogia.
Forse troppo frettoloso, sembra quasi che l'autore abbia avuto pressioni per finirlo in tempo (uscito con molto ritardo rispetto alle previsioni).
Il finale lascia un po' preplessi.

[Dave Scott · Rating 5 out of 5]

An impressive conclusion to the series! It's hard to overestimate what a great fit there is between Morrison's script and Paquette's art. Paquette's ability to balance the various tones and settings the visuals need to convey is remarkable. Vol. 3 is imbued with more of Morrison's postmodern playfulness than its predecessors, and yet it elevates the larger tale he's spinning rather than distracting from it. Building on the exploration of Paradise Island and its Amazons in Vol. 2, this final chapter delivers the kind of epic final battle the fans of superhero comics expect, while also never losing sight of the fact the most interesting plot thread is how Diana and her sisters can remain true to their values in the face of both defeat and victory.

[Aaron · Rating 5 out of 5]

I'm gonna need a sequel series exploring more of that Year 3000 stuff. I mean dommy mommy Diana stopping a male supremacist terrorist organization by making them talk about their feelings? Solid gold.

[Jacob A. Mirallegro · Rating 5 out of 5]

This is a very powerful book and a great conclusion to the trilogy. It honestly changes how I'll view other Earth One titles in the future because it's such a vast story it seems like it would be awkward to both ignore it and acknowledge it in another series.
The world/philosophies that get established here feel so realistic and that's where the power in this story comes from. The idea's presented here, while works of extreme fantasy still have real life translations. The basic view that peace and love triumph over war and anger is one that is particularly strong for me. The public's reactions to events and perspectives feel so honest and true to what they would probably be like in real life.
There's a poetic rhythm in the narrative that makes this story have to be a comicbook, something not uncommon in Morrison's work, but its very special here. Yanick Paquette is at the top of his game with stunning artwork that's really moving and dynamic. Every two page spread in this is just jaw dropping.

Grant has left their mark on Batman, Superman, and Wonder Woman, the trinity of the DC universe, in a way no one else has or probably ever will. They have such a good interpretation of these character's and each one got the perfect stories to highlight their individual meanings. If this truly is one of Grant Morrison's last gifts to the DC Universe it is one as epic as it is peaceful, loving, and meaningful.
Simply put; Grant Morrison is wonderful.

[Sean · Rating 2 out of 5]

First off, Yanick Paquette did amazing work on this entire series. This book, in particular was beautiful. Sadly, the wonderful art couldn't help this dreadful story. Grant Morrison gets to tell a Wonder Woman story for the ages and he drops the ball epically. The plot was as bad as the dialogue which was terrible. Overall, a forgettable read with amazing artwork.

[Kevin · Rating 2 out of 5]

I really liked the first two volumes, but this one . . .? Not so much. Beautiful art by Yanick Paquette, though.

[M Caesar · Rating 5 out of 5]

The reviews of this one on goodreads are absolutely hilarious, lol. Who are these people reading a wonder woman comic and shocked to find feminist themes and rhetoric? Who are these freako right wingers surprised grant morrison writes the establishment of communism into a work they wrote lol. This was honestly great, great send off to the trilogy, and a great entry point into the world of Diana imo. This is a good re-imagining of her origins and adventures for the modern age, much better than the movies mainly because it's actually based on and in conversation with Marston's work. The amazons are literally ancient greeks plucked out of time to the modern age, lol, they expanded with magic and their own technology to have high tech marvels such as the purple ray that can heal any wound!

[Jordan · Rating 3 out of 5]

Volume 3 serves as a decent conclusion to a chaotic series. Wonder Woman's characterization, though not very complex, shines here and the artwork is engaging throughout. But the story is too straightforward, and too fast, not hiving moments the room to breath and interactions the depth to develop intrigue. But the stakes felt real and a few key moments stand tall.

[Markus Santos · Rating 3 out of 5]

Esse é o último volume da versão Terra Um da Mulher-Maravilha. Eu gostei da maneira como o Morrison enfatizou a Diana como uma agente da paz, mesmo sendo a neta do Ares. A maneira como ele lidou com as outras personagens que são ligadas a Mulher-Maravilha, como a Artemis e a Donna também foi muito bem feito. Eu só achei confuso a narrativa do futuro, apesar de entender o que ele quis fazer. Os desenhos do Paquette estão maravilhosos, e por si só já valem a leitura. Foi uma releitura divertida.

[Tesutamento · Rating 3 out of 5]

Her yazar gibi Morrison da yıllara yenik düşmüş durumda. Wonder Woman Earth One serisi bunun en keskin örneklerinden biri olmuş.

Kadınların dünyası ile erkeklerin dünyası çarpışıyor ama olaylar daha çok demokratlar ile cumhuriyetçilerin çatışması şeklinde ilerliyor. Bir taraf her yönden kusursuz, aydın ve güçlü iken diğer taraf son derece zavallı, aciz ve rasyonellikten uzak. Serinin çizimleri de iyi olmasa hiç okunacak bir tarafı olmazmış. O kısımda hakkını vermek lazım. Amazonlar ve yaşadıkları topraklar son derece etkileyici bir estetiğe sahip.

İlk iki kitabı ülkemizde basılmış olsa da bu kitabın çıkmamış olması ilgili yayınevi adına utanç kaynağı olmalı.

[Bridgette · Rating 3 out of 5]

Not the best thing,but not the worst

[Allegra · Rating 1 out of 5]

trash

[Sonic · Rating 5 out of 5]

Loved this.

[Christopher (Donut)]

Umm.mmm

GM, baby, what is you doin'?