The name S.L.A. Marshall has evoked mixed reactions to those I've mentioned it to. Some say he was one of the finest American military historians of the 20th century; others say he was a dishonest hack who made things up to sell books. So you can imagine the curiosity inside me when I decided to start this book.
I immediately found this account of World War I to be one of the most readable, gripping, and informative narratives of war that I've ever read. Marshall writes with a lively, argumentative prose that hooked me from the first chapter. He is not afraid to cast harsh judgment upon the major characters in the story of World War I. In particular, he blames Leopold von Berchtold for being the primary villain behind the escalation of hostility in the summer of 1914. In fact, I would say that his narrative of the domino collapse that led Europe to war following Archduke Ferdinand's assassination is the clearest I've yet read, and I've read a lot in my attempts to understand it.
Marshall makes his opinions of the major leaders, including Foch, Joffre, Ludendorff, and Molke, very clear. Their follies are laid bare, but Marshall still gives them credit where it is due. One of the high points in the book is Marshall's description of battles. I often struggle to follow these in the works of other authors, who can make battle narratives a convoluted mess. Marshall's are quite easy to follow. He has a knack for putting a visual of the battle into his reader's head, and thus you can easily follow the battles at Verdun, Operation Michael, St. Mihiel, and others, quite easily.
That actually brings me to my first gripe. Marshall's ability to explain battles clearly helps to offset the terrible quality of many of the maps in the physical copy of the book. They are grainy and blurry, and often, the most important places are tucked into the center of the book beyond hope of perception. This is not Marshall's fault, I know, but it detracted from the visual aspect of the book.
One other gripe is that a few important facets of the war are either lacking in attention or overlooked. First, the Battle of the Somme is described, but rather cursorily. Marshall goes through the main points of the battle- the British leave their trenches, force the Germans out of theirs, but the offensive falters and basically that's that. In a one-volume survey, I suppose that's all you need to know, but for such an important and bloody battle I think it deserves more attention. Second, the air war is ignored entirely. This was the first major war to use aircraft in any capacity, and I think ignoring it is a bit of an injustice. Not one mention is made of Manfred von Richtofen (the "Red Baron"), Albert Ball, Roy Brown, or Eddie Rickenbacker. Why not?
Beyond these issues, this is indeed a very solid account of the First World War. In addition to the Western Front, considerable attention is paid to the war with Russia up until the Revolution, the war against Turkey, and the Middle Eastern campaign culminating in the seizure of Jerusalem. All of these descriptions are excellent, particularly of the Russian story. That was one point in the book where I couldn't put it down.
Some reviewers have complained that the account is a little too pro-American towards the end. To this I mostly agree, but I am willing to give Marshall some leeway, given that he was writing for American Heritage and not just for himself. Even in this regard, though, he still manages to be pretty balanced. He doesn't always cut General Pershing a break, and he sharply criticizes Woodrow Wilson for effectively stinking up the Versailles negotiations. His most apparent pro-American sentiment seems to be for the American doughboys themselves. (Side note- prospective readers may be interested to know that no mention of Marshall's controversial fire ratios are to be found in this book.)
While people who are already experts on World War I might not learn much new from this account, I still highly recommend it to anyone who hasn't read it and is interested in the War to End All Wars. Marshall's lively style may not suit everyone, but for some reason, it really clicked with me.