** Review copy supplied by Netgalley, with my thanks to them and to the publisher, Grim Oak Press **
Nolyn is the first in a new series by Riyria author Michael J Sullivan. His Riyria Revelations series is in my top 10 list, but for some reason I just couldn’t get into the Riyria Chronicles, which is a prequel series detailing the origin story of the Riyria duo, Royce and Hadrian. Nevertheless, Nolyn interested me and I wanted to have another try of Sullivan’s work.
The Rise and Fall series, of which Nolyn is the opener, is set one or two thousand years prior to events in the Riyria books, and it’s planned to be three books detailing the rise and fall (I assume) of three key figures in this world’s history. This sounds like the books might be a trio of standalones rather than a traditional trilogy where events follow on from one book to the next.
In Nolyn, we follow the emperor’s son, Nolyn Nyphronian, who starts out in the middle of the jungle on a certain death mission. Along with a small band of survivors, Nolyn sets off on a course of action to find out who wants him dead, and ends up caught up in much more than a single assassination plot.
We also follow Sephryn, who is Nolyn’s lover, or former lover, I’m not entirely sure where they stand at the start of the book. Sephryn is like Nolyn – half-human, half-Fhrey (basically an elf) – and is being forced by a sinister stranger to acquire a mythical item, for reasons unknown to her.
Worldbuilding:
This is a book that should benefit from the work that has been done before. There is history that was crafted for previously released novels, even those set after Nolyn in the timeline. Similarly with the world itself, a lot of the work has already been done before we get to Nolyn.
The notes for Nolyn state that this is a standalone work that requires no prior knowledge of the books set in this world. While this is true, I feel that readers with that prior knowledge will have a richer experience with Nolyn than those who go into it as their first taste of Sullivan’s writing.
There are some nods to the earlier books, in the Legends of the First Empire series, and those who have read the Riyria books may also pick up some references, Easter eggs if you will.
With that said, the world we see in Nolyn is adequate – there’s a bit of travel, and a bit of talk of the lay of the land, but a good portion of the book is spent in Percepliquis, so this is where we get most of our actual building.
We also learn various point of history, but it does at times seem a little unnatural. There are events that seem to be brought up a little too often to point to a fully fleshed out history – although these are important events, it would be nice if there were other examples that are pointed to. As it stands, it almost seems like there are one or two historical events and everything else that has gone before is completely inconsequential.
Characters:
The characters in Nolyn were a bit hit and miss for me. Some felt like they weren’t well enough fleshed out, with little to learn about them beyond what is important to Nolyn or Sephryn’s storylines.
I felt I wasn’t really invested in any of the characters and that some of the decisions made did a disservice to the character work that was attempted. For the majority of the book, we alternate between Nolyn chapters and Sephryn chapters, then, randomly, we’ll switch to a quick POV of another character.
This seemed a little odd when it came up – it was only once or twice, and it was a character we already knew, so it seemed like we should have had the occasional POV chapter from them at an earlier point, rather than just a single chapter mid-book when it was convenient.
Some of the actual character choices also seemed a bit odd considering the scale of their impact. Without going into specifics, to avoid spoilers, we have an almost complete change of direction at one point with very minimal build up or coercion.
When this happened, it almost seemed like the author had a new idea and just went with it from that point on, rather than going back and building it into the earlier parts of the books so it wasn’t such a tangent when it did occur.
The supporting characters didn’t get a vast amount of page time, but we follow a handful of warriors by extension of Nolyn’s storyline, and a smaller handful of citizens alongside Sephryn. Some of these are interesting characters, although some do seem a bit underused.
A key example of this is where the entirety of a character’s importance to the story can be summarised in one single event. Their inclusion in the remainder of the story is inconsequential, they are simply referenced so we are aware of them when they appear for that one single task at a key point in the story.
While this might not necessarily be uncommon in fiction, we do normally tend to find these characters have some time spent on them, some development and history to add a bit of depth. Otherwise, it seems like they have no life, no existence outside of the one part of the story they are actually involved in.
Enjoyment:
Nolyn starts with a battle, or at least, it’s not long until we’re in the midst of one. This would normally lead to a quick pace and suck me in from the outset, but here I just couldn’t seem to get going until I was a good way through the book.
I think part of this was because of the story itself, but a larger part was because I had some specific gripes with the writing. From an early stage when being introduced to Nolyn, he references Sephryn, and although we’ve been given that disclaimer that no prior knowledge of the world / other books is necessary before reading Nolyn, these passages seem like they are a continuation of an existing story that we should be aware of.
It seemed almost like we were missing an introduction to some of the characters and settings before we actually came upon them. With these references to Sephryn, it’s a simple explanation, or a different introduction to her, that would have made things a bit clearer. What we get instead is Nolyn talking about her as if we already knew her, and we’re left playing catchup.
The best example of this though, and one that really stood out to me, is a simple missing introduction of an “extra” in the city of Percepliquis. There are a couple of mentions of a baker, and in one scene we see an interaction with this baker, then at one point he says something followed by the dialog tag “Rodney declared.”
This would be absolutely fine, however this is the first point that we have been given the name Rodney – the baker isn’t introduced by name, so I spent a couple of minutes flicking back a page or two, then using the Kindle’s search function, to see if I had missed something.
I was left needing to make an assumption that Rodney was indeed the baker, as there seemed no other alternative (the other results in the Kindle search did confirm this assumption). In other areas of the book, it was the over use of names that caused the issue.
Most characters followed the standard sort of convention where they are referred to by a common name, and only where the situation dictates (such as introductions), are they given both a first and a last name. For some reason, the soldiers with Nolyn were often given both names where there seemed no need to do this.
Although a bit out of place, there’s nothing inherently wrong with this, but when one such name is Ramahanaparus Mirk, it interrupts the flow a bit to be tripping over the pronunciation.
Similarly, we have the Belgriclungreians. This is the name, in this world, for Dwarfs, and while we meet a Dwarf who happily uses the term “Dwarf” to refer to himself / his people, we more commonly see the five-syllable alternative, which seems unnecessarily complicated.
I get that the author is using his own creativity to avoid simply using Dwarfs and Elves (instead having Belgriclungreians and Fhrey) but we do at various points of the book use “Dwarfs” and “Elves” anyway, and if renaming them, it would be nice to have a word that doesn’t interrupt the flow of the story each time it surfaces.
There were a few other bits that took me out of the story a bit when I came across them, little names (Bristol, Brighton) or turns of phrase (“a horrible cocktail…all mixer, no alcohol”) that seemed to me a bit out of place in a fantasy setting.
Although mentioning things like these might seem incredibly nitpicky, the number of these little quirks all put together really had a negative impact on my overall enjoyment of Nolyn, detracting from the actual events and characters of the story itself.
The overall story though was OK. There are a few events at the end that seemed a bit too coincidental, as if particular effort was made to ensure all loose ends were tied up. Some felt a bit unnecessary however, giving happy endings for the sake of happy endings but having no actual impact on the story itself.
I came away from Nolyn feeling that I hadn’t really gained anything by reading it. It was an “OK” book, not a poor one, but certainly not a really good one either. I do genuinely feel that I might have fared slightly better reading a more polished version of the book itself though, as opposed to specifically the story and the gripes I mention earlier.
The ARC I read had the text aligned to the left rather than justified, which I found made it oddly difficult to settle down and read for a long period. With this, there were unusual little quirks, like ellipses frequently breaking onto the next line (potentially this was due to using “. . .” instead of an actual ellipsis of “…” – thus allowing them to break over lines).
With the story just being OK, I found that there weren’t really aspects of it that really stood out for me, and coming back a few days later to write my review, the main things that do stick out in my memory are the gripes I had with the book. I may therefore be doing a disservice to the book in my review, but I suppose the way around this would be to have had a story that outweighed those issues for me.