Everyday Lies is an extremely well constructed novel, with stories alternating between two main protagonists, Emma and Lucie, for each of the chapters until the last, where there is a 'round up' of events six months later with Florrie as the main protagonist. The lies people tell is an important theme in this novel: firstly the two main protagonists' lies about their behaviour and its consequences; then Florrie's lies about her situation when she meets Emma and Lucie; the lies told by various of Emma and Lucie's family members; and those that feed small town gossip. Tied closely to the 'everyday lies' is the second theme: death and grieving. Emma's husband, Daniel, continues to dwell on his mother's death and associated events: Lucie and her small son, Noah, have suffered the death of Matt, husband and father, their grief unresolved and unabated.
Queensland settings, Brisbane and Golden Bay, evoke the wonderful Australian environment: landscape, weather, flora and fauna. The unique Queenslander architecture gets a mention, amongst the shininess of less traditional housing and business premises, old and new. Universal secondary characters are as familiar in this setting as in anywhere else in the world. The 'trophy' wife and overbearing wealthy husband; the small town gossip; teachers balancing their concerns for the children in their care and parents' sensitivities; married couples dealing with infidelity, differing aspirations, illness and past promises that impact negatively on current relationships.
The crutches Emma and Lucie use to help them deal with their imperfect lives bring them together with Florrie, an elderly woman of spirit and humour. They are from very different backgrounds, but while thrown together through circumstance, are drawn together through each woman's capacity to move beyond her own concerns to those of the others. By the end of the novel the three women have formed a strong friendship; have begin to resolve their problems; and have moved well beyond the factors that brought them together.
Family relationships bring another level of complexity to the novel. They are fraught, and well drawn on the whole. The poor relationships between Emma and Daniel and their families in Golden Bay reflect the importance of distance, emotional and physical, in creating misunderstandings. In Lucie's case, what appears to be a positive solution to her loneliness and desire for Noah to have an extended family after Matt's death is shown to be extremely fragile under pressure. The relationship between Lucie and Noah is extremely well drawn, with Lucie's frustrations rising as Noah's feet bang the back of her seat, her knees, her legs...
Although I was happy to give this novel a solid three stars I was aware of what I saw as flaws and was unable to react with the enthusiasm of some other reviewers. The men in the novel, apart from Emma's father, seem quite insensitive. Until late in the novel Daniel seems to see Emma as a trophy wife with a clearly marked out subordinate role in the marriage - that of support person rather than a woman whose desire for a career and child is valid. Emma's burgeoning friendship with another man in Golden Bay is marred by his rather crass and mischief making behaviour. Lucie's financial situation is a result of Matt's lack of financial acumen and her desire to give her child some male companionship is rewarded with brutality. Although a secondary woman character clearly states that the latter behaviour is abhorrent, there seems to be an acceptance of questionable masculine behaviour.
To return to the positives, the ending tied up all the ends really neatly and rather than being too pat, deftly brought together a resolution that had been worked towards through the story lines and characterisation. Everyday Lies was a pleasant read, with interesting women characters whose continuing relationship from a somewhat unique chance meeting fits well into writing about the strength and importance of women's friendships.