Yet another right-on-target collection of comic strips from Dilbert, the world-renowned fictional cubicle worker of engineer-turned-cartoonist Scott Adams. Rarely is there an office these days that doesn't have at least one Dilbert strip tacked up somewhere that employees gather to either laugh off or lament the sometimes inane practices of top-level management. Think you're surrounded by morons at work? Dilbert, and his canine companion Dogbert, are the consultants you should visit next.
Scott Adams was a defining voice of the American white-collar experience who transitioned from a prominent cartoonist into a polarizing political commentator. After earning an MBA from UC Berkeley and spending years in management at Pacific Bell, Adams launched the comic strip Dilbert in 1989. The strip’s sharp satire of corporate bureaucracy and the "Dilbert Principle"—the idea that incompetent employees are promoted to management to minimize their damage—resonated globally, eventually appearing in 2,000 newspapers and winning the prestigious Reuben Award. Beyond the funny pages, Adams explored philosophy and persuasion in works like God's Debris and Win Bigly, the latter of which analyzed Donald Trump’s rhetorical strategies during the 2016 election. His career took a dramatic turn during the mid-2010s as he shifted focus to his daily "Real Coffee" livestream, where he combined his background in hypnosis and corporate strategy to comment on the "culture wars." This period of independent commentary culminated in 2023 when he reacted to a poll regarding racial tensions with a series of inflammatory remarks. Labeling Black Americans a "hate group" and advocating for racial segregation, Adams faced immediate and widespread repercussions; hundreds of newspapers dropped his strip, and his publisher canceled his upcoming projects. Undeterred, he moved his work to the subscription-based platform Locals, rebranding his comic as Dilbert Reborn. In his final years, he faced severe health challenges, including stage IV prostate cancer and vocal cord issues, yet he remained a prolific presence on social media. He eventually announced the end of his hand-drawn work due to focal dystonia but continued to direct the strip's vision. Adams’s legacy remains a complex study in the power of branding, the evolution of digital influence, and the volatile intersection of creative genius and political provocation in the modern era.
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By my count this is the 4th collection of unique Dilbert strips and though it's an older collection, it's still very very funny. This is one of the first books where Adams started experimenting with the really zany and supernatural elements in his work -- we're introduced in this volume to the accounting trolls, Mother Nature (who kills Dilbert in an idea she got from a Gary Larson cartoon!), and Dilbert is "cloned back to life" from his own garbage and a cloning invention that also (it's a feature, not a bug!) dispenses a chile con carne recipe. What could be more fun?
One of the things I like about these older collections in retrospect is the pointy-haired boss who is not really yet pointy-haired, who has noticeable jowls, and who is abusive and angry rather than clueless -- he provides an extra dimension in Dilbert's workplace struggles that I somewhat miss in retrospect to the more modern comics.
If you're a Dilbert fan and you don't have this book in your collection, I highly recommend it.
These early Dilbert strips show Adams still looking around for the elements of the strip, but in some ways that makes them more interesting (though not necessarily more funny) than the strip tends to be, now that it's established its patterns and parameters. The boss is still a jerk rather than an idiot, there's only a proto-Wally, Elbonia is only just introduced, no Alice etc. but there's still a lot of funny stuff, and a bit more range to it, as Adams had not yet really turned his full attention to the office world as the focus. The humour is more nerd-general than office-specific, with a higher quotient of whimsical fantasy than we tend to get any more (the dinosaurs have almost entirelyvanished, for instance--I can't remember the last time we saw them in the current strip).Fun.
A nice, quick, and entertaining read. This is one of the earlier volumes, so, if you have read Dilbert over time, you will notice the differences as the artist improved the comic. There are some classic gems in this volume, including Dilbert's trip to the Accounting Dept. to ask a question about the budget (plus what happens when he finds the Accounting Dept.'s own budget) and more. If you are fan, you will probably like this. A good volume, but there are better out there.
Reading the old Dilbert is a trip and a half, since sometimes they are dated and give clear indications supporting the supposition that they were drawn in the 1990s. But they have aged well and are still very funny.
We all might have started out like Calvin with a great view of life. But after hitting the workforce we all somewhat become Dilbert. Everyone knows someone like one of the characters in the strips. Highly recommended
3.5 Some classic, often enjoyable strips - but I prefer both his themes and characters after a bit more refinement (and pointy-hairedness) had kicked in.
Such a stark contrast to the 2000s strips, both in artwork, tone, and gags. The strip was so oddball and disjointed, and it's barely ever about office life. A lot of the gags are bad puns or terrible word play; not the good kind like Pearls Before Swine, more like poor Far Side jokes.
Many of the characters are barely recognizable. Dilbert, Dogbert, and Wally are all here, but Dilbert's boss, Alice, and the rest of the supporting cast is vastly different than their current incarnations.
Very interesting to see how different the origins were compared to its eventual heights. What a difference 10 years makes on an artist's work!
The jokes are slowing becoming more funny. The characters are slowly becoming recognizable except for the boss. Still i think some jokes don't land as well as his best work in a couple of years after this.
More misses than hits in this collection. You get the feeling that Adams was running out of steam and ideas by the time this one came around. Still the occasional gem though.
Whether it be the numerous illegal requirements at his job, or the always questionable plots Dogbert has planned for the idiots around them, Dilbert can never seem to find a moment of peace - especially when he finds himself tasked with the inane and insane. Adams will keep readers chuckling again and again with another hilarious collection of comical mayhem. Will Dilbert ever find a moment of peace, or is he doomed to spend the rest of his career cleaning up after others?