Mass-market female relationship drama masquerading as an online dating serial killer thriller.
All the Wrong Places opens captivatingly, with a psychopathic serial killer who goes by the online alias of Mr Right Now luring his latest victim to her death in Boston and with his eyes firmly set on the woman who is to be his “crowning achievement”. After this punchy start I was hoping that despite being underwhelmed by Joy Fielding’s recent efforts, which have put suspense secondary to histrionics, that All the Wrong Places might see the author return to the form of earlier in her career. Sadly this isn’t the case and marketing the novel as suspense when it reads like a female relationship drama crossed with mass-market chick lit does it no favours. Not that the novel isn’t both readable and has plenty of action in the lives of its female cast to occupy the reader, but it is definitely not the thriller about the perils of online dating that it is billed as.
The narrative then moves back to three weeks earlier and introduces the four women central to the story, linked by blood or friendship, each facing disaffection with their current circumstances. For thirty-three-year-old strategic advertising manager, Paige Hamilton, life is far from perfect having been made redundant, discovering her boyfriend in the throes of passion with her envious doppelgänger cousin, Heather, and back living with her seventy year old widowed mother, Joan. Paige turns to dating website ‘Match Sticks’ is a bid to rejuvenate her love life and Joan, a widow of two years, expresses her own interests in dipping her toe back into the dating waters, despite her daughters unspoken reservations about her decision. Meanwhile Paige’s best-friend and mother of two, Chloe, is confronted with the truth of her husband’s prolific infidelity after an anonymous caller alerts her to his profile on multiple dating sites. For Paige’s cousin, Heather, who is fiercely envious of her fathers affection and respect for her career-oriented, smarter cousin and an unfocused, lazy spoilt brat, life is all about besting Paige... but how far is she prepared to go?
As all the women’s lives unfold the story occasionally cuts back to the chapters of the creepy serial killer and drop dead gorgeous Mr Right Now whose profile catches the eye of each of the four women just as she sets his sights on ending one of their lives... Arrogant and smooth-talking, Mr Right Now’s contributions are written in the first-person and are interspersed with a main narrative that rotates between the perspective of each of the four female characters. Sadly these excerpts are short and fleeting in comparison to the heavy focus on the women’s problems. More depth of characterisation, an insight into the killers psyche and a more equal balance between the women’s storylines and Mr Right Now throughout might well have fostered a little more suspense. Paige and Chloe are the most believable characters in the novel with Heather the very obvious ‘mean girl’ and hypochondriac Joan’s melodramatic sexual reawakening all a little overdone.
Undemanding entertainment for a female switch-off generation who like their suspense near to non-existent. Cattiness, support, love and betrayal all rear their heads at times and with the coincident heavy denouement telegraphed well before the actual event it all falls just a little too flat.