I really enjoyed this off-beat interconnected selection of short stories. I liked the way it's rooted in two places (Lookout Mountain, GA/TN and Phoenix, AZ). I like that it deals with issues of faith, which you don't see too much in contemporary short fiction. I like that characters recur but you're not 100% certain they're recurring at first, because they have no names and the only things that keep coming around again are a sexless affair and a number of children. I like that there are a few stories that seem to come out of left field, but seem thematically related (for example, they deal with death, or guilt, or running).
Overall, it's a great example of a unique voice rooted in a particular background (educated Southern Christian with doubts about sin/belief).
A day after finishing this, one story keeps bouncing around in my mind, and it's perhaps the most allegorical one, about a woman running a marathon with a statue tied to her back. I can't stop trying to riddle out what it all means.
In the entire collection, I feel there's one false note. I didn't like the second-to-last story, where a woman runs down a mountain and finds refuge in a halfway house, where she longs to move in and be accepted and supported by people with mental illness, violent home lives, and non-white skin. Really? I felt that this yearning in the character should have been more fully explored. It's an uncomfortable notion, the idea that one would "descend" to one's lowest point and flee one's family, only to find refuge in the care and attentions of people who have it far worse (people of color, people from violent households, people with mental illness). I get what she was going for, I think, but I didn't feel great about how she handled it. It irks me when characters get their unearned epiphanies from interactions with people outside the mainstream.
Still, that one story didn't detract too much. Overall it's a very interesting and unique collection.