Readers will find The Woman Who Spoke to Spirits speaking to them in an entertaining fashion. The author, Alys Clare has honed her trade with her medieval mysteries, and brings her creativity and depth of detail to this, the first in the “World’s End Bureau’ series, set in Victorian times.
A murder is announced at the very beginning. A prostitute, used and cruelly abused. Is this to be the first of many, is that what this book is all about? It is and it isn’t, as readers will see.
Lily Raynor is the proprietor of the World’s End Bureau, an investigation bureau, as she describes it to her newly employed (male) clerical assistant, Felix Wilbraham. Describes it in present tense, which is used throughout and which I dislike very much in a book. That’s a personal quirk. It doesn’t distract from my enjoyment of what’s eventually found on the pages, but I find the author’s use of it annoying.
Felix, having settled in, takes a case while Lily is away – a man says his wife is being threatened by Spirits from Beyond, and can the WEB do something about it? Well, Felix says they will do their best – but what will Lily say when she returns? And then Lily has a case, and so they trade. Lily will investigate the psychic and Felix will try to dissuade a wealthy lord’s son from ruining himself over an actress.
Lily attends a séance, to see Mrs. Stibbens first hand. And Mrs. Stibbens tells her something only Lily should know. Ah, a paranormal mystery. Not my favorite, either. But it does play a large part in how everything is resolved, as it leads inexorably to a murderer. And Ms. Clare handles it well, building the tension and the fear that Lily feels, making the reader feel, it too. Eventually it becomes clear that there is something else going on – the disappearance of women in the neighborhood. Prostitutes, mostly. So of course, the police don’t care and won’t investigate. But Felix and Lily do.
And the second plot line, the lord’s son and the actress, is followed through by Felix and also by Lily. Shadows from the past play a part here, and the author fills in the blanks sufficiently to build to an outcome here, too.
What is hidden but shouldn’t be hidden is the dogged investigation within these pages. Both protagonists perform the necessary steps of a murder investigation, one that any modern detective would recognize and be proud of. This fight to find the truth leads to a terrible evil, and this revelation leads to someone’s life in danger.
Lily has issues in her life – every fictional heroine does, it seems. Something the author calls The Incident. I realize that a single woman in Victorian times that had a brain probably wouldn’t have a job like Lily’s, but do we really have to have yet another something that the heroine Has To Forget teased, so she has a reason for doing what she does? And there is some sermonizing going on, something that happens a lot in books set in this time frame (terrible conditions in the slums, disparity between the rich and the poor, etcetera).
To offset this, our two lead players, Lily and Felix, interact with each other in a natural way that avoids being overly Victorian, thank goodness. Even when real differences of opinion happen, they handle it in a mature fashion. To which I say, hear, hear. It bodes well for the future of the World’s End Bureau. Let’s see more from Lily and Felix.
Thanks to the publisher and to Net Galley for a copy of this book, in exchange for this review.