'While I was sitting at game seven of the World Series I was struck with the realization that baseball is a metaphor for how adolescents read. Reading is like baseball. Allow me to explain... It could be said that at a certain level they “understood” the game. But did they? As they sat right next to me watching the game, I was seeing things on the field they were oblivious to... Isn't this how many secondary students read text? They rarely get below the surface to the richer, deeper meaning of the text.'
Since 1985, Kelly Gallagher has taught English at the high school level in California. Each year, he is tasked with convincing a plurality of students that their challenging text for the year is meaningful to them. It isn't enough to assign them chapter readings from Grapes of Wrath. As their teacher, he must ensure they have activated the requisite prior knowledge. Following this, he must sharpen their eyes to spot the symbols and themes that a skilled reader like him can locate. If he skips even a step, he will have an unengaged class or set of students. As he sums up:
'This is where the real value of teaching literature is to be found. Whether my students are reading All Quiet on the Western Front or 1984, The Scarlet Letter or Their Eyes Were Watching God, it is always my goal to push their thinking beyond personal implications and toward larger connections.'
To him, reading Dostoyevsky or Toni Morrison or George Eliot is about the present. Viewing literature as a lens into the past might be sufficient for a Goodreads member. The English teacher's modus operandi, however, is to carve out meaning for his students and shepherd them to connections that exist between the text and their lives. What Gallagher shows is that reading deeply involves this Easter egg hunting for those connections. It is about seeing the presence of those themes in his students' 21st century California existence.
Through his tips, I came up with a more refined reading process. As this book is primarily for tackling fiction, and especially those formidable classics that lay dusty on the shelf, they are geared towards that. Here are the techniques that I will use moving forward for my own fiction reading:
Pre-reading: Web Searches - find 3 examples of theme or background information on the text, KWLR Charts
During reading:
3 key questions
20 questions after reading Chapter 1
Identify themes or other literary techniques and see how the author develops them over the novel
Character Charts
SOAPS - Subject, Occasion, Audience, Purpose, Speaker's attitude
Theme Triangle (this is similar to Web Searches as finding examples of theme in multiple genres and sources - analyse how theme is developed in novel)
Post reading:
Circles of Reflection
The Most Valuable Idea (draw up two columns. The LH column has an article that illustrates the most valuable idea in the text. The RH explains the connection between the idea found in the book and the real example.
Theme Notebook (Finding examples of a theme in the novel across multiple media sources e.g radio, newspapers, books, music, movies, etc)
Theme Layers (again connecting theme to multiple parts of your life)
Hunt for the Author's Purpose with Evidence
This is a good companion to Thomas Foster's How to Read Literature Like an English Professor. As a rule, I've found that books written for educators like Gallagher's tend to be more actionable. Deeper Reading was no exception. Highly recommended for those wanting to deepen their reading of classics or literary fiction.