The author, Drew Minh, sent me a pre-publication Kindle copy of "Neon Empire" to read and review.
"Neon Empire" is a plausible near-future dystopian tale. Imagine a city like Las Vegas, built from scratch in a remote desert location, with different sectors duplicating tourist highlights of Paris, Rome, Barcelona, and Berlin. The famous buildings and monuments are shells, filled inside with casinos, spas, and high-end consumer goods shops. The city is inhabited by a core population there to keep things running, vastly outnumbered by rotating hoards of tourists eager to see and tweet cell phone videos of their favorite celebrities (who can frequently be glimpsed whizzing by in Princess Diana-esque car chases, pursued by motorcycle-mounted paparazzi, taped by remotely-flown drones and broadcast on giant screens ... all fake of course). Life in Eutopia, especially for its branded celebs and the cell phone-wielding tourists, is a frenzy of social media and consumer shallowness. Kardashians carrying Hermes bags on the Strip writ large.
I say plausible because you have suspend just enough belief to accept the idea that normal people will in the near future be able to monetize their social media presence by tweeting about celebrity sightings and drawing vast followerships through hashtags. I dunno, maybe we are in fact getting to something like that. At any rate, I was willing to go along with it. And I'm glad I did, because "Neon Empire" is a rousing story with all the elements: missing persons, strange political and financial undercurrents driving events, drugs, sex, violent crime (both staged and real), murder, and did I mention sex?
At its core, "Neon Empire" is an old-fashioned morality play, and I don't say that to scoff. That's what draws most of us to novels (and TV shows and movies); that's what satisfies us in the end. If this novel merely depicted greed and fame, all reward and no punishment, it would be mere nihilism, and pointless ... too much like real life. Stay to the end. It's worth it, even if you can see the general outlines of it coming a long way away.
The world-building, characters, and story were more than enough to keep me turning pages, and you know what? I can see this Eutopia. Having lived in Las Vegas, knowing it as I do, I can see this next step. Drew Mihn is a sharp observer of the zeitgeist, and he's onto something.