The story of the failure of Reconstruction and the rise of the "Reedemed" South with its virulent white supremacy in the late 19th and most of the 20th centuries is critical to fully understand the painful state of political and social injustice that persisted throughout most of the 20th century, and whose effects linger today. Only when one when comes to terms with the emergence of and magnitude of racially grounded stereotyping of African-Americans from the end of Reconstruction to the civil rights breakthroughs in the 1960's can one fully grasp how great is the blot this era on the purported values and principles of the republic. [The idea that the supremacy of the white race existed only in the South is incorrect; the North had no less of this view in the antebellum and post war years.] Professor Gates, in the companion book to the PBS documentray series on Reconstruction, provides scholarly but eye opening insights in the methods by which white supremacy and its manifestation --Jim Crow strictures -- took hold and persisted for the better part of a century.
The passage of the 13th, 14th and 15th amendments to the Constitution and enabling legisation (augmented by stringent conditions placed on Southern states for reentry to the union) gave freed people a full panoply of civic rights, most especially the franchise. Newly freed slaves gained substantial political power, and elected offices, as the result of the vote. Dating from the presidential election of 1877, where an orchestrated compromise gave the presidency to Hayes in exchange for removing federal oversight of several formerly confederate states, the national concern for civil rights for the emancipated population waned considerably. The so-called "Lost Cause" mythology emerged that held that South failed in its rupture from the union only because of the overwhelming military and industral superiority of the North, but the merits of the Southern ethos on the hierarchy of the races still held. The never-settled question of the respective powers of the federal government v state's rights played a significant role in several Supreme Court decisions that eviscerated civil rights legislation combined with growing indifference in the North to the affairs of the South, led to the resurgance of white suzerainty over political and social matters in the South.
Gates tells us how this push toward reestablishing white supremacy was instilled in the public psyche. Much of this focused on dehumanizing African-Americans, usually through ascribing characteritics portraying them as sub human. Commentators on the Old Testament came forth with the preposterous exigesis that held blacks were shunned by God to be a separate species as descendents from Hamm in the Noah tale. Another idea to justify the low caste of blacks was that human kind was created as separate species, the whites from Adam and Eve and blacks and other races in some other process. Gates also describes how pseudo scientific ideas of the era posited a biological basis for the inferiority of the African race employing such quackery as phrenology and misconstrual of Darwin's theories evolutionary theories that had so recently taken hold in the intellectual world. This distorted view linked with the onset of the eugenics theory about the necessity for controlling the breeding of so-called inferiors. This, as we know, extended, with loathsome consequences, well into the 20th century.
The depiction of blacks in publications, black face minstrelsy and new forms of media was aimed at reinforcing the low class and inferiority of blacks. Gates gives a scathing review of white supremacistthe literature and early movies like "The Birth of a Nation" (screened to positive response in Wilson's White House). Throughout this glossy and well-produced book are sections depicting images that underscore the ideas Gates is conveying. The pictures of scientific renderings of racial types, advertisements, post cards, posters and more convey quite viscerally how casually and widespread were the demeaning stereotypes prevalent for many decades. One is reminded of the Disney production of the "Songs of the South" with its (Old Negro) Uncle Remus, that many of us saw as children, to appreciate how accepted were the racist portrayals of African-Americans even within our lifetimes. Who can forget the images of blacks in one of the most popular movies of all times -- "Gone with the Wind".
Another path to white domination over blacks was to promote the nostalgic sentiment that freedmen and women were like children, simple people whose best interests could be achieved through the paternalistic nurturing of their beneficent former masters, and that the freed slaves longed for the security of thise times. (The image of a contended, compliant "Uncle Tom" under the gentle treatment of his first masters comports with this meme.) Contrary to this theme was the image of black men as licentious brutes whose sexual appetites posed real danger to the sanctity of white womenhood. This, of course, led to the scourge of lynchings that afflicted black men for decades. This was terrorism in its fullest form.
Gates makes the point effectively that a principal motivation to reestablish white domination was economic; that the labor needed from former slaves to sustain cotton production was essential to the return of economic prosperity of the landed class.
The last quarter of the book describes responses of the African-American community to the overt subjection in the Jim Crow era, particularly through its intellectual leaders. This was an attempt to supplant the idea of the "Old Negro" (compliant, lazy, no ambition, etc.) with a vision of the "New Negro" (competent, accomplished, independent of reliance on whites). One strand of this movement, led by Booker T. Washington, advocated that growing competence of blacks in the trades would bring about self-sufficiency that would lead intentionally to separation of dependence on the white world. This was contrary to an alternative concept of the "New Negro" whose intellectual, literary and artistic accomplishments were to demonstrate that blacks were ever so much the equals of whites. Gates portrays leaders such as W.E.B. Dubois as exemplars of this effort, along with some figures that are lesser known now. The Harlem Renaissance with its outpouring of grat literature, art and music was the zenith of this movement among literary and artistic leaders of the era.
The Jim Crow era and its gross inequity and distortion of history was a part of my teenage years. I grew up in the deep South at the time when whites-only strictures were everywhere. Was I as appalled about that then as I am now? I hope so. I do recall the teaching of Reconstruction during high school history class with its assertion that it was black inferiority that caused its (justified) passing (the so-called Dunning school of history), along with the return to right relations of the races. i.e. white supremacy.
Someone once said history is the way in which we betray the past and never is this more apt than in the distorted history of Reconstruction and Redemption taught for decades. This version can be rightfully said to have retarded for years the justice due to our fellow citizens.