“Your subject is both elusive and sinister.”
“All of which makes for interesting copy.”
“No doubt. [...] The fellow has a genius for anonimity.”
The Demon Princes series continues, after a hiatus of about twelve years in its publishing schedule. The patient fans of the author were rewarded with a marked boost in quality: the plot is better structured and much more coherent than the first three episodes, the humour and the language is smoother, and the cultural tourism to far away planets more exotic.
The starting point of the adventure is the same as the rest of the series: Kirth Gersen, freelance investigator and agent of retribution for past crimes, is hunting five master criminals who destroyed his home planet and killed his family when he was a child. These evil overlords are known in the galactic Spread as the Demon Princes, and they all have in common an incredible talent for disguising their real identity.
The evil man is a source of fascination; ordinary people wonder what impels such extremes of conduct. A lust for wealth? A common motive, undoubtedly. A craving for power? Revenge against society? Let us grant these as well. But when wealth has been gained, power achieved and society brought down to a state of grovelling submission, what then? Why does he continue?
The response must be: the love of evil for its own sake.
Each chapter is prefaced by a pseudo-academic introduction, detailing either the homeworlds, the cultures or the background of the criminals. The Face has a clearly defined three part structure, each dealing with a planet Kith Gersen visits in his search for Lens Larque: Aloysius, Dar Sai and Methel.
Aloysius is a transit hub with a small enclave of Darsch expatriates. Gersen tries to flush out his quarry by first impounding a ship known to belong to the criminal, then by impersonating a travelling judge who bends the commercial code to his own purposes.
The most interesting aspect of this opening gambit is the financial angle that will continue in the next two sections and the presentation of the Darsch culture, as witnessed by visits to a local restaurant.
Tintle’s Shade
Fine Darsh provender:
Chatowsies Pourrian Ahagaree.
The naming conventions of Jack Vance remain as wild and as much fun as on my first forays into his fantastic universe. In another series he names this study cultural anthropology, even in the case of societies of human origins that were twisted into aberrant shapes by their environment and by their own idiosyncrasies.
The inhabitants of the planet Dar Sai, as we get first contact with them, like to shock visitors with the vileness of their cuisine and with the risque nature of their entertainment.
In regard to Darsch food, the less said the better. The traveler must adjust himself to a Darsch meal as he might a natural catastrophe.
Whips and humiliation are also on the menu in the intervals for dancing at the ‘Tintle’s Shade’ tavern, with obvious BDSM practices involving male children.
Their erotic relationships are of a quality to alarm placid dispositions, and apparently are based upon hatred and contempt, rather than mutual regard.
We will learn more about the Dar Sai culture and about the expression of love between whip-wielding men and moustachioed matrons after we depart the planet Aloysius for the home world of the infamous Lens Larque.
For once, the plans of Kith Gersen are thwarted by overconfidence and by the ruthlessness of his adversary. Is our galactic Edmont Dantes losing his edge?
Dar Sai is an inhospitable place, a desert planet battered by a merciless sun where the population is forced to live under giant umbrellas cooled by artificial waterfalls. Why would anyone choose to live there? The answer is ‘duodecimates’ – the usual ‘unobtainium’ sort of spice that makes interstellar travel possible – a very scarce resource that can be mined only on this planet.
Kirth Gersen suspects Larque is behind a fabricated bankruptcy and warehouse theft that left thousands of small stake miners and investors destitute. So he plans to buy out a controlling interest in shares of the the suspect company: Kotzash Mutual , hoping to flush out the mastermind behind the heist in this way.
The cultural exploration continues with a new element introduced: the Dar Sai miners are controlled by the neighbouring planet Methel, home to arrogant, aristocratic bankers and investors. Kith Gersen, who managed somehow to sever previous emotional attachments to extremely beautiful damsels, is ready to fall in love again with a banker’s daughter, adding the expected romantic angle into this planetary adventure goulash.
To love Jerdian Chanseth, and with her correspondingly in love, would be a fascinating circumstance.
Between share buying, desert trips and secret assignments with the seductive Jerdian, the reader gets a crash course in corporate management and in Darsch / Metheli manners. One of the things that appear important is the way the locals differentiate between theft and robbery: trickery and betrayal are admired and violent confrontation is institutionalized, but petty theft is punished in an extremely original way, by staking the culprit at the bottom of the town’s cesspit:
He was fixed under the public latrine for three days, and everyone expressed themselves as the mood took them.
The culmination of the Dar Sai adventure is both spectacular and bloody, with Kith Gersen finally asked to demonstrate his martial skills in a Darsch tournament. Yet the elusive Lens Larque still escapes identification.
The hadaul was about to start; the most characteristic of all Darsch spectacles, an activity somewhere between a game and a gang fight, given savor by tricks, broken faith, and opportunism: in short, a microcosm of Darsch society.
With control of the Kotzash Mutual finally achieved, but with little to show in his private quest to reveal the identity of the Demon Prince, it is time for Gersen to fly over to the place where the power brokers dwell.
Methel planet is part of the same solar system as Dar Sai but, being further away, it enjoys a much more temperate climate. The whole planet is basically a gated community designed to keep indesirables out, with everybody except the ruling class included in the outcast category. The Metheli live in sumptuous villas, surrounded by private parks, their wealth built on their dealings in duodecimates mined on Dar Sai. The rest of the population is concentrated in a single metropolis / spaceport.
Beside the long delayed confrontation between hunter and quarry, the visit to Methel is important for a rare introspective mood in Kith Gersen: the beautiful landscape and his romance with Jerdian Chanseth, rekindled on her home planet, prompt a re-evaluation of his obsession with revenge and a more than passing consideration of settling down here.
Kith Gersen’s plans for a happy ending run afoul of elite xenophobia, something that apparently our hero shares with Lens Larque: both blocked in their quest to settle down by the same man: the girl’s father.
The conclusion is not only spectacular, but also ironic in a typical Jack Vance way, where amoral characters somehow receive their just retribution. The meaning of the novel’s title has had to wait to reveal its mystery until the final page, but it was worth it.
“Isn’t this a strange and wonderful universe? I believe that I might enjoy another half gill of this excellent liquor.”
There’s one more episode, one more Demon Prince to follow, the most elusive and the most intelligent of the lot. I can’t wait to find out how the cards will be dealt next. Kirth Gersen gets back in the saddle and rides into the sunset, whistling probably something along the lines of ‘My Darling Clementine’ as he leaves love behind in order to focus on revenge.
He went out to his Fantamic Flitterwing, climbing aboard, and departed the planet Methel.