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Victorian Gay Detective #1
His American Detective
The sole survivor of his family’s gruesome murder years earlier, “Poor Little Ned Lawton” has struggled to put the dark events behind him. So when a brash New York detective darkens his doorway demanding an interview, the wealthy young gentleman immediately shuts him out. But a rash of murders in America are mirroring of the London killings, and Patrick Kelly knows Ned might be the key to stopping the bloodshed. Lawton, now called Edmund Sloan, is a wealthy young gentleman and philanthropist. He’s spent most of his life pushing all memories of his old family and that horrific day from his thoughts. Now a brash, provocative American detective insists he dredge up the past. Together, Patrick and the unwilling Edmund must uncover the truth of the murders before the killer strikes again, whether it is in New York or London. As they hunt down secrets from his past, Edmund can’t hide his other secret from the sharp-eyed the attraction he feels for men and the enticing Patrick in particular.
303 pages, Paperback
First published September 1, 2017
86 people are currently reading
266 people want to read
About the author
Summer Devon
62 books227 followersSummer Devon is the pen name writer Kate Rothwell often uses. Whether the characters are male or female, human or dragon, her books are always romance.
You can visit her facebook page, where there's a sign up form for a newsletter (she'll only send out newsletters when there's a new Summer Devon or Kate Rothwell release and she will never ever sell your name to anyone).
Her blog is available here.
She also has a blog with Bonnie Dee, a frequent co-author. It's mostly just announcements, but we might do good give-aways on occasion.
You can visit her facebook page, where there's a sign up form for a newsletter (she'll only send out newsletters when there's a new Summer Devon or Kate Rothwell release and she will never ever sell your name to anyone).
Her blog is available here.
She also has a blog with Bonnie Dee, a frequent co-author. It's mostly just announcements, but we might do good give-aways on occasion.
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Displaying 1 - 30 of 60 reviews
August 1, 2020
Summer Devon truly writes fantastic historical romances! In addition to interesting characters and smokin’ hot love scenes, her books always include some darker elements as well. His American Detective is centered around a clever and gruesom murder-mystery plot, and Ms. Devon delves deep into the emotions of Edmund, the main character. It’s fascinating to watch him work through his memories and process the events of his past. Plus, the way the details of the mystery are revealed kept me guessing till the very end.
Of course this is a romance, and these two make a terrific pair. Bash, bold, and self-confident, American detective Patrick Kelly brings out the best in buttoned up Edmund. Watching Patrick’s seduction, and how Edmund slowly unravels, might be the best part of the story.
Performed by Mark James, the audio version is amazing! I’ve always loved his variety of British accents, but I had no idea he could also perform all those American accents as well! He does a phenomenal job infusing multi-layered personalities into these characters, as well as building the tension as the novel mounts to its climax. Well done!
an audiobook copy of His American Detective was provided to me for the purpose of my honest review
Of course this is a romance, and these two make a terrific pair. Bash, bold, and self-confident, American detective Patrick Kelly brings out the best in buttoned up Edmund. Watching Patrick’s seduction, and how Edmund slowly unravels, might be the best part of the story.
Performed by Mark James, the audio version is amazing! I’ve always loved his variety of British accents, but I had no idea he could also perform all those American accents as well! He does a phenomenal job infusing multi-layered personalities into these characters, as well as building the tension as the novel mounts to its climax. Well done!
an audiobook copy of His American Detective was provided to me for the purpose of my honest review
July 7, 2018
I am honestly surprised I finished this book... I probably shouldn’t have to be honest.
The first half was great, some good detective work, a budding romance, a murder being unraveled. Good stuff there... the second half??! A lot of junk, it felt like the author stopped trying and started hurrying to just finish the book. We got long winded sentences, over explanations, a lot of telling rather showing, a whole lot of editing errors, I felt there were times the wrong name or word was used when referring to a person (he called a she, Ned being called Patrick, the word uncle being used rather than papa/foster father).
Why would his uncle do this? He’d been acting oddly off and on during his illness,
No uncle has been mentioned at this point, and his foster father is the one that’s sick...
A lot of things stopped making sense too, it was like the author knew where she was going in the story but forgot we didn’t know certain things yet. And last but not least the second half drained any exciting plot and dulled the murder mystery, I was so bored by end that I wouldn’t even have cared if the MCs died or started screwing everyone they met...
Anyways I’m surprised there are quite a few high star reviews, maybe I’m crazy... we can’t rule that out these days. Pretty sure my kid talked for about 4 hours straight today, that can drive anyone mad...
The first half was great, some good detective work, a budding romance, a murder being unraveled. Good stuff there... the second half??! A lot of junk, it felt like the author stopped trying and started hurrying to just finish the book. We got long winded sentences, over explanations, a lot of telling rather showing, a whole lot of editing errors, I felt there were times the wrong name or word was used when referring to a person (he called a she, Ned being called Patrick, the word uncle being used rather than papa/foster father).
Why would his uncle do this? He’d been acting oddly off and on during his illness,
No uncle has been mentioned at this point, and his foster father is the one that’s sick...
A lot of things stopped making sense too, it was like the author knew where she was going in the story but forgot we didn’t know certain things yet. And last but not least the second half drained any exciting plot and dulled the murder mystery, I was so bored by end that I wouldn’t even have cared if the MCs died or started screwing everyone they met...
Anyways I’m surprised there are quite a few high star reviews, maybe I’m crazy... we can’t rule that out these days. Pretty sure my kid talked for about 4 hours straight today, that can drive anyone mad...
November 21, 2017
Summer has done it again!
I was once again captured by Summers well developed characters and lush descriptions in Edmund's and Patrick's story. I'm not certain how she does it again and again, but this book found a place on my keeper shelf, with all her other M/M historicals.
I was once again captured by Summers well developed characters and lush descriptions in Edmund's and Patrick's story. I'm not certain how she does it again and again, but this book found a place on my keeper shelf, with all her other M/M historicals.
March 31, 2023
I enjoyed this. Not big on historicals so can't speak for accuracy.
The mystery isn't the leading focus it's more a reason for the characters to interact. While I expected some grossness it was never that detailed and seemed to some extent irrelevant beyond a cause of trauma. No real surprises in the solving and did feel there was one frustratingly obvious clue before halfway that got ignored until far later. It gives a good backdrop and brings added emotion though is without any real sense of urgency.
But the characters I enjoyed. Edmund/Ned a man changed by trauma needing the sparks of like brought by the irreverent Patrick. While Edmund is the gentleman the culture difference brings its own forwardness that does something to negate the class difference - Patrick is never beholden to Edmund or anyone. He's perhaps a little brazen for the times but a lot of that is the confidence of his personality. There's a good connection between the two from the start.
A special nod to Patrick's mother a strong sweet woman not to be played at cards, I loved the scene between her and Edmund it was funny but showed so much about both of them, would have liked to see more of her.
After loving The Gentleman and the Rogue, but not being wow'd by others by these authors, thrilled to find this and hope there'll be a number of books in the series.
For me the crime-solving was enough to make the story more than a play on class, and good characters made for an enjoyable read.
The mystery isn't the leading focus it's more a reason for the characters to interact. While I expected some grossness it was never that detailed and seemed to some extent irrelevant beyond a cause of trauma. No real surprises in the solving and did feel there was one frustratingly obvious clue before halfway that got ignored until far later. It gives a good backdrop and brings added emotion though is without any real sense of urgency.
But the characters I enjoyed. Edmund/Ned a man changed by trauma needing the sparks of like brought by the irreverent Patrick. While Edmund is the gentleman the culture difference brings its own forwardness that does something to negate the class difference - Patrick is never beholden to Edmund or anyone. He's perhaps a little brazen for the times but a lot of that is the confidence of his personality. There's a good connection between the two from the start.
A special nod to Patrick's mother a strong sweet woman not to be played at cards, I loved the scene between her and Edmund it was funny but showed so much about both of them, would have liked to see more of her.
After loving The Gentleman and the Rogue, but not being wow'd by others by these authors, thrilled to find this and hope there'll be a number of books in the series.
For me the crime-solving was enough to make the story more than a play on class, and good characters made for an enjoyable read.
September 7, 2017
2.5 stars
Didn't meet my expectation with "must uncover the truth of the murders before the killer strikes again". Thought it would be an intense investigation to the serial killer. Story was meh and bit boring for me, sadly. And I found Edmund calling himself Edmund while Patrick calling Edmund, "Ned" to be distracting.
But I LOVED Patrick's Mom!! She seriously rocks. And to think that she's also a survivor who keeps her child? I'm in awe of her and sad that she is only in this book for few pages.
Didn't meet my expectation with "must uncover the truth of the murders before the killer strikes again". Thought it would be an intense investigation to the serial killer. Story was meh and bit boring for me, sadly. And I found Edmund calling himself Edmund while Patrick calling Edmund, "Ned" to be distracting.
But I LOVED Patrick's Mom!! She seriously rocks. And to think that she's also a survivor who keeps her child? I'm in awe of her and sad that she is only in this book for few pages.
June 30, 2019
Price drop at the zon.com right now: https://www.amazon.com/His-American-D...
September 19, 2018
I couldn’t get a rhythm going with this. The way the MCs speak/think/behave didn’t feel quite right. In an effort to contrast the free-wheeling American with the more reserved, almost reclusive English trauma victim, they interacted with each other in ways that didn’t feel realistic or correct for the period. Patrick pushes boundaries (including sexually) right off the bat and Edmund is too quick to accommodate him given his station and life experience. It was feeling like a chore to read so I stopped. DNF @48%.
April 23, 2018
I really enjoyed this book. I've been having a lot of trouble lately with books with wealth and/or class differences, so I was nervous about how well this one would go over with me, but I really liked it. I didn't get the impression (as I do with some books with these differences) that anyone involved felt that Edmund/Ned was doing some kind of big service to Patrick by being with Patrick. I know that in a lot of books that the high status/wealth individual will say that they don't view the lower status/wealth individual as any different, but it's pretty clear that someone (the author, maybe?) thinks that it's a big character bonus to the high status/wealth person that they are willing to overlook the lower status/wealth individual's lack of wealth/status/connections.
I did not get that impression in this book at all. At no point did the book seem to get caught up in the idea that Edmund/Ned deserved a prize for not being a classist ninny. Patrick was great, Edmund/Ned recognized that Patrick was great, and the story moved from there. [insert hearts]
That wasn't to say the class/wealth difference was ignored; absolutely not. The two had different life experiences, society viewed them differently, they had different access to resources, the list goes on, and the story recognized that at every juncture. But the recognition was done right.
I also liked the way that Edmund/Ned's trauma was a serious issue that popped up in all kinds of weird ways that wouldn't necessarily be predicted beforehand. As someone who experienced trauma as a child, I feel for that. You're sitting there being, "I can't do this seemingly normal thing . . . oh, it's because of THAT, isn't it."
The mystery isn't something I'm going to be very good at judging, because I'm terrible at mysteries. It didn't seem like something that could really be worked out given the clues that were presented, but I never am able to work out mysteries, even ones that other people say were obvious from the start, so this may not mean anything. I just basically went into the mystery with the understanding that probably wouldn't get it, and I didn't.
I did not get that impression in this book at all. At no point did the book seem to get caught up in the idea that Edmund/Ned deserved a prize for not being a classist ninny. Patrick was great, Edmund/Ned recognized that Patrick was great, and the story moved from there. [insert hearts]
That wasn't to say the class/wealth difference was ignored; absolutely not. The two had different life experiences, society viewed them differently, they had different access to resources, the list goes on, and the story recognized that at every juncture. But the recognition was done right.
I also liked the way that Edmund/Ned's trauma was a serious issue that popped up in all kinds of weird ways that wouldn't necessarily be predicted beforehand. As someone who experienced trauma as a child, I feel for that. You're sitting there being, "I can't do this seemingly normal thing . . . oh, it's because of THAT, isn't it."
The mystery isn't something I'm going to be very good at judging, because I'm terrible at mysteries. It didn't seem like something that could really be worked out given the clues that were presented, but I never am able to work out mysteries, even ones that other people say were obvious from the start, so this may not mean anything. I just basically went into the mystery with the understanding that probably wouldn't get it, and I didn't.
October 6, 2017
A Joyfully Jay review.
4 stars
A gruesome murder with one sole survivor. A detective seeking the truth. Wrapped up in a Victorian setting. I was sold with the blurb, and ready and waiting to dive into this story. While I felt the pace was a little slow at times, overall, this was a good read.
I loved the MCs. First, there’s Patrick and he’s brash and determined. He has a single minded focus, and he’ll do whatever it takes to get to the bottom of the case. He convinced his employer that traveling across the ocean was worth it, and that makes him even more determined to see the case through to the end. He pushes his way into Edmund’s live, even when it’s clear Edmund has left the past behind. And at times, he pushes too hard. But almost immediately, the connection between the MCs forms, and Patrick feels bad that his questions are bringing up something so painful for Edmund. I liked seeing the care he takes with Edmund, even while he doesn’t stop pushing.
I adored Edmund/Ned (and I slash his name here because he’s both, at different times, depending on what’s going on). He’s almost completely repressed any memory of his childhood, such as it was, with the Lawtons, and he’s fully and completely a Sloan. In fact, he knows very little about his family’s murder. He’s very proper and refined. And though Patrick’s questions are upsetting, Edmund slowly begins to learn about his family’s murder and, in the process, begins a healing he didn’t even realize he needed. I loved his growth throughout the story, and I loved seeing him unfurl and become the man he should be.
Read Kris’ review in its entirety here.
4 stars
A gruesome murder with one sole survivor. A detective seeking the truth. Wrapped up in a Victorian setting. I was sold with the blurb, and ready and waiting to dive into this story. While I felt the pace was a little slow at times, overall, this was a good read.
I loved the MCs. First, there’s Patrick and he’s brash and determined. He has a single minded focus, and he’ll do whatever it takes to get to the bottom of the case. He convinced his employer that traveling across the ocean was worth it, and that makes him even more determined to see the case through to the end. He pushes his way into Edmund’s live, even when it’s clear Edmund has left the past behind. And at times, he pushes too hard. But almost immediately, the connection between the MCs forms, and Patrick feels bad that his questions are bringing up something so painful for Edmund. I liked seeing the care he takes with Edmund, even while he doesn’t stop pushing.
I adored Edmund/Ned (and I slash his name here because he’s both, at different times, depending on what’s going on). He’s almost completely repressed any memory of his childhood, such as it was, with the Lawtons, and he’s fully and completely a Sloan. In fact, he knows very little about his family’s murder. He’s very proper and refined. And though Patrick’s questions are upsetting, Edmund slowly begins to learn about his family’s murder and, in the process, begins a healing he didn’t even realize he needed. I loved his growth throughout the story, and I loved seeing him unfurl and become the man he should be.
Read Kris’ review in its entirety here.
September 7, 2017
Altogether Extraordinary
Summer Devon has delivered us an extraordinary trip back to early Victorian England with Patrick Kelly, a brash American ex-cop of Irish descent turning his now private investigative sights on the brutal murder 10 years before of the entire family of Edmund Sloan, nee Ned Lawton.
Right there on the cover, with Patrick on the left and Edmund in the background, she got me and plunged me past all the other books on my Kindle to get to this story.
What a story it is--gruesome at times, heartbreaking at times, hopeful at times, deceptive all the time, brilliantly plotted with clues coming totally out of the blue but with clear logic and credibility.
Through it all Patrick chips away at the silence and fear and insecurity Edmund has been coddled with by his foster father, a distasteful piece of work whose purpose and attitude makes you want to smack him in the face with a shovel.
Ah, but something is afoot here, besides a plot that it. That would be a love story that is totally unrealistic in theory but absolutely perfect in practice. I guess this is the first of a series--please, Ms. Devon, make haste with the next!
Summer Devon has delivered us an extraordinary trip back to early Victorian England with Patrick Kelly, a brash American ex-cop of Irish descent turning his now private investigative sights on the brutal murder 10 years before of the entire family of Edmund Sloan, nee Ned Lawton.
Right there on the cover, with Patrick on the left and Edmund in the background, she got me and plunged me past all the other books on my Kindle to get to this story.
What a story it is--gruesome at times, heartbreaking at times, hopeful at times, deceptive all the time, brilliantly plotted with clues coming totally out of the blue but with clear logic and credibility.
Through it all Patrick chips away at the silence and fear and insecurity Edmund has been coddled with by his foster father, a distasteful piece of work whose purpose and attitude makes you want to smack him in the face with a shovel.
Ah, but something is afoot here, besides a plot that it. That would be a love story that is totally unrealistic in theory but absolutely perfect in practice. I guess this is the first of a series--please, Ms. Devon, make haste with the next!
January 28, 2019
This story started a little slow for me, but it did pick up a little past half. Patrick and Edmund/Ned are an unlikely couple. I didn't feel their attraction or connection at first, but I believed it at the end. I couldn't say exactly when it changed, though likely it was during the process of confronting Edmund/Ned's past, including his foster parents. I did like how Edmund/Ned's character grew throughout the story. There are a lot of secrets here, and the mystery was interesting.
January 21, 2020
**grm**
I like how this author writes, and I was intrigued by the plot. I still think that the finale was a bit abrupt, I would have liked to read more about Ned(Edmund) and Patrick, and I was a bit sad that there wasn't an epilogue showing them years later.
But starting the next book, I understood why. There we will learn something more.
Patrick was an interesting character and I really liked him, and Ned was a cute and kinda shy man, but he still had a strong personality and a funny side. For Ned(who was 2 years older), Patrick was his first man, while Ned was the first guy the other let top him. They were so cute and hot together and most of the time I was scared that they would show something more in public and pay for their love. Since the book was set in the 19th century in England, they had to be guarded about their feelings, but this didn't stop them on creating a future together and living their love. I wished there were more pages in this book and that many more things had been explained and described(the mystery wasn't really a crucial part of the book, in my opinion). For this 4 starts.
I like how this author writes, and I was intrigued by the plot. I still think that the finale was a bit abrupt, I would have liked to read more about Ned(Edmund) and Patrick, and I was a bit sad that there wasn't an epilogue showing them years later.
But starting the next book, I understood why. There we will learn something more.
Patrick was an interesting character and I really liked him, and Ned was a cute and kinda shy man, but he still had a strong personality and a funny side. For Ned(who was 2 years older), Patrick was his first man, while Ned was the first guy the other let top him. They were so cute and hot together and most of the time I was scared that they would show something more in public and pay for their love. Since the book was set in the 19th century in England, they had to be guarded about their feelings, but this didn't stop them on creating a future together and living their love. I wished there were more pages in this book and that many more things had been explained and described(the mystery wasn't really a crucial part of the book, in my opinion). For this 4 starts.
April 13, 2023
I love Victorian era historicals and detective stories so this should have been my type of book. The premise was let down by poor characterisation and a lacklustre mystery. Neither MCs behaved in a believable manner with their actions being driven by the needs of the plot. There's no real connection between the MCs and I can't believe an upstanding Victorian gentlemen would have sex in the sitting room while their were servants in the house.
September 11, 2025
re-reading this book was so enjoyable!
November 3, 2017
“The miracle of your mind isn’t that you can see the world as it is. It’s that you can see the world as it isn’t.” ~ Kathryn Schultz
Edmund Sloan (Ned Lawton) survived the horrific murder of his entire family when he was five years old. He was taken in by the Sloan family who thought it was better for Edmund to forget not only the murders, but his entire past including his family and nanny. In order to show his gratitude for all the Sloan family's generosity, and his morbid fear of losing everything he knows and loves, Edmund tries his best to cause as little trouble as possible, but that doesn't stop the nightmares.
When Patrick appears at his house, asking for help to solve murders, in the United States, similar to the ones perpetrated on his family all those years ago, Edmund is incensed. He thinks Patrick is using this an excuse to squeeze money out of him, as so many have tried to do in the past. It takes a while, but Patrick convinces him that he is a private detective rather than an opportunist. Patrick also insinuates if dredging up his past can help solve other murders or deter others, it's Edmund's “duty” to assist him. As infuriating as the American is, he also fascinates Edmund and stirs a forbidden passion in him like no one else has ever done. Patrick insists on calling Edmund Ned and what begins as an irritation, becomes an endearment. Patrick sees that beneath Ned's cool exterior and insistence that his past is best left there, he is in turmoil because of it.
As Patrick and Ned systematically examine each murder clue, solving the case becomes more personal for Patrick due to his intimate feelings for Ned. When Patrick learns that Ned used to be a boisterous, energetic boy, he is even more determined to see Ned reclaim the “fire” he had as a child, rather than continuing to live in the false mold he has forced himself into. When Ned tells Patrick about his nightmares/memories, it adds a layer of concern about the toll it is taking on Ned, but he also knows that delving into his past but realizes that it is a necessary evil. Although neither man will acknowledge it, their involvement with each other is growing steadily stronger. As the investigation continues, so does Ned's internal search; it's an uphill battle. Remembering the past, as awful as some of it is, helps him see himself in a more realistic manner.
It's not easy to write a passionate romance while solving a gruesome murder and make it intense, mysterious, and erotic, but Summer has definitely pulled it off. She balances the gruesome details of the tale with moments of sexual pleasure and emotional growth in a way that's immensely satisfying. Thanks, Summer, for this suspenseful, gratifying reading experience.
NOTE: This book was provided by the author for the purpose of a review on Rainbow Book Reviews.
Edmund Sloan (Ned Lawton) survived the horrific murder of his entire family when he was five years old. He was taken in by the Sloan family who thought it was better for Edmund to forget not only the murders, but his entire past including his family and nanny. In order to show his gratitude for all the Sloan family's generosity, and his morbid fear of losing everything he knows and loves, Edmund tries his best to cause as little trouble as possible, but that doesn't stop the nightmares.
When Patrick appears at his house, asking for help to solve murders, in the United States, similar to the ones perpetrated on his family all those years ago, Edmund is incensed. He thinks Patrick is using this an excuse to squeeze money out of him, as so many have tried to do in the past. It takes a while, but Patrick convinces him that he is a private detective rather than an opportunist. Patrick also insinuates if dredging up his past can help solve other murders or deter others, it's Edmund's “duty” to assist him. As infuriating as the American is, he also fascinates Edmund and stirs a forbidden passion in him like no one else has ever done. Patrick insists on calling Edmund Ned and what begins as an irritation, becomes an endearment. Patrick sees that beneath Ned's cool exterior and insistence that his past is best left there, he is in turmoil because of it.
As Patrick and Ned systematically examine each murder clue, solving the case becomes more personal for Patrick due to his intimate feelings for Ned. When Patrick learns that Ned used to be a boisterous, energetic boy, he is even more determined to see Ned reclaim the “fire” he had as a child, rather than continuing to live in the false mold he has forced himself into. When Ned tells Patrick about his nightmares/memories, it adds a layer of concern about the toll it is taking on Ned, but he also knows that delving into his past but realizes that it is a necessary evil. Although neither man will acknowledge it, their involvement with each other is growing steadily stronger. As the investigation continues, so does Ned's internal search; it's an uphill battle. Remembering the past, as awful as some of it is, helps him see himself in a more realistic manner.
It's not easy to write a passionate romance while solving a gruesome murder and make it intense, mysterious, and erotic, but Summer has definitely pulled it off. She balances the gruesome details of the tale with moments of sexual pleasure and emotional growth in a way that's immensely satisfying. Thanks, Summer, for this suspenseful, gratifying reading experience.
NOTE: This book was provided by the author for the purpose of a review on Rainbow Book Reviews.
September 20, 2017
Poor Little Ned Lawton became Edmund Sloan after being the only survivor when his family was viciously murdered. Patrick Kelly has come across the pond looking for clues that he thinks will help solve a series of murders in America that resemble the Lawton slayings. Naturally Edmund is not eager to revisit his past but he's not willing to let anyone else die if he can help. But will the answers they uncover help or destroy the new found connection between the two?
I have only read a few solo stories by Summer Devon but I have loved every one of them. She has a way of bringing history to life, letting the reader experience the era. His American Detective is no different. Along with the historical atmosphere I could feel Edmund's pain and Patrick's determination as well as their obvious attraction despite Edmund's denial. I won't lie, perhaps the story could have been a bit better had there been more detecting but it could have also made certain factors redundant so I was more than satisfied with the story as is. Her passion and respect for history comes through every page with the small details in every scene and each character's attitudes and emotions, and it's this kind of passion that makes His American Detective amazing and will keep you mind guessing even if you think you figured out(and you may have) there's more to keep your interest piqued right to the end.
Some might find Patrick's constant use of Ned when referring to Edmund to be a bit confusing or odd but truth is I've known more than one Edmund/Edward who used the nickname "Ned" so it never even occurred to me that it might be seen as odd. Also, I think it started out as Patrick's way of making sure Edmund realized what he lost and what was at stake in his quest for answers.
If you are in the mood for a good old fashioned mystery with just the right amount of romance then Summer Devon's His American Detective is definitely for you and I for one am intrigued to see what else she has in store for this new Victorian Gay Detective series.
I have only read a few solo stories by Summer Devon but I have loved every one of them. She has a way of bringing history to life, letting the reader experience the era. His American Detective is no different. Along with the historical atmosphere I could feel Edmund's pain and Patrick's determination as well as their obvious attraction despite Edmund's denial. I won't lie, perhaps the story could have been a bit better had there been more detecting but it could have also made certain factors redundant so I was more than satisfied with the story as is. Her passion and respect for history comes through every page with the small details in every scene and each character's attitudes and emotions, and it's this kind of passion that makes His American Detective amazing and will keep you mind guessing even if you think you figured out(and you may have) there's more to keep your interest piqued right to the end.
Some might find Patrick's constant use of Ned when referring to Edmund to be a bit confusing or odd but truth is I've known more than one Edmund/Edward who used the nickname "Ned" so it never even occurred to me that it might be seen as odd. Also, I think it started out as Patrick's way of making sure Edmund realized what he lost and what was at stake in his quest for answers.
If you are in the mood for a good old fashioned mystery with just the right amount of romance then Summer Devon's His American Detective is definitely for you and I for one am intrigued to see what else she has in store for this new Victorian Gay Detective series.
April 26, 2020
I read a few of the author's shorter books before and thought them mediocre, so I was happily surprised how much I came to enjoy this one.
It took a bit to get into. In the first meeting, Patrick is all over the place which is really irritating. He pretty much immediately admits he's interested in men, even though that certainly is very taboo at the time, but Ned also assumes he's going to blackmail him over a hug. It's a good way to show the vast difference in the characters, I guess. After that they gel a lot better in conversations, though, and the character development and relationship building is actually the part that I liked most about the story. Patrick's irreverent frankness helps Ned loosen up a bit and talking about his past trauma helps him overcome some of the demons. But at the same time, Patrick seems to see the occasional benefit of a softer approach. The relationship is build up slowly and gradually, with the class differences and their obligations providing their own troubles.
The investigation wasn't badly done either. It's exactly what I like about crime novels usually, that is to say going into people's stories and motivations and hidden secrets instead of searching physical evidence. The solution is not really all that surprising, but the author kept taking on new bits and pieces, which kinda lessened the impact of that part for me.
That's probably because the relationship building was not done by the time it felt the investigation should be wrapped up, so it felt needlessly elongated.
It never gets ghoulish, though. The murders where pretty terrible, but the book doesn't really go into a lot of detail, there's no first hand account of them or anything sensationalist like that. It's more about the aftereffects this trauma had on Ned.
It took a bit to get into. In the first meeting, Patrick is all over the place which is really irritating. He pretty much immediately admits he's interested in men, even though that certainly is very taboo at the time, but Ned also assumes he's going to blackmail him over a hug. It's a good way to show the vast difference in the characters, I guess. After that they gel a lot better in conversations, though, and the character development and relationship building is actually the part that I liked most about the story. Patrick's irreverent frankness helps Ned loosen up a bit and talking about his past trauma helps him overcome some of the demons. But at the same time, Patrick seems to see the occasional benefit of a softer approach. The relationship is build up slowly and gradually, with the class differences and their obligations providing their own troubles.
The investigation wasn't badly done either. It's exactly what I like about crime novels usually, that is to say going into people's stories and motivations and hidden secrets instead of searching physical evidence. The solution is not really all that surprising, but the author kept taking on new bits and pieces, which kinda lessened the impact of that part for me.
That's probably because the relationship building was not done by the time it felt the investigation should be wrapped up, so it felt needlessly elongated.
It never gets ghoulish, though. The murders where pretty terrible, but the book doesn't really go into a lot of detail, there's no first hand account of them or anything sensationalist like that. It's more about the aftereffects this trauma had on Ned.
September 10, 2017
Historical romance and classic mystery
This unusual story encompasses serial murder, Victorian England, and a roaming American private detective. Edward, survivor of the slaughter of his family, meets Patrick who is in London tracking clues to similar murders in America. As a mystery romance with appealing main characters, I quite enjoyed it. Well written, smooth dialogues, a few grammar errors and missing/extra words. Could have used a little bit more humor to leaven the mix, but a satisfying story of gentlemen.
Some ratings I consider about mm books
Sexy scale 1-5:3 multiple explicit scenes. I found particularly the early scenes, where Edmund is thawing from his overprotective shell, were hot.
Humor scale 1-5:1 pleasant guys acting honorably, but little snark or banter
Likable MCs 1-5:4
I did quite like these two, and though they politely refrain from being too emotionally honest for awhile, and give each other too much leeway to get away, they like each other and are kind. I believe they clicked. I could almost imagine a series based on these characters.
Angst scale 1-5:3
Serial murder of whole families, described through Edmund's nightmares and snippets of police reports. Patrick has painful family history he shares with Edmund.
If you like the sound of His American Detective, I also recommend
The Gentleman and the Rogue, by Bonnie Dee and Summer Devon
Think of England K. J. Charles
Society of Gentlemen series K. J. Charles
This unusual story encompasses serial murder, Victorian England, and a roaming American private detective. Edward, survivor of the slaughter of his family, meets Patrick who is in London tracking clues to similar murders in America. As a mystery romance with appealing main characters, I quite enjoyed it. Well written, smooth dialogues, a few grammar errors and missing/extra words. Could have used a little bit more humor to leaven the mix, but a satisfying story of gentlemen.
Some ratings I consider about mm books
Sexy scale 1-5:3 multiple explicit scenes. I found particularly the early scenes, where Edmund is thawing from his overprotective shell, were hot.
Humor scale 1-5:1 pleasant guys acting honorably, but little snark or banter
Likable MCs 1-5:4
I did quite like these two, and though they politely refrain from being too emotionally honest for awhile, and give each other too much leeway to get away, they like each other and are kind. I believe they clicked. I could almost imagine a series based on these characters.
Angst scale 1-5:3
Serial murder of whole families, described through Edmund's nightmares and snippets of police reports. Patrick has painful family history he shares with Edmund.
If you like the sound of His American Detective, I also recommend
The Gentleman and the Rogue, by Bonnie Dee and Summer Devon
Think of England K. J. Charles
Society of Gentlemen series K. J. Charles
April 19, 2020
Audiobook review:
Overall 5
Performance 5
Story 5
I love Mark James's voice and this is a great story, too.
I have listened to Mark James perform seven of Summer Devon's books and have loved every one of them. As far as I'm concerned, his voice and performances are right up there with several of the very well-known voice actors who narrate M/M books. I've looked on Audible and it appears that he hasn't done many books and that's a real shame. In fact, searching for his name on Audible brings up many books that don't even has his name on them; something seems to be seriously wrong with their search function.
On to the story. His American Detective is a great who-done-it with just enough twists and turns to keep things interesting. The blurb is really very good so I won't try to re-state it. Between the mystery of who is committing the murders in America and the sizzling attraction between detective Patrick and wealthy Edmund (Ned), Summer Devon has created another captivating historical M/M romance that I love. I really hope that Summer Devon and Mark James keep creating wonderful audiobooks for us to listen to.
A complimentary copy of this audiobook was provided to me but my review was voluntary and not influenced by the author and/or narrator.
Overall 5
Performance 5
Story 5
I love Mark James's voice and this is a great story, too.
I have listened to Mark James perform seven of Summer Devon's books and have loved every one of them. As far as I'm concerned, his voice and performances are right up there with several of the very well-known voice actors who narrate M/M books. I've looked on Audible and it appears that he hasn't done many books and that's a real shame. In fact, searching for his name on Audible brings up many books that don't even has his name on them; something seems to be seriously wrong with their search function.
On to the story. His American Detective is a great who-done-it with just enough twists and turns to keep things interesting. The blurb is really very good so I won't try to re-state it. Between the mystery of who is committing the murders in America and the sizzling attraction between detective Patrick and wealthy Edmund (Ned), Summer Devon has created another captivating historical M/M romance that I love. I really hope that Summer Devon and Mark James keep creating wonderful audiobooks for us to listen to.
A complimentary copy of this audiobook was provided to me but my review was voluntary and not influenced by the author and/or narrator.
November 27, 2019
3 stars.
Edmund's family was all murdered when he was a little boy, and he can't really remember much about that time. Then an American detective comes asking to see if he remembers any details, because even though they hanged the perpetrator, murders that have been happening in the United States seem to be really similar. Patrick's questions and understanding bring back some memories for Edmund, which open the way to more questions.
Enh. The first half of the book was really tight, with some investigating, Edmund and Patrick getting to know one another, and a coherent story line. And then...well, it all falls apart. Then it seems to be about dashing here and there and running every which way and this is happening and that is happening, and it's all very much put together in a slap dash way. If the book had stayed true to the beginning form, I would have been happy to give it a 4.5 star rating, but as it is now, absolutely not.
I didn't even care about the resolution of the mystery, or what really happened to Edmund and Patrick by the end of the story.
Edmund's family was all murdered when he was a little boy, and he can't really remember much about that time. Then an American detective comes asking to see if he remembers any details, because even though they hanged the perpetrator, murders that have been happening in the United States seem to be really similar. Patrick's questions and understanding bring back some memories for Edmund, which open the way to more questions.
Enh. The first half of the book was really tight, with some investigating, Edmund and Patrick getting to know one another, and a coherent story line. And then...well, it all falls apart. Then it seems to be about dashing here and there and running every which way and this is happening and that is happening, and it's all very much put together in a slap dash way. If the book had stayed true to the beginning form, I would have been happy to give it a 4.5 star rating, but as it is now, absolutely not.
I didn't even care about the resolution of the mystery, or what really happened to Edmund and Patrick by the end of the story.
April 6, 2020
I have been meaning to read/listen something by this author for a while and I'm really happy that I finally get to do it. The story here is truly engaging, with the old (apparently solved) crime coming back to haunt the only survivor when an American detective shows up at his door and tells him that similar crimes are being committed in his country.
Ned Lawton has changed his name to Edmund Sloan and has no memory of the crime. As a matter of fact, his foster father has made everything in his power to keep him isolated from it. But with new murders happening, that's not an option anymore, and he and Patrick must uncover the truth before the killer strikes again.
But while trying to unveil the past Edmund and Patrick discover something else: each other's. And I love how slowly their relationship advances, how reluctant is Edmund to allow himself this, and how, once he does, he is completely engaged.
A lovely romance and a great mystery, I most certainly will keep reading this author :D
Ned Lawton has changed his name to Edmund Sloan and has no memory of the crime. As a matter of fact, his foster father has made everything in his power to keep him isolated from it. But with new murders happening, that's not an option anymore, and he and Patrick must uncover the truth before the killer strikes again.
But while trying to unveil the past Edmund and Patrick discover something else: each other's. And I love how slowly their relationship advances, how reluctant is Edmund to allow himself this, and how, once he does, he is completely engaged.
A lovely romance and a great mystery, I most certainly will keep reading this author :D
April 10, 2018
Intriguing and interesting storyline.
His American Detective is the first book in the Victorian Gay Detective Book series by Summer Devon. The story follows poor little Ned Lawton, now Edmund Sloan as he grows and comes to terms with his family’s murders while assisting an American detective in investigating a string of murders that are much like those of Edmunds family long ago. The story gets a bit steamy as Edmund explores his desire for men, in particular the American detective, Patrick. I found myself drawn to Edmund and empathetic to his desire to lock away his tragic past, but I was also drawn in by the adventure and mystery of the story. The characters are both deep and personable with intense personalities. While gay romance isn’t usually my thing, I’m really interested to read more of Summer Devon’s series, as the story really drew me in and kept me hooked right up to the last line.
His American Detective is the first book in the Victorian Gay Detective Book series by Summer Devon. The story follows poor little Ned Lawton, now Edmund Sloan as he grows and comes to terms with his family’s murders while assisting an American detective in investigating a string of murders that are much like those of Edmunds family long ago. The story gets a bit steamy as Edmund explores his desire for men, in particular the American detective, Patrick. I found myself drawn to Edmund and empathetic to his desire to lock away his tragic past, but I was also drawn in by the adventure and mystery of the story. The characters are both deep and personable with intense personalities. While gay romance isn’t usually my thing, I’m really interested to read more of Summer Devon’s series, as the story really drew me in and kept me hooked right up to the last line.
August 21, 2020
I wanted to like this book - I really did. However, it was appalling! I'm sorry to say it, but it was yet another book written by American and set in the Victorian era - full of anachronisms, Americanisms and totally historically inaccurate.
That aside, the dynamic between these two main protagonists was all wrong. firstly, the reclusive sole survivor of a traumatic event in his childhood who shuns society and tries to blot out what happened to him simply rolls over and lets this overbearing American detective just waltz in, disrupt his peace and solitude, and climb right into his pants. For his part, the American detective has absolutely no idea of subtlety at all, and within five minutes of meeting this poor, shy creature, never mind that he is from an entirely different class and station in life (these things mattered back then), begins to make advances to him with as much finesse as a bull in a china shop.
It was so painful a read that I didn't finish it. Enough said.
That aside, the dynamic between these two main protagonists was all wrong. firstly, the reclusive sole survivor of a traumatic event in his childhood who shuns society and tries to blot out what happened to him simply rolls over and lets this overbearing American detective just waltz in, disrupt his peace and solitude, and climb right into his pants. For his part, the American detective has absolutely no idea of subtlety at all, and within five minutes of meeting this poor, shy creature, never mind that he is from an entirely different class and station in life (these things mattered back then), begins to make advances to him with as much finesse as a bull in a china shop.
It was so painful a read that I didn't finish it. Enough said.
February 3, 2021
This was a bit of a mess. The formatting of the book was sloppy, with POV switches in strange places and frankly, the mystery was solved way too early in the piece (I’m not counting that “twist” at the end). The characters fell flat, insta love was real and I spent a good portion of the book being irritated by Ned’s blind faith in his Papa Sloan. Also his wimpiness. I mean he got over both but it just, never really worked for me.
This is more a story in a which one character is a detective than an actual detective novel. If anything, this feels like a first draft before all the characters and the plot gets fleshed out. Nothing really happens, it felt like all the little details were missing. Oh and the sex was bumpy and awkwardly written.
Not an encouragement to try anything else by the author. And certainly not likely to make me check out the rest of the collection.
This is more a story in a which one character is a detective than an actual detective novel. If anything, this feels like a first draft before all the characters and the plot gets fleshed out. Nothing really happens, it felt like all the little details were missing. Oh and the sex was bumpy and awkwardly written.
Not an encouragement to try anything else by the author. And certainly not likely to make me check out the rest of the collection.
February 4, 2021
This book is very readable and the prose is excellent though I didn't quite feel it fit into the era it was supposed to be set in. I should have really liked the characters, but unfortuantely one of the characters, Patrick, insists on calling the other, Edmund, but a nickname despite being repeatedly told not to. It struck me as intensely disrespectful, and so I never grew to like Patrick or invest in his story.
I also felt like the 'detective' part of His American Detective was grossly underserved. The murder mystery very much played second fiddle to the romance, and seemed to be meandering in the background rather than driving the action and keeping things tense like I'm used to in the genre.
I also felt like the 'detective' part of His American Detective was grossly underserved. The murder mystery very much played second fiddle to the romance, and seemed to be meandering in the background rather than driving the action and keeping things tense like I'm used to in the genre.
September 7, 2018
It has some strong points, and it could have been a very good book. The characters are developed well, and the plot is better than adequate. Generally the writing is comfortable, but there are far too many idiotic slips of editing. These jar as you read. For example, Ned puts on his homburg as he leaves the house, then on the next page he takes off his straw boater. Or the use of "idle" instead of "idyl". Or in dialogue, without any indication of who is speaking, one character must have said both the first and the second lines of speech. Grr! Such a shame to spoil a good book for the sake of trivial slips that trip up the reader.
March 20, 2020
I couldn’t fault this! Set in Victorian England, wealthy gentleman, Edmund Sloan, is in turn annoyed, intrigued, and finally smitten by brash American detective, Patrick Kelly, when Kelly travels to England to investigate a spate of murders, including the murder of Edmund’s family many years ago. This had echos of EM Forster’s daring novel, Maurice, with both characters having to sort out their feelings in secret in such a repressive society. Nice main characters, an engaging story, and the superb narration 🎧 all gave the novel a perfect well-mannered Victorian feel.
April 14, 2020
The mystery here was WAY darker and grosser than I expected and kept me curious throughout. But it was also more of a background character in building the MCs relationship. There is so much personal growth and boundary testing going on and that was nice to see. I’m kinda bummed I only have the one book in the series. I’ll have to get my hands on the rest ASAP. :)
Also. I pretty much guessed correctly all the players involved in the crimes pretty quickly. But how each specifically played a role was interesting and had some good twists as well.
Also. I pretty much guessed correctly all the players involved in the crimes pretty quickly. But how each specifically played a role was interesting and had some good twists as well.
September 22, 2018
Good, a little slow starting, and the ending was kind of abrupt and left too much unanswered, but it is a sweet story. It was interesting to see the NY of that era. Loved Patrick's mom, she was a fun addition.
I'd have preferred to know where they were going to live, was Patrick going to stay at his job if they stayed in NY, and what the resolution was with Ned's mother.
Still a good Devon book, longer than usual, but still what I expect when I read her stuff.
I'd have preferred to know where they were going to live, was Patrick going to stay at his job if they stayed in NY, and what the resolution was with Ned's mother.
Still a good Devon book, longer than usual, but still what I expect when I read her stuff.
October 10, 2018
WOW!
Books don't get much better than this. I could see these men in my minds eye, the way they moved, spoke and loved. Historical books from the United Kingdom have been one of my all time favorite genres for many years. The atmosphere is just so rich and colorful. Castles, butlers, slow travel by ship and train. The pace may be slower but the steady progress off solving a mystery is completely entertaining. Loved this story.
Books don't get much better than this. I could see these men in my minds eye, the way they moved, spoke and loved. Historical books from the United Kingdom have been one of my all time favorite genres for many years. The atmosphere is just so rich and colorful. Castles, butlers, slow travel by ship and train. The pace may be slower but the steady progress off solving a mystery is completely entertaining. Loved this story.
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