This is fairy tale fantasy that turns fairy tale clichés on their heads. The female protagonist is no damsel in distress, but a witch in disguise who is happy to rescue her prince but not that interested in romance or marriage. Although set in 13th century Europe, the first-person conversational narration gives it the feel of a contemporary teen rom com with a healthy dose of girl-power wish fulfillment.
Eva is a young witch from the White Land, where witches are tasked with battling demons that threaten Earth and humans. I wanted to read some of this action, but most of the story takes place on Earth. Eva chooses to live (with her wonderful cat Midnight) among mortals at a time when it would be dangerous to reveal her powers. (It's said to be medieval Spain, but it's really "long ago and far away," a fairy-tale setting of a small village walking distance from a royal palace and a spooky forest, home to magical healing flowers. No other place seems to be more than 3 days away, no matter how they travel.) She makes a living as an herbalist and healer, later as an artist, and practices casting in secret (something else I wanted to see fleshed out. Do they ever almost get caught?) She's not interested in romance or marriage, but somehow catches the attention of Jonathan, prince and heir to the throne. She sees no future with a human who will age and die centuries before her, but their paths keep crossing and her skills keep saving the lives of him and his friend. Her insistence that she doesn't love him quickly becomes repetitious and wearing, but she is trying to maintain her independence and keep both of them out of danger. Meanwhile, she has mysteries to solve and a destiny of her own that she's not sure she wants to claim.
The book was much longer than I expected when I started reading on my Kindle. There are enough events and subplots that I could imagine them being developed into at least three books: fairy-tale prologue, action-adventure war story, quirky romance. As it is, the story is episodic, with little opportunity for tension to develop as Eva always knows what to do and how to do it and never fails at anything, ever, except understanding human relationships. She is equal parts entertaining and exasperating. Everything does eventually connect, right up to a sudden shock of an ending. The conversational narration lets in some anachronistic language that doesn't fit the setting, such as people "hanging out," and don’t expect strict historical or geographical accuracy. I’m not sure whether the fashions are period accurate, but would love to behold the various ball gowns and wedding dresses. Eva claims not to care about fashion, but she describes them beautifully. And I want her blue boots.