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Canongate Classics #83
Flemington and Tales from Angus
"I think it is the best Scots romance since The Master of Ballantrae," said John Buchan when Flemington was first published in 1911. Violet Jacob’s fifth and finest novel is a tragic drama of the 1745 Jacobite Rising, tightly written, poetic in its symbolic intensity, lit by flashes of humor, and informed by the author’s own family history as one of the Erskines of the House of Dun near Montrose. Drawn back to these roots in her later years, Violet Jacob also wrote many unforgettable short stories about the people, the landscapes, and the language of the North-east. In this volume 14 of these stories are recollected and reedited as Tales from Angus. Edited and introduced by Carol Anderson
568 pages, Paperback
First published September 1, 1998
About the author
Violet Jacob
53 books6 followersViolet Jacob was a Scottish writer, now known especially for her historical novel Flemington (1911) and her poetry, mainly in Scots.
She was born Violet Augusta Mary Frederica Kennedy-Erskine, the daughter of William Henry Kennedy-Erskine and Catherine Jones. The area of Montrose where her family seat of Dun was situated was the setting for much of her fiction. In 1894 she married Arthur Otway Jacob, an Irish Major in the British Army, and accompanied him to India where he was serving. Her book Diaries and Letters from India 1895-1900 is about their stay in the Central Indian town of Mhow. The couple had one son, Harry, born in 1895, who died as a soldier at the battle of the Somme in 1916. Arthur died in 1936, and Violet returned to live at Kirriemuir, in Angus.
In her poetry Violet Jacob was associated with Scots revivalists like Marion Angus, Alexander Gray and Lewis Spence in the Scottish Renaissance, which drew its inspiration from early Scots poets such as Robert Henryson and William Dunbar. The Wild Geese, a poem of longing for home, was set to music as Norlan' Wind and popularised by Angus singer and songmaker, Jim Reid.
She was born Violet Augusta Mary Frederica Kennedy-Erskine, the daughter of William Henry Kennedy-Erskine and Catherine Jones. The area of Montrose where her family seat of Dun was situated was the setting for much of her fiction. In 1894 she married Arthur Otway Jacob, an Irish Major in the British Army, and accompanied him to India where he was serving. Her book Diaries and Letters from India 1895-1900 is about their stay in the Central Indian town of Mhow. The couple had one son, Harry, born in 1895, who died as a soldier at the battle of the Somme in 1916. Arthur died in 1936, and Violet returned to live at Kirriemuir, in Angus.
In her poetry Violet Jacob was associated with Scots revivalists like Marion Angus, Alexander Gray and Lewis Spence in the Scottish Renaissance, which drew its inspiration from early Scots poets such as Robert Henryson and William Dunbar. The Wild Geese, a poem of longing for home, was set to music as Norlan' Wind and popularised by Angus singer and songmaker, Jim Reid.
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Displaying 1 - 3 of 3 reviews
December 1, 2023
I have lived in many places around the world and I always like to sample the literature of a locality. While living in Arbroath (Angus, Scotland) I came across Jacob’s writings. She was born around the middle of the 19th century and was an Erskine from the House of Dun in Montrose and wrote beautifully about local people, customs, and landscapes. What a find, but I suspect she is no longer well known and read in Scotland, not even in Angus.
July 7, 2020
Clash of loyalties....
Archie Flemington was brought up at Ardguys in Fife by his grandmother, Christian. She has made him into a Whig, violently opposed to the deposed Stuarts whom she once served but now hates. Under cover of his real talent as a painter, Archie is a government spy. Now Bonnie Prince Charlie is in Scotland once again, leading the Jacobites in rebellion against the Hanoverian king (or usurper, depending which side you were on). Archie inveigles his way into the household of Lord Balnillo, a retired judge who is known to have Jacobite leanings, although he hasn’t come “out” for the rebels. It’s actually Lord Balnillo’s brother, James Logie, who is Archie’s real target, though – a man suspected of actively aiding the rebellion. It’s for Archie to find out what Logie is up to, and to get proof of his treason if he can. But Archie finds in Logie a decent, honourable man, the type of man he would be proud to call friend, and suddenly he is torn between duty and this unexpected liking for his enemy...
This is a fairly straightforward adventure story, but with enough depth to make it rather more than a simple romance. The Jacobite rebellions were such a major event in Scottish history that they have been used over and over by authors, and are often reinterpreted according to the contemporary view of Scotland’s relationship with England. Jacob sits somewhere in the middle – writing in 1911, some 150 years after the events, she isn’t obliged to look nervously over her shoulder at a Hanoverian government still wary of a Stuart comeback, but she also avoids the over-romanticisation of the Jacobites in which many authors have indulged over the years. Although I felt she was rather on the side of the Hanoverians overall, she shows that there was honour, and dishonour, on both sides.
Christian is a great character, cold and autocratic – a Lady Macbeth using her grandson as a weapon to get revenge for old grievances. She loves Archie but expects total obedience to her will and sees any opposition as personal disloyalty. So when Archie begins to sympathise with Logie, she has no hesitation in giving him a choice – do as she bids or be cut off from her and from his home forever. Archie also loves his grandmother, making his choice doubly hard.
Archie himself is a likeable character and brings some humour and lightness to what is essentially a dark story of civil war and betrayal. He and Christian together give an idea of the differences between the generations – the old guard still strongly divided over the deposition of the Stuarts; the younger ones, despite this being the time of the last desperate throw of the Stuart dice, perhaps looking more to a future where those divisions can be forgotten and the country united.
The story is well told, with Archie’s dilemma giving it a good deal of moral ambiguity. The writing is excellent, in standard English with only a tiny amount of Scots appearing occasionally in dialogue. She’s a little weaker in the action sequences, failing on the whole to create an atmosphere of drama, but this is a small part of the book so it didn’t drag it down overall. The main strength is the characterisation, not only of the main characters, but of the several secondary characters who play a part in the plot. Jacob takes us from high society to low, into the drawing-rooms of Edinburgh in the company of the self-important Lord Balnillo and his friends, and into the world of intrigue carried out in inns and back streets under cover of night, with Logie and the marvellous Skirlin’ Wattie, the bagpiping beggar who has his own secret – a character almost Dickensian in his eccentricity, and a wonderful mix of comic and tragic.
It reminded me throughout of The Flight of the Heron, a trilogy I loved in my teens. However this one came first, so it’s possible that DK Broster, writing in the 1920s, may have been influenced by this. Each book is basically about the friendship between two men on opposite sides of the rebellion, but this is darker and less romanticised. In truth, I enjoyed The Flight of the Heron more, but I think this one is probably truer in terms of characterisation and culture, and the writing probably has more literary weight, though it’s a long time since I read The Flight of the Heron so I may be doing it an injustice. Both books have what seem to modern eyes like unmistakeable gay subtexts, but truly I think it used to be possible to actually love people of the same gender without sex coming into it. Who knew what the authors intended? And, frankly, who cares? Both are great stories whichever way you choose to read them. I enjoyed Flemington very much and recommend it, but if you only intend to read one book about the Jacobites in your life, then make it the Broster trilogy – OK, that’s three books, but you know what I mean...
4½ stars for me, so rounded up.
www.fictionfanblog.wordpress.com
Archie Flemington was brought up at Ardguys in Fife by his grandmother, Christian. She has made him into a Whig, violently opposed to the deposed Stuarts whom she once served but now hates. Under cover of his real talent as a painter, Archie is a government spy. Now Bonnie Prince Charlie is in Scotland once again, leading the Jacobites in rebellion against the Hanoverian king (or usurper, depending which side you were on). Archie inveigles his way into the household of Lord Balnillo, a retired judge who is known to have Jacobite leanings, although he hasn’t come “out” for the rebels. It’s actually Lord Balnillo’s brother, James Logie, who is Archie’s real target, though – a man suspected of actively aiding the rebellion. It’s for Archie to find out what Logie is up to, and to get proof of his treason if he can. But Archie finds in Logie a decent, honourable man, the type of man he would be proud to call friend, and suddenly he is torn between duty and this unexpected liking for his enemy...
This is a fairly straightforward adventure story, but with enough depth to make it rather more than a simple romance. The Jacobite rebellions were such a major event in Scottish history that they have been used over and over by authors, and are often reinterpreted according to the contemporary view of Scotland’s relationship with England. Jacob sits somewhere in the middle – writing in 1911, some 150 years after the events, she isn’t obliged to look nervously over her shoulder at a Hanoverian government still wary of a Stuart comeback, but she also avoids the over-romanticisation of the Jacobites in which many authors have indulged over the years. Although I felt she was rather on the side of the Hanoverians overall, she shows that there was honour, and dishonour, on both sides.
Christian is a great character, cold and autocratic – a Lady Macbeth using her grandson as a weapon to get revenge for old grievances. She loves Archie but expects total obedience to her will and sees any opposition as personal disloyalty. So when Archie begins to sympathise with Logie, she has no hesitation in giving him a choice – do as she bids or be cut off from her and from his home forever. Archie also loves his grandmother, making his choice doubly hard.
Archie himself is a likeable character and brings some humour and lightness to what is essentially a dark story of civil war and betrayal. He and Christian together give an idea of the differences between the generations – the old guard still strongly divided over the deposition of the Stuarts; the younger ones, despite this being the time of the last desperate throw of the Stuart dice, perhaps looking more to a future where those divisions can be forgotten and the country united.
The story is well told, with Archie’s dilemma giving it a good deal of moral ambiguity. The writing is excellent, in standard English with only a tiny amount of Scots appearing occasionally in dialogue. She’s a little weaker in the action sequences, failing on the whole to create an atmosphere of drama, but this is a small part of the book so it didn’t drag it down overall. The main strength is the characterisation, not only of the main characters, but of the several secondary characters who play a part in the plot. Jacob takes us from high society to low, into the drawing-rooms of Edinburgh in the company of the self-important Lord Balnillo and his friends, and into the world of intrigue carried out in inns and back streets under cover of night, with Logie and the marvellous Skirlin’ Wattie, the bagpiping beggar who has his own secret – a character almost Dickensian in his eccentricity, and a wonderful mix of comic and tragic.
It reminded me throughout of The Flight of the Heron, a trilogy I loved in my teens. However this one came first, so it’s possible that DK Broster, writing in the 1920s, may have been influenced by this. Each book is basically about the friendship between two men on opposite sides of the rebellion, but this is darker and less romanticised. In truth, I enjoyed The Flight of the Heron more, but I think this one is probably truer in terms of characterisation and culture, and the writing probably has more literary weight, though it’s a long time since I read The Flight of the Heron so I may be doing it an injustice. Both books have what seem to modern eyes like unmistakeable gay subtexts, but truly I think it used to be possible to actually love people of the same gender without sex coming into it. Who knew what the authors intended? And, frankly, who cares? Both are great stories whichever way you choose to read them. I enjoyed Flemington very much and recommend it, but if you only intend to read one book about the Jacobites in your life, then make it the Broster trilogy – OK, that’s three books, but you know what I mean...
4½ stars for me, so rounded up.
www.fictionfanblog.wordpress.com
May 21, 2023
Beautiful story
Violet Jacob tells an intriguing story of spies, of Jacobites, Cumberland and his troops' brutality. Living in the county of Angus myself I felt on the journey with hunter and the hunted. Scenery and scene setting is superb.
Violet Jacob tells an intriguing story of spies, of Jacobites, Cumberland and his troops' brutality. Living in the county of Angus myself I felt on the journey with hunter and the hunted. Scenery and scene setting is superb.
Displaying 1 - 3 of 3 reviews