I received the first three books of this series as a gift. I was not required to give a positive review. These are my honest opinions.
I have reviewed the first two books briefly and you can go read those reviews. This review will be a review of the series thus far, so it’ll contain things from all three books, and be lengthy. This review will contain spoilers! Many of them!
Book One, Disowned -- It started with a gripping plot idea, offered vivid characters, and relatable experiences and reactions. It was a promising first book, all in all, though it had it’s obvious flaws: such as the unneeded and annoying ‘villain spills his guts and gives whole backstory just before his impending doom’ -- this scene especially was a fill in. What true bad guy is going to tell all like that? No one. It was a shoved in plot device.
Speaking of things shoved in, we have the trope of ‘I have to find my long lost parent no matter what, even though I have a pre-existing parent/person who loves me’. It’s a trope I personally find irritating.This motivation drives Celeste through the series. However, to begin with, it shows how poor Celeste’s drive is. To me, it seems she chose her long lost father over the family who loved her.
Flaw two: Mick’s marriage proposal to Celeste. Simply put, if she married him, she would have legal citizenship and be able to move back to his family (who she ‘supposedly’ loves dearly) with him. Simple, yes? And through book one, we are shown how obviously Mick and Celeste love each other. They bond through training, living together with Mick’s family, and they begin to trust one another. It is a main theme that these two love each other, did I mention that? And they trust each other? Toward the end of book one, Celeste refuses Mick’s proposal. She suddenly ‘knows nothing about him’ -- though it is VERY obvious he cares about her and her safety. Out of nowhere, Celeste acts like a five year old child throwing tantrums over having something (Mick) and then not having him drives her nuts, too (chapter 13, y’all).
Book Two, Dissemble -- The melodrama continues into book two. The first chapter of Dissemble made me wanna headdesk till I got a bruise. In book one, the Celeste we see is a woman who learns self-defense to protect herself, not to go be some wonder woman. Celeste also focuses on nursing and healing others, which is a thing not seen much in books nowadays. Female characters have to whip butt to mean anything. In Disowned, I was excited to see Celeste breaking that mold -- and, oh, wait, no. Book two comes along, and any gentle/nursing traits Celeste had are tossed aside. Now, we have Spy Celeste, who isn’t actually good at being a spy, but for the sake of the plot, she’s allowed to slip by. The first chapter is actually pointless -- why would Smyth ‘test’ Celeste at all? It was a drab reason for Smyth to void their contract. It was just more rather pointless drama/action.
Another huge annoyance: all. Of. The. Lies. And. Secrets. For Celeste to be so worried about protecting her family, did she never think, ‘hey, lying is only making things worse’? With her backstory in life, you think such a thought would be certain. It wasn’t. So much in Dissemble could have been avoided if these characters knew a thing about communications and not making bigger problems out of things (like maybe explaining your fiasco to begin with, Celeste, so you didn’t lead Mick on like a rat).
Here’s some more flaws for Dissemble: the insanity that is Torrance and Amaya, two new characters. One scene that made me wanna vomit was when Torrance and Celeste are on their spy job. They’re pretending to be married, their lives count on their con abilities, etc. Our first impression of Torrance is that he is a total jerk: surely, he has a reason, right? And then, we see him purposefully getting Celeste drunk (though, again, she’s not smart and totally decides that she can drink just to defy him). And he gets inappropriate -- for no reason. In a logical point of view, getting someone drunk and forcing yourself on them will not sell a con. It will not make physical touch look less forced later on. Shortly after this scene, we realize Torrance is married to Amaya. Not that I cared much at that point, but let’s bear with. So, suddenly, Torrance is a jerk but he cares about Amaya! Totally! And, to make it worse, y’all, we see Torrance later taking serious note of how nice looking Celeste is. (And, sure, a married man might see a fine lady at some point -- but you know what a MAN does? He looks away and focuses back on his wife and thanks God for HIS WIFE.) Torrance shows no remorse for such actions or thoughts -- he chalks it up to the ‘job’ of being a spy. Barf.
And, finally, Celeste is freed (though, again, they didn’t kill Carmel? What? Sure, having mercy and freeing slaves is great! But wasn’t it common sense to see that he wouldn’t change? He’ll probably just go get more victims?). The plot of Dissemble was quite confusing -- towards the end, I’ll be honest, I didn’t have much clue what was going on. Or what mattered. But, on the final pages, we see STRONGLY that Mick and Celeste love each other!
Book three, Dissociate -- I begin with high hopes things’ll get better and make sense. They don’t. Straight off, things are still confusing plot wise (from a series stand point, it wasn’t the most natural flowing spot to end and begin another book). And Celeste and Mick have become infuriating. Celeste cannot make up her mind at all. One moment, she doubts Mick and doesn’t trust him -- the next moment, a kiss solves all!
As the chapters go on, Celeste panics. And I’m gonna ramble a bit here, folks. First: “ “She didn’t want to marry him -- not like this -- married by some old fogey while Smyth sneered at them in the background. How could this be alright with Mick? Did he really think so little of her?” (pg 32). UH, WHAT? Ya know that saying ‘I’d marry you in a brown paper bag’, etc? I never thought anyone WOULDN’T have that mindset. Who cares where you get married? At this point, why isn’t Celeste joyful? From what I see, Mick is doing this to give her citizinationship -- that’s what she wanted and she loves Mick, yes? So why in the name of daffodils is she acting like a thirteen year old? And, wait, we’re not done with this scene...
“If she married Mick, would he control her, too? Make her decisions for her? Like every other man she’d known. No matter how much she loved him, she couldn’t allow him to do that. She’d only had a taste of freedom -- could she really part with it so suddenly?” (page 32-33) Excuse me? What? Even for a sex slave, this is ridiculous. We’ve had two books of Mick showing how much he cares for her, and we’ve seen how much she trusts him. And suddenly, all progress that was made is nonexistent. Suddenly, Celeste is fleeing from the altar because of fears she hasn’t bothered to deal with before. And let’s just acknowledge another thing: Celeste should know that marriage is a bond, not a chain. She’s seen Ethan and Maggie, yes? Sees their love? Does she honestly think Mick is the kind of man to use her? Because if so, what was the purpose of the past two books? If I had just been freed, I would be ECSTATIC at getting married to the man I loved, not seeing it as parting with freedom!
And now, we come to the big plot point of Dissociate. Amaya and Celeste have to stay behind -- for some reason, because the plot is still rather unclear. Also, Mick and Torrance have to go do something together, leaving their girls behind. Did I mention that this chaos could have been simply avoided if Celeste had married Mick? Which is obviously gonna happen at some point, but for the sake of ‘character development’ (even though these characters have stopped being steady and realistic since book two) let’s have Celeste keep fighting things blindly. We have Amaya telling Mick ‘don’t rush Celeste’... what? Celeste has demons and a past to face, YES, but I’m fairly certain things might be less monstrous to handle if she actually trusted Mick (which she’s done before. She only won’t trust him now because things need heated drama) and married him. Will her scars leave? No! But she isn’t learning or healing now, either, by fighting him. In fact, if anything, she’s really done nothing to build a character arc. Her focuses are weak as far as finding her father goes. And once she became free, she didn’t let her goals go to ‘OK, I’ll go home and fix things with the Haynes family’. Nope. She remains wishy washy.
GOOD THINGS! This series is promising and the author put a lot of work into this series. I have lots of respect for that! And I'm not trying to trash this series. As in my previous reviews for the books, I'll include good things from the series, too:
-- Asher. Very nice dude.
-- Haynes family was great! Worth the reading.
-- Etra (God, basically) wasn't mentioned a whole lot but could've had potential if the Word of Etra had been more involved.
-- Humor. The characters could be witty!
-- Settings could be pretty cool, even if I wasn't sure what was going on.
-- THE SERGEANT IN BOOK ONE! I wanted more of him, he was great!
-- Intriguing, mostly, until book 3.
-- The topics of trafficking, war, fantasy and all was neato.
-- The series had good points! And strong characters at first. And promising plot lines that would've been EPIC, had things been a bit more solidly explained.
I did not finish at Dissociate (page 50) because I was no longer interested in where the plot went or what the characters did. The characters stopped being themselves, doing things that just didn’t fit. The plot and setting was often confusing (I… still have no idea what the wars were about, actually). I'm not trashing this series, but these are my thoughts, and I am in no way trying to attack the author (I wish her the best!). This series isn't for everyone, just like every other book, so I hope my reviews might give others insights on whether or not it is the series for them.
Content advisory -- Swearing (bl**dy, h***, d***, and some more I’m forgetting). Enough sexual innuendos and inappropriateness to be in an actual romance novel. Action but it never got too graphic. And, on the note of, yes, this series deals with human trafficking so ‘surely it will be gritty’ -- I suggest the movie Priceless. That handled the topic wonderfully and didn’t belittle anything, but didn’t have to make things dirty to show truth.