”The Devil wore a chef’s hat.”
The Heidelberg Cylinder is one of Jonathan Carroll’s strange morality tales — perhaps his strangest. It’s a battle between good and evil, between God and the Devil (bearing only a glancing resemblance to that traditional pair). But, as in most of Carroll’s cosmic morality tales, God sits on the sideline and allows human agency to fight the Devil. In this tale, the Devil is flooding Earth with the dead, displacing the living, and upsetting the cosmic order, and our protagonist must first be convinced that it is happening, and then recruited to help fight it.
This story is packed full of more absurd, over the top episodes, scenes, and set pieces than would seem possible in a mere novella. Carroll dials the ridiculousness up to eleven. Much of what happens starts out creepy and disturbing, but progresses to become so absurd that you are left laughing at it. (I don’t really think of Carroll as a funny writer, but in this tale he is often hilarious.)
Carroll sometimes seems to have a medieval sense of morality that demands pain and loss. Or possibly that’s just his way of portraying the reality of life. But it does mean that you shouldn’t ever expect a feel good ending from him.