This is literally the perfect summer read and I read it a month before summer but that's fine. Whenever I wasn't reading this, all I wanted to do was pick it back up and read where I'd left off. This is a beautiful story about friendship, grief, love, healthy/toxic relationships, and so much more. This book covers a variety of topics, but it never feels like it's juggling all these things into one storyline, it all feels seamless. All these different plot points connect and compliment each other and the story so nicely, and the dual perspectives really help with this. In the beginning, I wasn't too impressed with Elliot's point of view, I felt like there wasn't really a real purpose for it, like it wasn't really adding to the story in any way, and it was sort of out of place with the girls' perspectives in real time, while his were only through the past. I still feel this way to an extent, however, I feel like Dia's arc is more understandable and easier to relate to when we get a glimpse into their relationship from his perspective, rather than just Dia's memories of him.
From the synopsis of this book, I didn't figure that I would enjoy this nearly as much as I did, I don't tend to find books centred around friend groups particularly interesting, but this book is so diverse, and the characters are so lovable and different from each other, where some books with similar themes feel like the characters are the complete cardboard copies of each other save for one trait or storyline, this book delivers three completely different characters, each with their own completely unique and interesting plotlines. Dia, the leader of the group, who has big plans for every occasion and never gives up, struggles to balance parenting her two year-old daughter and her crush on this guy named Jesse while she's convinced every guy she loves will be hurt because of her, Jules, a person of color and a lesbian, who still struggles with knowing what a good relationship consists of and what makes a relationship toxic from her previous relationship, and Hanna, a recovering alcoholic who we open the story with her having been away from her ex-friends for 2 years, still struggling with her self-identity without her friends, the band, and the alcohol.
Although I liked Dia's and Jules' plotlines (admittedly, I liked Dia's the least because I could relate to her the least, though I really appreciated the teen-mom subject matter), I have to say that I was most invested in Hanna's. I think the story really handled her sobriety well and it was a pleasure to read how she struggled to distance her personhood from her drunk self to the person she's become without the alcohol, and how she realizes a part of herself again in the band. I also appreciated that her storyline didn't involve any romance like the other two, I think that I appreciated her journey to get clean more because there was no romance involved, and it was more interesting that way, her storyline involved only herself (aside from her family) without a love interest to help her along, and I think that by itself is lovely, and shows amazing writing considering her plotline was my favourite to follow despite the lack of any romance.
The journey from the beginning to seeing the girls acknowledge their actions towards each other and taking that step to make amends, and becoming the same group that they had been before, but different, was amazing to read. The way their dynamic changed from how it had been before, and the character development and forgiveness between them all was just great writing. The plot is intricate but flows out nicely, the only thing that feels rushed would be the epilogue, I felt that the story ended too quickly and time jumped rather unexpectedly, but other than that, the speed at which time passes and the past is referred to was a very comfortable speed for me to read.
And of course, I loved Jules as a character and Autumn. I love that we got to see Jules develop romantic feelings for her and we got descriptions of her being very beautiful and desirable before we learned that she's plus size. I felt this was a good storytelling direction. Not that plus size girls can't be attractive, obviously, but I felt it was a good direction because most writers feel the need to specify a character is plus size before stating them as being the subject of desire if that is even a direction that certain character can go in in the story. I felt that by leaving it out until after feelings had been developed, you got to know her as a character that was pretty and desirable yourself rather than seeing her as a plus size girl who somebody else can view as desirable. I don't know if I'm really making sense, but I know that it makes a big difference, at least for me, who literally squealed knowing a plus size girl was the object of a characters' romance plotline, without the fact that she's plus size being her main personality trait.
This book is just really good in literally every way, if you're sitting out on this one, you still have time to read it in the summer, that's when you'll get the best vibes out of it, and have the most fun reading it. It's definitely a summer read.