A BIRD OF PREY
“China is an attractive piece of meat coveted by all, but very tough, and for years no one has been able to bite into it.” – Zhou Enlai.
“All warfare is based on deception. There is no place where espionage is not used.” – Sun Tzu.
“We write our own destiny. We become what we do.” – Madame Chiang Kai-shek.
“The fires claimed him. Sometimes it is too late to save a man.” – Black Ops 2.
China is many things. Big. Old. Changing. But perhaps the most appropriate adjective to describe the world’s most populous nation is confounding. Gone are the days when it was a super-sized hellhole where millions dropped dead every week from mismanagement by Maoist fanatics. In its place stands a rapidly developing great power that has managed to acquire unfathomable riches and a stature reminiscent of its Imperial-era zenith. Behind the glitz, however, the ugliness still endures, despite attempts to mask it with rising GDP figures. It’s not just the usual abuses, but also the literal suffocation of the Chinese state. Progress run wild has led to deadly serious environmental concerns, and not even the best air filters money can buy will hide that fact.
It’s on this stage that spy thriller author Andrew Warren sets his second Thomas Caine book. Caine is a burned CIA Special Activities Division officer who was part of a deniable unit doing jobs that would have horrified even the most cynical paramilitary operative. Left to die by the Company after a job gone wrong, he survived by setting up shop in a Southeast Asian backwater before being dragged kicking and screaming back into the spying game when the Agency needed someone to uncover a plot to start World War III in the Sea of Japan. Now a deniable asset, Caine is soon caught up in a personal assignment that takes him to China. What initially begins as a debt to repay soon has him going up against one of China’s most dangerous men—a man plotting a catastrophe of nightmarish scale.
Now to the review: What is the true cost of a debt of honor?
We begin in a flashback set six years before the main events. Thomas Caine and his friend and partner, Jack Tyler, a former Delta Force operator, have set a trap for one of Afghanistan’s pre-eminent warlords on a deserted airfield in Helmand Province. Using a major arms dealer turned asset to set up the deal, they intend to lure the warlord into the open. Events take a turn for the worse, however, when an unknown team of mercenaries attacks the meeting site and Caine’s handler leaves them to die.
Caine attempts to shoot his way out with a Beretta 92FS but almost immediately finds himself one bullet away from death. Before he’s killed, Tyler fights his way down from his sniper overwatch position and saves him, but is shot through the lung by a wounded hostile. Barely dodging an airstrike and realizing he won’t make it out alive, Tyler makes Caine promise to look after his son before bleeding out at the bottom of a dried-up well.
The story then cuts to the present day. In Hong Kong, an intelligence asset is ambushed by a team of HKPF SWAT operators and an MSS officer on the Kwun Tong Promenade. Before they can take him into custody, the counterintelligence team is annihilated by a mysterious assassin who slaughters everyone involved under the glowing lights of the promenade sculpture. Contacting their handler—who is revealed to be an American—the man orders the killer to terminate his blown asset, who promptly receives a suppressed severance package through the forehead.
In Washington, the newly appointed Director of the Clandestine Service, Rebecca Freeling, faces her first major task. The son of a deceased CIA officer has been detained in China on espionage charges. With the President preparing to sign a landmark environmental cleanup agreement with the PRC, the Ministry of State Security offers to exchange the American for one of their top computer hackers, who was targeted in an extraordinary rendition. Freeling soon finds herself at an impasse with Ted Lapiski, director of the NSA’s Section S32, who took custody of the hacker and attempts to stonewall the exchange.
Across the world, in a nondescript apartment in Latvia, Thomas Caine materializes to the horror of Alan Bernatto, Freeling’s predecessor, who—due to the events of the previous book—was forced to go rogue. Subduing Bernatto in the most satisfyingly painful way possible, Caine comes seconds away from punching his target’s ticket with a 9mm hollow point before the man saves himself by blurting out that Jack Tyler’s son is in danger and imprisoned in China.
Forcing Caine to give him a head start, Bernatto reveals that the hacker Sean Tyler, set to be exchanged, hacked into a server vital to the NSA. The Shadow Factory has dispatched a human asset to sabotage the exchange by murdering Tyler in the black site where he’s being held. Arriving in Beijing, Caine sets to work. What starts as a simple jailbreak becomes far more complicated than even a hard-bitten government assassin could anticipate. Alliances are made. Wars are declared. Soon, one of the most skilled killers to come out of the Special Activities Division finds himself hunted across China by Asia’s most sophisticated intelligence service and one of the region’s most dangerous criminals. With the price of a debt of honor rising with each corpse—and a plot capable of causing the biggest ecological disaster in history about to unfold—only one question remains: How many lives do you take to save one?
In terms of plot, Red Phoenix is a true masterpiece of espionage fiction. Author Andrew Warren works in television and is also a devoted spy fiction enthusiast. Having read the old masters such as Ian Fleming and James Grady, Warren—unlike most writers in the post-9/11 world—takes an old-school approach. While his books are well researched, they also have a slightly higher dose of fun escapism and pay attention to areas neglected in the genre since the end of the Cold War: atmosphere and setting. Red Phoenix is a primary exemplar of this approach. Set in the most fully realized portrayal of modern China featured in a spy thriller to date, it balances exciting, destructive action set pieces with a serious but subtle exploration of a confounding and fascinating country and its past and present. Unlike many spy novels, the story avoids being dour and ham-fisted, instead dancing between reality and fantasy with sublime elegance.
Action and setting? Warren’s previous novel, Tokyo Black, showed that he has a gift for portraying jaw-dropping, violent shenanigans on vivid, cinematic backdrops. Red Phoenix proves that it was no fluke—with a hail of bullets. The action scenes often have far bigger scope and scale than many NYT bestselling authors can hope to manage in their careers. From a chaotic riot in a Beijing black jail to an attack by a well-armed hit squad on the Beijing–Shanghai bullet train, a violent fistfight on the world’s largest dump truck, and a high-stakes hostage exchange in the executive suite of a Shanghai skyscraper, Red Phoenix packs enough thrills to deprive a reader of sleep for days.
As for the settings, only a few spy novelists can match Warren in this department. He has the gift of truly transporting you into Caine’s world—something many members of the proverbial thriller big leagues might want to take notes on. Whether it’s a tour through one of the last surviving Beijing hutongs, a sobering look at a polluted Chinese countryside “cancer village,” or a surprise visit to Shanghai’s Pearl River Tower, Red Phoenix resurrects one of the most neglected elements of thriller writing: immersion.
Research? Outstanding. Red Phoenix is one of the few spy novels to integrate the perfect amount of real-world detail into its narrative. It’s not just the level of detail but also the kind of detail that makes this novel a standout in a genre sometimes clogged with ordnance catalogues.
Sure, there’s guns and kit—and Warren is one of the few authors to give the Chinese intelligence and law enforcement community the actual weapons they use, rather than Cold War-era hardware long retired. But he also weaves in subtle allusions to recent real-world developments in the PRC, such as growing Chinese intelligence assertiveness in Hong Kong and the detainment of foreigners on espionage charges. Unlike other novels that use the “ripped from the headlines” approach, Warren doesn’t beat you over the head—he trusts you to spot the connections.
Warren also delves deep into Chinese culture and history. There are no outdated “yellow peril” tropes in Red Phoenix. Even amid the gunfire and mayhem, the author provides a true-to-life portrayal of the PRC, its people, and its rapidly changing society. Also notable is the glimpse into the cyberwarfare operations that the USA runs against China—a quiet war far less one-sided than many assume. The author also takes real-world details and uses them creatively and unexpectedly. A standout example is the appearance of the real-life NSA Scorpion paramilitary unit, who feature in a brief but extremely violent cameo.
Now to characters. So many standouts—but I’ll focus on a few: Caine, Freeling and Galloway, Sean, and Fang.
First, Caine. Having begun to “get his life back,” to paraphrase a fellow fictional burned spy, Caine is no longer the washed-up, alcoholic petty criminal introduced in Tokyo Black. The former master assassin has purpose and is driven with laser-guided focus. Intelligent, cunning, and formidable—good with his fists, gun, a paring knife, or, in one chapter, a roll of coins—Caine avoids being superhuman thanks to opposition just as talented and competent as he is. Several times he comes close to death, notably during a scene where he barely survives a fire axe being swung at him. He is also deeply human. Straddling the line between hero and antihero, Caine is not a bad man, but mercifully avoids being turned into a Boy Scout packing a 9mm. Cool, collected, and deadly, Caine fuses the best elements of classic thriller heroes into one explosively effective package.
Next: Rebecca Freeling and her head of security, Joshua Galloway. After the events of Tokyo Black, Freeling was promoted to DCS at Langley—but that’s cold comfort, given her paralysis from the waist down. Her struggle with self-loathing and recovery is presented realistically, alongside her need to confront lethal interagency rivalry with the NSA. Despite her immobility, Rebecca remains a highly capable intelligence officer who must wage her own battles while Caine runs across China. Galloway—a former Force Recon Marine and devoted protector—is a likable, seamlessly integrated character who Rebecca relies on when she needs an off-the-books operation on American soil.
Then we have Sean Tyler. A twenty-something journalist and human rights activist, Sean has angered powerful men on both sides of the Pacific. Soon he finds himself on the run with his late father’s best friend. A military brat still bitter over his father’s absences while serving the Company, Sean slowly reconnects with him through his time with Caine. Though an idealist, Sean is not trained for covert operations, and wisely keeps his head down while Caine handles the violence. Yet he’s no mere male damsel in distress. When captured and at the mercy of a psychopath threatening to skin him alive—or throw him off a roof—Sean keeps his calm in a way that would have made his father proud.
Finally: David Fang, the villain. Ostensibly the owner of a pharmaceutical company and one of China’s wealthiest businessmen, Fang is in truth the leader of one of China’s most powerful Triads—and a man carrying deep fury. Despite escaping poverty and achieving immense wealth, nothing erases his tragic past. Warren brilliantly incorporates two of the most significant events in 20th-century Chinese history into Fang’s backstory, making him genuinely sympathetic. His rage is understandable, even if his disproportionate quest for vengeance is not excusable.
He is a very human antagonist: charismatic, passionate, compassionate toward loved ones, and utterly merciless toward enemies. His humanity, however, has been warped beyond recognition. From his introduction—where he murders a senior official who refuses his bribe—to the scene where he has rival gangsters hanged from a penthouse balcony, Fang is a terrifying figure. Warren has crafted a villain who avoids the dour clichés of modern thrillers and leaves you waiting, breath held, for his next explosion of violence.
Constructive criticism? I have none. Red Phoenix is damn near perfect and does not put a foot wrong across its 267 pages and 48 chapters.
So, Red Phoenix. My verdict is this: Many spy novels have tackled modern China in the 21st century. But out of all of them, Red Phoenix is perhaps the most genuinely enjoyable I have ever read. Packing more thrills into its narrative than most NYT bestsellers this year—and beating the headlines before they go to print—Andrew Warren has created a spellbinding, pulse-pounding tale that will leave you breathless as you reach the final page.
Featuring a story that breaks the proverbial fourth wall and pulls you into the vivid, violent world of Thomas Caine; a cast of characters who are immensely likable and fascinating to watch; research that satisfies hardcore thriller fans and casual readers alike; and some of the most beautifully realized backdrops in modern spy fiction—Red Phoenix earns my wholehearted recommendation.
Having read all the major spy novels focusing on contemporary China, I’m impressed that an indie author has produced something that not only holds its own, but in many cases surpasses the competition. So, what is the best spy novel about modern China? There are many contenders—but most have been burned by Red Phoenix.
HIGHLY RECOMMENDED.
ACTUAL RATING: SIX STARS, ROUNDED DOWN TO FIVE.