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564 pages, Paperback
First published January 1, 1946
The resemblance between the historian and the novelist, to which I have already referred, here reaches its culmination. Each of them makes it his business to construct a picture which is partly a narrative of events, partly a description of situations, exhibition of motives, analysis of characters. Each aims at making his picture a coherent whole, where every character and every situation is so bound up with the rest that this character in this situation cannot but act in this way, and we cannot imagine him as acting otherwise. The novel and the history must both of them make sense; nothing is admissible in either except what is necessary, and the judge of this necessity is in both cases the imagination. Both the novel and the history are self-explanatory, self-justifying, the product of an autonomous or self-authorizing activity; and in both cases this activity is the a priori imagination.Collingwood provides other guide posts for the ideas, or philosophy, of history, a term he spends some time defining and justifying, that I will briefly reference here so as not to exhaust my reader like Collingwood may have his:
As works of imagination, the historian's work and the novelist's do not differ. Where they do differ is that the historian's picture is meant to be true. The novelist has a single task only: to construct a coherent picture, one that makes sense. The historian has a double task: he has both to do this, and to construct a picture of things as they really were and of events as they really happened. (p. 245-246)
--the historian is studying an "actual inquiry [that] starts from a certain problem, and the purpose of the inquiry is to solve that problem" (p. 312).
--Writing history is an ongoing process of collecting and interpreting sources that is never "done" but is "only an interim report on the progress of our historical inquiries." (p. 391)
--The historian will never "know 'all about' something". . . . Even in the most favourable cases, one's ignorance is infinite. . . . There are infinities of things he does not know for every one that he does." (p. 484)
--History is tendentious (p. 398); see the quote above about historians being critics.
--The historian must study both "original sources" and "modern works" about the original sources: "To study the original sources is history; to study the modern works, and to trace in them the development of thought, is the history of history" (p. 463).
--a "universal" history of a topic is not defined by assembling a "number of separate monographs, but by the "unity of the point of view from which it is envisioned." (p. 455)
--Yet a universal history of the world is possible within boundaries that it "specializes on some particular problem to the exclusion of others." (p. 421). "Some historian . . . might select from this vast period one single limited aspect and treat the whole period as a genuine unity from that limited point of view. "(p. 481). A perfect example of this approach is my recent reading of The World: A Family History of Humanity, which reviewed all human history from the very specific aspect of human communities lead and governed by families.