Ferociously detailed, liberally illustrated, this is a lovely and comprehensive guide to Beatrix Potter in the Lake District. Several chapters cover Hill Top in depth, whilst others focus on a wider perspective and discuss Potter's work in connection with Sawrey and her 'Mrs Heelis' identity as a respected local farmer.
Denyer shines in her love for subject, and particularly in discussing Hill Top itself. These chapters take us on a specific tour of the House, covering each room in detail (I will overuse the word detail in this review, for this book is defined by it and deliciously so); and what makes these chapters better are the substantial photographs and illustrations which accompany each description. Denyer includes the sort of minute detail that a book of this nature needs, for it is fannish in tone and fans desire detail, comprehensive and insider-ly tone in nature. Detail is good. Detail is important, and though occasionally overwhelming in nature, Denyer handles her detail very well and sympathetically.
I also particularly loved how the photographs of the house and local area were paired where relevant with illustrations from Potter's book. Something like this is so important in Potter's work; an artist who fed from her local landscape and contexts and translated this into the quietly lovely masterpieces that still remain popular today, and it's rare for a book to consciously acknowledge this link between landscape and literature. I've read a lot of literary guidebooks and there's so often a slight, definite distinction between the real and the fictional; here, Denyer dissolves that quite thoroughly and I think that's the great strength of both this book and Hill Top itself. It's a permeable space, and I find that rather thrilling. A space of defiant readerly potential.
This is a good book, such a good book, and I really rather like it. More of this sort of thing please world.