"Green Fool", Kavanagh's first narrative effort was conceived and written in the London slums just before the WWII outburst, spanning the first half of his own life, predominantly coloured by the sweet rural shade of County Monaghan.
Patrick landed up in the West End with the long awaited aim of leaving behind the holy soil and the worldly life of the common country folk. Boldly determined to wander about in search of his own lay Parnassus, vaporous land where his innate daydreaming would pour into drops of poetic wizardry.
Instead, he found himself among crowds of all kind of foragers, worshippers of new gods, a few bob and scarce honest patrons.
But encouraged by a London based poetise, Helen Waddell,the Monaghan cobbler and farmer would not quit the City without putting down a detailed account of his personal experiences as a young peasant -poet.
Myriads of country folk characters are vividly drawn and exhibited throughout the pages.
A great deal of them, indeed, for Kavanagh took in his first breath in a rough traditional cabin and was raised in a hearth-kitchen , being itself dad's cobbler shop actually.
After Miss Cassidy advised him of his own literary abilities ,the very same day he gave up at school, Patrick became a renegade but decent cobbler, a cattle drover, farmer, flawed ploughman and he even flirted with "the Organisation" in his teens.
Deep inside a poet's heart kept beating though.
The rawest Naturalism, dreamy landscapes, unforgettable folks and portraits and the everyday roar of the townland fill the sheets written by Patrick in a unique humorous way.
"Green Fool" is none of those great John McGahern's perfect and symmetric novels and sounds kind of dated at times, but it works out the same anyway. It was a baby born in hard and uncertain times and needless to mention that it was written by a complete beginner .
Later on, Kavanagh would settle down in Dublin, where he made a name of himself in the Irish poetry and produced his second novel "Tarry Flynn", a more polished opus, basically the same skeleton but this time an accesible, shorter and straightforward story likewise scented by these, his own country experiences.
Before long, Patrick would become a high respected Dubliner, panellist, storyteller and a regular in the route of the most bohemian counters up to his death in 1967.